Georgetown, Washington D.C. Actress and divorced mother Chris MacNeil starts to experience 'difficulties' with her usually sweet-natured eleven-year-old daughter Regan. The child becomes afflicted by spasms, convulsions and unsettling amnesiac episodes; these abruptly worsen into violent fits of appalling foul-mouthed curses, accompanied by physical mutation. Medical science is baffled by Regan's plight and, in her increasing despair, Chris turns to troubled priest and psychiatrist Damien Karras, who immediately recognises something profoundly malevolent in Regan's distorted fetures and speech. On Karras's recommendation, the Church summons Father Merrin, a specialist in the exorcism of demons . . .

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past—and your family—can haunt you like nothing else. When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market. But some houses don’t want to be sold, and their home has other plans for both of them…

Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past—and your family—can haunt you like nothing else. When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market. But some houses don’t want to be sold, and their home has other plans for both of them…

Behind the glamour of Gilded Age New York, a marriage of convenience between an artisan and a ballerina masks their shared appetite for revenge in this darkly seductive gothic romance. In early 1900s New York, former ballerina Petronille De Villier makes an unconventional Marry struggling sculptor Arkady Kamenev. For her, it’s an escape from her family’s unsavory legacy. For him, the De Villier name promises the patronage his art desperately needs. It should be a simple arrangement. But beneath their marriage of convenience lurks a darker recognition. In each other, they see a reflection of their own dangerous appetites. As buried secrets surface and bodies begin disappearing, Petronille and Arkady discover their union runs deeper than social advantage. Their shared obsessions draw them into an intoxicating dance of predator and prey, though it’s never quite clear who is which. Bound by law, God, and blood, they must decide if their monstrous natures will tear them apart or forge them into something terribly wonderful together. In a world where nothing is quite what it seems, two creatures of shadow learn that true love requires a taste for the macabre.

Behind the glamour of Gilded Age New York, a marriage of convenience between an artisan and a ballerina masks their shared appetite for revenge in this darkly seductive gothic romance. In early 1900s New York, former ballerina Petronille De Villier makes an unconventional Marry struggling sculptor Arkady Kamenev. For her, it’s an escape from her family’s unsavory legacy. For him, the De Villier name promises the patronage his art desperately needs. It should be a simple arrangement. But beneath their marriage of convenience lurks a darker recognition. In each other, they see a reflection of their own dangerous appetites. As buried secrets surface and bodies begin disappearing, Petronille and Arkady discover their union runs deeper than social advantage. Their shared obsessions draw them into an intoxicating dance of predator and prey, though it’s never quite clear who is which. Bound by law, God, and blood, they must decide if their monstrous natures will tear them apart or forge them into something terribly wonderful together. In a world where nothing is quite what it seems, two creatures of shadow learn that true love requires a taste for the macabre.