This is the story of Corlath, golden-eyed king of the Free Hillfolk, son of the sons of the Lady Aerin. And this is the story of Harry Crewe, the Homelander orphan girl who became Harimad-sol, King's Rider, and heir to the Blue Sword, Gonturan, that no woman had wielded since the Lady Aerin herself bore it into battle. And this is the song of the kelar of the Hillfolk, the magic of the blood, the weaver of destinies...

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

Coda to The Last Unicorn – a novelette. Available for free on the author's website.

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

With Elspeth, the heir to the throne of Valdemar, come of marriageable age, Talia, the Queen's Own Herald returns to court to find Queen and heir beset by diplomatic intrigue as various forces vie for control of Elspeth's future. But just as Talia is about to uncover the traitor behind all these intrigues, she is sent off on a mission to the neighboring kingdom, chosen by the Queen to investigate the worth of a marriage proposal from Prince Ancar.

A former slave fighting for justice. A reclusive warrior who no longer believes it exists. And a dark magic that will entangle their fates. Ripped from a forgotten homeland as a child, Tisaanah learned how to survive with nothing but a sharp wit and a touch of magic. But the night she tries to buy her freedom, she barely escapes with her life. Desperate to save the best friend she left behind, Tisaanah journeys to the Orders, the most powerful organizations of magic Wielders in the world. But to join their ranks, she must complete an apprenticeship with Maxantarius Farlione, a handsome and reclusive fire wielder who despises the Orders. The Orders’ intentions are cryptic, and Tisaanah must prove herself under the threat of looming war. But even more dangerous are her growing feelings for Maxantarius. The bloody past he wants to forget may be the key to her future… or the downfall of them both. But Tisaanah will stop at nothing to save those she abandoned. Even if it means gambling in the Orders’ deadly games. Even if it means sacrificing her heart. Even if it means wielding death itself. Fans of epic romantic fantasy like Sarah J. Maas and Raven Kennedy will devour this tale of dark magic, passionate romance, vengeance, and redemption.

With Elspeth, the heir to the throne of Valdemar, come of marriageable age, Talia, the Queen's Own Herald returns to court to find Queen and heir beset by diplomatic intrigue as various forces vie for control of Elspeth's future. But just as Talia is about to uncover the traitor behind all these intrigues, she is sent off on a mission to the neighboring kingdom, chosen by the Queen to investigate the worth of a marriage proposal from Prince Ancar.

Set in the medieval fantasy kingdom of Valdemar, this unique and exciting novel continues the story of Talia. Having mastered the powers necessary to a guardian of the kingdom, she faces the final preparation for her initiation as adviser and protector of the Queen.