In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. Her relatives were shot and poisoned. And it was just the beginning, as more members of the tribe began to die under mysterious circumstances. In this last remnant of the Wild West—where oilmen such as J. P. Getty made their fortunes and where desperadoes such as Al Spencer, the “Phantom Terror,” roamed—many of those who dared to investigate the killings were themselves murdered. As the death toll climbed to more than twenty-four, the relatively new FBI took over. It was one of the organization’s first major homicide cases but the bureau badly bungled the investigation. In desperation, the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. White put together an undercover team, including an American Indian agents in the bureau. Together with the Osage they began to expose one of the most chilling conspiracies in American history. In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. Based on years of research and startling new evidence, the book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward American Indians that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly compelling, but also emotionally devastating.

Mash Cassidy, smooth-talking werewolf and notorious ladies’ man, has been running from his responsibilities, and his pack, for fifteen years. But with Harvest Fest only weeks away, Alpha’s ordering him to return home, and she won’t take no for an answer. It’s time for him to grow up and mate with a nice werewolf girl. In fact, Alpha already has one in mind. But Mash wasn’t built for settling down, and in a desperate move to keep Alpha off his back, he drags his wolf shifter best friend Cian into another of his harebrained pretend to be a werewolf and pose as his fake-mate for two whole months. What could go wrong? They’re just friends, and Mash definitely hasn’t been developing unusual feelings for him… Cian Barker, hipster wolf shifter and tech whiz, has been in love with his best friend since the day they met at uni. It doesn’t matter that Mash is straight and completely unobtainable, Cian is just happy to have him in his life. But when Mash asks him to be his fake-mate during the family’s Harvest Fest celebration, Cian might have reached his limits with how far he’ll go for Mash. At least until he’s faced with his favourite pair of puppy-dog eyes. The ones he just can’t seem to resist. It’ll be fine. Cian can pretend—he’s been pretending for their entire friendship. Besides, it’s not like Mash will ever love him back… The Good Boys Club is an MM best-friends-to-lovers paranormal romance and the second in the Mythical Mishaps series of interconnected standalones. Expect the usual silliness, slow burn, lots of pining, plenty of scent marking, and a tonne of praise for the bestest boy in the Eight and a Half Kingdoms.

A small-town brother's best friend romance After eight years in the Marines, I’m still looking for the mysterious woman I’ve obsessed over since her first letter. When she shows up in my small town, I’m thrilled. It turns out she’s my brother’s best friend--and the girl he’s always loved-- now I’m caught between the two people who matter to me the most. I’m a Marine which means honor and duty runs deep. Joanna is off-limits. That would be a whole lot easier if she hadn’t already agreed to helping run my brother’s fishing guide business for the summer, forcing me to work side-by-side with the woman I’ve fantasized about for years. I can keep her at a distance, push her away, man up. But she draws me in without even trying and I can’t get enough of how she makes me feel. I’m stealing moments with her and I know it’s wrong. She may not be my brother’s girlfriend, but I know a landmine when I see one. Does being an honorable man really mean I have to let her go?

Giving voice to people living on the periphery in post-communist Bulgaria, Four Minutes centers around Leah, an orphan who suffered daily horrors growing up, and now struggles to integrate into society as a gay woman. She confronts her trauma by trying to volunteer at the orphanage, and to adopt a young girl—a choice that is frustrated over and over by bureaucracy and the pervasive stigma against gay women. In addition to Leah’s narrative, the novel contains nine other standalone character studies of other frequently ignored voices. These sections are each meant to be read in approximately four minutes, a nod to a social experiment that put forth the hypothesis that it only takes four minutes of looking someone in the eye and listening to them in order to accept and empathize with them. A meticulously crafted social novel, Four Minutes takes a difficult, uncompromising look at modern life in Eastern Europe.

A small-town brother's best friend romance After eight years in the Marines, I’m still looking for the mysterious woman I’ve obsessed over since her first letter. When she shows up in my small town, I’m thrilled. It turns out she’s my brother’s best friend--and the girl he’s always loved-- now I’m caught between the two people who matter to me the most. I’m a Marine which means honor and duty runs deep. Joanna is off-limits. That would be a whole lot easier if she hadn’t already agreed to helping run my brother’s fishing guide business for the summer, forcing me to work side-by-side with the woman I’ve fantasized about for years. I can keep her at a distance, push her away, man up. But she draws me in without even trying and I can’t get enough of how she makes me feel. I’m stealing moments with her and I know it’s wrong. She may not be my brother’s girlfriend, but I know a landmine when I see one. Does being an honorable man really mean I have to let her go?

Giving voice to people living on the periphery in post-communist Bulgaria, Four Minutes centers around Leah, an orphan who suffered daily horrors growing up, and now struggles to integrate into society as a gay woman. She confronts her trauma by trying to volunteer at the orphanage, and to adopt a young girl—a choice that is frustrated over and over by bureaucracy and the pervasive stigma against gay women. In addition to Leah’s narrative, the novel contains nine other standalone character studies of other frequently ignored voices. These sections are each meant to be read in approximately four minutes, a nod to a social experiment that put forth the hypothesis that it only takes four minutes of looking someone in the eye and listening to them in order to accept and empathize with them. A meticulously crafted social novel, Four Minutes takes a difficult, uncompromising look at modern life in Eastern Europe.

It’s all fun and games… until your heart is on the line! When she isn’t busy building her fashion business, Samadhi ‘Sam’ Ranaweera turns to her other passion to de-stress: competitive late-night gaming (in secret, of course). She can’t believe her luck when she’s selected to play in a virtual tournament with notoriously elusive gamer Blaze. Blaze is a little cocky and very self-assured – no surprises, given his huge online popularity – and Sam feels under pressure to impress him with her gameplay. But she has no idea that in real life, he’s just shy Luke Burneside, the awkward guy from her office. And despite his regular coffee deliveries to her desk, Sam barely notices Luke… because with each day, she’s falling harder for Blaze. As her crush intensifies with each game and she becomes obsessed with winning Blaze’s attention, will Sam lose her chance with the man right under her nose?

Kate Tempest, winner of the Ted Hughes Prize for Brand New Ancients and widely regarded as the UK's leading spoken word poet, has produced a new poem-sequence of electrifying power. Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

In this era-defining book, developed from her groundbreaking Radio 4 essay series, Naomi Alderman turns her boundless curiosity and incisive thinking to explore the epoch we’re living through, an epoch she calls the "Information Crisis." The internet has flooded us with more knowledge, opinions, ideas, and opportunities as well as verbal attacks, disinformation, and misinformation than ever before. It lets us learn more quickly and also spread falsehoods more quickly. It brings us together and also divides us in new ways. It is now the lens through which we perceive and understand the world. There is no going back, but we have been here before: This is humanity’s third information crisis. The first, the invention of writing 5,000 years ago, and the second, the invention of the printing press 600 years ago, drastically reshaped our perceptions, interactions, and mental landscapes in ways that feel acutely familiar. Overwhelmed by information, people become afraid and angry, unsettled and distressed, as well as more knowledgeable, educated, and curious. By looking at those previous information crises, both the turmoil and the advances, Alderman asks what we can learn from the past to better understand our present and prepare for our future.

Kate Tempest, winner of the Ted Hughes Prize for Brand New Ancients and widely regarded as the UK's leading spoken word poet, has produced a new poem-sequence of electrifying power. Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

The first English translation of celebrated Swiss-German novelist Sibylle Berg, Grime is a manifesto for fury, escape, and individual revolt…

Layla Fitzpatrick lives a simple life, for a werewolf. And that's just how she likes it. Her childhood was less than ideal. She'd like to spend her adult years flying under the radar of more powerful preternatural creatures. Because she knows from experience what happens when they notice you. Everything changes one early summer night when she attends a ritual bonding ceremony meant to join two werewolves together for life. Midway through, the spell becomes corrupted and she finds herself unexpectedly mated to the stuffiest shifter she's ever laid eyes on. Michael Kolbeck is more man than wolf. He spends his days in a skyscraper, building his family's empire. At night, he prowls the streets of Boston, a city where shifters, witches, and vampires walk a delicate tightrope of ceasefire masquerading as peace. Little do they know that Layla's arrival will act as the spark that ignites the fire, and that thin veneer of peace is about to vanish.