He had his chance. He blew it, and I’m out of here. Flora I’m at the bottom of the pack. I’m female, I have no family left, and everywhere a shifter is supposed to be hard, I’m soft and round. There’s one bright spot in my days—Alec Cameron. He’s hard in every way—so distant that he’s ice cold—but once in a while, he gives me a nod, and we sneak off to the woods. He’s not cold then. Not at all. I used to dream that Fate would make it official, but after so many years, I’ve given up hope. Then, at a pack run, heat strikes. Alec Cameron is my mate. In front of everyone, he turns his back on me. I didn’t know how cold he could be, but I do now, and I’ve got a choice to make. Do I hang around and deal with this messed up pack like I always do? Or do I take my new wolf, break free, and forge a new path of our own? Alec This pack is falling apart. Literally. I spend my days patching together buildings that are inches from sliding down the mountain. In my free time, I have to compete with the other two males vying for Salt Mountain alpha, the world’s worst job. I’m constantly holding everything together, and until the night of the last full moon run, there was at least one bright spot in my days. Then Flora Ritchie goes into heat at the worst possible time and place, and in all the chaos and revelations, I lose my grip. And my temper. In the blink of an eye, my mate is gone. I know how to fix things, not feelings, but if I don’t figure it out, and quickly, I’m going to lose it all. His Curvy Rejected Mate is the fourth novel in The Five Packs series, but it can be read as a standalone. No cheating. HEA guaranteed. Intended for adult readers only.

He had his chance. He blew it, and I’m out of here. Flora I’m at the bottom of the pack. I’m female, I have no family left, and everywhere a shifter is supposed to be hard, I’m soft and round. There’s one bright spot in my days—Alec Cameron. He’s hard in every way—so distant that he’s ice cold—but once in a while, he gives me a nod, and we sneak off to the woods. He’s not cold then. Not at all. I used to dream that Fate would make it official, but after so many years, I’ve given up hope. Then, at a pack run, heat strikes. Alec Cameron is my mate. In front of everyone, he turns his back on me. I didn’t know how cold he could be, but I do now, and I’ve got a choice to make. Do I hang around and deal with this messed up pack like I always do? Or do I take my new wolf, break free, and forge a new path of our own? Alec This pack is falling apart. Literally. I spend my days patching together buildings that are inches from sliding down the mountain. In my free time, I have to compete with the other two males vying for Salt Mountain alpha, the world’s worst job. I’m constantly holding everything together, and until the night of the last full moon run, there was at least one bright spot in my days. Then Flora Ritchie goes into heat at the worst possible time and place, and in all the chaos and revelations, I lose my grip. And my temper. In the blink of an eye, my mate is gone. I know how to fix things, not feelings, but if I don’t figure it out, and quickly, I’m going to lose it all. His Curvy Rejected Mate is the fourth novel in The Five Packs series, but it can be read as a standalone. No cheating. HEA guaranteed. Intended for adult readers only.

A tale as old as time—for a new generation…Isabelle is completely lost. When she first began her career in publishing right out of college, she did not expect to be twenty-five, living at home, still an editorial assistant, and the only Black employee at her publishing house. Overworked and underpaid, constantly torn between speaking up or stifling herself, Izzy thinks there must be more to this publishing life. So when she overhears her boss complaining about a beastly high-profile author who has failed to deliver his long-awaited manuscript, Isabelle sees an opportunity to finally get the promotion she deserves.All she has to do is go to the author’s Santa Barbara mansion and give him a quick pep talk or three. How hard could it be?But Izzy quickly finds out she is in over her head. Beau Towers is not some celebrity lightweight writing a tell-all memoir. He is jaded and withdrawn and—it turns out—just as lost as Izzy. But despite his standoffishness, Izzy needs Beau to deliver, and with her encouragement, his story begins to spill onto the page. They soon discover they have more in common than either of them expected, and as their deadline nears, Izzy and Beau begin to realize there may be something there that wasn't there before. Best-selling author Jasmine Guillory’s reimagining of a beloved fairy tale is a romantic triumph of love and acceptance and learning that sometimes to truly know a person you have to read between the lines.

Women have always been healers, and medicine has always been an arena of struggle between female practitioners and male professionals. This pamphlet explores two important phases in the male takeover of health care: the suppression of witches in medieval Europe and the rise of the male medical profession in the United States. The authors conclude that despite efforts to exclude them, the resurgence of women as healers should be a long-range goal of the women’s movement.

One wild night. One hungover claiming. And a pack that won’t take ‘oops’ for an answer. Free-spirited Zoe might have gotten drunk, bonded a pack, and woken up with the Sterling Pack’s claiming marks. Problem is, she’s a beta, not an omega. And the Sterling Pack? They’re not the type to make mistakes. Now four obsessive alphas are shadowing her every move, growling at anyone who breathes near her, and “accidentally” showing up at her job—daily. They say the bond is permanent. Zoe says they’re out of their damn minds. Too bad her traitorous body hasn’t gotten the memo…

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

One wild night. One hungover claiming. And a pack that won’t take ‘oops’ for an answer. Free-spirited Zoe might have gotten drunk, bonded a pack, and woken up with the Sterling Pack’s claiming marks. Problem is, she’s a beta, not an omega. And the Sterling Pack? They’re not the type to make mistakes. Now four obsessive alphas are shadowing her every move, growling at anyone who breathes near her, and “accidentally” showing up at her job—daily. They say the bond is permanent. Zoe says they’re out of their damn minds. Too bad her traitorous body hasn’t gotten the memo…

Josef und Maria Moosbrugger leben mit ihren Kindern am Rand eines Bergdorfes. Sie sind die Abseitigen, die Armen, die Bagage. Es ist die Zeit des ersten Weltkriegs und Josef wird zur Armee eingezogen. Die Zeit, in der Maria und die Kinder allein zurückbleiben und abhängig werden vom Schutz des Bürgermeisters. Die Zeit, in der Georg aus Hannover in die Gegend kommt, der nicht nur hochdeutsch spricht und wunderschön ist, sondern eines Tages auch an die Tür der Bagage klopft. Und es ist die Zeit, in der Maria schwanger wird mit Grete, dem Kind der Familie, mit dem Josef nie ein Wort sprechen wird: der Mutter der Autorin. Mit großer Wucht erzählt Monika Helfer die Geschichte ihrer eigenen Herkunft.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

A manifesto exploding what we think we know about disability, and arguing that disabled people are the real experts when it comes to technology and disability. When bioethicist and professor Ashley Shew became a self-described “hard-of-hearing chemobrained amputee with Crohn’s disease and tinnitus,” there was no returning to “normal.” Suddenly well-meaning people called her an “inspiration” while grocery shopping or viewed her as a needy recipient of technological wizardry. Most disabled people don’t want what the abled assume they want—nor are they generally asked. Almost everyone will experience disability at some point in their lives, yet the abled persistently frame disability as an individual’s problem rather than a social one. In a warm, feisty voice and vibrant prose, Shew shows how we can create better narratives and more accessible futures by drawing from the insights of the cross-disability community. To forge a more equitable world, Shew argues that we must eliminate “technoableism”—the harmful belief that technology is a “solution” for disability; that the disabled simply await being “fixed” by technological wizardry; that making society more accessible and equitable is somehow a lesser priority. This badly needed introduction to disability expertise considers mobility devices, medical infrastructure, neurodivergence, and the crucial relationship between disability and race. The future, Shew points out, is surely disabled—whether through changing climate, new diseases, or even through space travel. It’s time we looked closely at how we all think about disability technologies and learn to envision disabilities not as liabilities, but as skill sets enabling all of us to navigate a challenging world.

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” —David Levering Lewis, winner of the Pulitzer Prize The Second Emancipation, a work of Odyssean dimension, recasts the liberation of post–World War II colonial Africa and the American civil rights struggle through the lens of Ghana’s revolutionary visionary Kwame Nkrumah (1909–1972), who emerges as the most significant African leader of the twentieth century. Determined that readers fully understand Nkrumah’s legacy, bestselling author of Born in Blackness Howard W. French newly dramatizes the Nkrumah story—his humble beginnings, his momentous experience in Harlem, his American education, and his return to Ghana in the final years of British subjugation. The language soars as French evokes an entire continent in the throes of liberation and a roiling United States in the Cold War era. In its dramatic depiction of a continent that once exuded the promise of a newly won freedom, The Second Emancipation is a generational work that positions not only Africa but also the American civil rights movement at the forefront of modern-day history.

Award-winning novelist Caro De Robertis offers a first-of-its-kind, deeply personal, and moving oral history of a generation of queer and trans elders of color, from leading activists to artists to ordinary citizens to tell their stories of breathtaking courage, cultural innovations, and acts of resistance, all in their own words.So Many Stars knits together the voices of trans, nonbinary, genderqueer and two spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world, how they pursued their passions, and how they continue to be at the vanguard of social change. This singular project collects the testimonies of over a dozen elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations—who can more fully exist in the world today because of these very voices. Award-winning novelist De Robertis creates a collective coming-of-age story based on hundreds of hours of interviews, offering rare snapshots of ordinary kids growing up, navigating family issues and finding community, coming out and changing how they identify over the years, building movements and weathering the AIDS crisis, and sharing wisdom for future generations. Often narrating experiences that took place before they had the array of language that exists today to self-identify and to describe life beyond the gender binary, this generation lived through remarkable changes in American culture, shaped American culture, and yet rarely takes center stage in the history books. Their stories feel particularly urgent in the current political moment, but also remind readers that their experiences are not new. Young trans and nonbinary people of color today belong to a long lineage.   The anecdotes in these pages are riveting, joyful, heartbreaking—so full of life and personality and wisdom, and artfully woven together into one immersive narrative. In De Robertis’s words, So Many Stars shares “behind-the-scenes tales of what it meant—and still means—to create an authentic life, against the odds.”

Since its U.S. debut almost fifty years ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe. Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably. This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

A groundbreaking global history of gender nonconformity   Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives.     Before We Were Trans  illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Kit Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans  transports us from Renaissance Venice to seventeenth-century  Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures.  

In Téa Mutonji's disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides to shave her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed. Shut Up You're Pretty is the first book to be published under the imprint VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of colour.

Yaa Gyasi's stunning follow-up to her acclaimed national best seller Homegoing is a powerful, raw, intimate, deeply layered novel about a Ghanaian family in Alabama. Gifty is a fifth-year candidate in neuroscience at Stanford School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after a knee injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief--a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.

Yaa Gyasi's stunning follow-up to her acclaimed national best seller Homegoing is a powerful, raw, intimate, deeply layered novel about a Ghanaian family in Alabama. Gifty is a fifth-year candidate in neuroscience at Stanford School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after a knee injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief--a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.