From gifted new writer Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder And Only to Deceive For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek. Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

Gower Street, London, 1882: Sidney Grice, London's most famous personal detective, is expecting a visitor. He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door. March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all... Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

Amelia Peabody, that indomitable product of the Victorian age, embarks on her debut Egyptian adventure armed with unshakable self-confidence, a journal to record her thoughts, and, of course, a sturdy umbrella. On her way to Cairo, Amelia rescues young Evelyn Barton-Forbes, who has been abandoned by her scoundrel lover. Together the two women sail up the Nile to an archeological site run by the Emerson brothers-the irascible but dashing Radcliffe and the amiable Walter. Soon their little party is increased by one-one mummy that is, and a singularly lively example of the species. Strange visitations, suspicious accidents, and a botched kidnapping convince Amelia that there is a plot afoot to harm Evelyn. Now Amelia finds herself up against an unknown enemy-and perilous forces that threaten to make her first Egyptian trip also her last . . .

1805. An engagement party is taking place for Mr Richard Montague, son of wealthy landowner Sir Edgar Montague, and his fiancee Catherine. During a dance with his beloved, a strange thing a man appears at Richard's shoulder and appears to communicate something to him without saying a word. Instantly breaking off the engagement, he rushes off to speak to his father, never to be seen again. Distraught with worry, Catherine sends for her spinster aunt, Miss Dido Kent, who has a penchant for solving mysteries. Catherine pleads with her to find her fiance and to discover the truth behind his disappearance. It's going to take a lot of logical thinking to untangle the complex threads of this multi-layered mystery, and Miss Dido Kent is just the woman to do it.

New York City, 1920. Grace Michelle has everything she wants: a home, a family, and a future career as a costume designer for famed showman Florenz Ziegfeld, Jr.'s Ziegfeld Follies. Pretty good for a girl who once lived on the streets of New York City. But when her sister, Sophia, the star of the show, is murdered, Grace's safe and protected life is shattered. Battle-scarred by the war and emotionally scarred by his past, Chet Riker has made it a practice to keep his distance from others; love, after all, leads only to pain. But Chet has a problem--a big one: he's become indebted to mob-boss Joe Marciano in an attempt to save his estranged mother's life, and Marciano wants him to pay up or else. Desperate to get the money, he contacts former client Florenz Ziegfeld for work. Soon, Chet finds himself playing bodyguard for introverted Grace, who has reluctantly agreed to be Ziegfeld's new leading lady--on the condition that Ziegfeld promises to find Sophia's killer. Upon meeting Grace, Chet quickly finds his hardened theory that love equals pain tested. Grace, meanwhile, is swept up in a life she never wanted as the Follies' star, and as the pawn in a series of publicity stunts during a transcontinental train trip to California that puts her life at risk. Who would want her and Sophia dead? Together, she and Chet must confront publicity-hungry Florenz Ziegfeld, power-driven Joe Marciano, and their own pasts to find Sophia's killer--and let themselves love once again.