An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price. Until something goes wrong. . . . In Jurassic Park, Michael Crichton taps all his mesmerizing talent and scientific brilliance to create his most electrifying technothriller.

A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid’s life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid’s worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet- and celebrity-obsessed world.

Geeta's no-good husband disappeared five years ago. She didn't kill him, but everyone thinks she did--no matter how much she protests. But she soon discovers that being known as a "self-made" widow has some surprising perks. No one messes with her, no one threatens her, and no one tries to control (ahem, marry) her. It's even been good for her business; no one wants to risk getting on her bad side by not buying her jewelry. Freedom must look good on Geeta, because other women in the village have started asking for her help to get rid of their own no-good husbands...but not all of them are asking nicely. Now that Geeta's fearsome reputation has become a double-edged sword, she must decide how far to go to protect it, along with the life she's built. Because even the best-laid plans of would-be widows tend to go awry.

An insanely competitive housing market. A desperate buyer on the edge. In Marisa Kashino’s darkly hilarious debut novel, Best Offer Wins, the white picket fence becomes the ultimate symbol of success—and obsession. How far would you go for the house of your dreams? Eighteen months and 11 lost bidding wars into house-hunting in the overheated Washington, DC suburbs, 37-year-old publicist Margo Miyake gets a tip about the perfect house, in the perfect neighborhood, slated to come up for sale in one month. Desperate to escape the cramped apartment she shares with her husband Ian—and in turn, get their marriage, plan to have a baby, and whole life back on track—Margo becomes obsessed with buying the house before it’s publicly listed and the masses descend (with unbeatable, all-cash offers in hand). A little stalking? Harmless. A bit of trespassing? Necessary. As Margo infiltrates the homeowners’ lives, her tactics grow increasingly unhinged—but just when she thinks she’s won them over, she hits a snag in her plan. Undeterred, Margo will prove again and again that there’s no boundary she won’t cross to seize the dream life she’s been chasing. The most unsettling part? You’ll root for her, even as you gasp in disbelief. Dark, biting, and laugh-out-loud funny, Best Offer Wins is a propulsive debut and a razor-sharp exploration of class, ambition, and the modern housing crisis.

A groundbreaking account of how the legal system punishes those it purports to protect, told through the deeply reported stories of three unforgettable women When award-winning journalist Justine van der Leun first reported on the issue of criminalized survival, she was astonished to see how women were being imprisoned for protecting themselves against abuse. She wondered how often survivors are targeted for prosecution. To find out, she began an intensive, years-long investigation—traveling coast to coast and collecting more than a thousand personal accounts from women’s prisons. In Unreasonable Women, van der Leun tells the propulsive, shocking, and intimate stories of three extraordinary women, caught in the direst circumstances, who had to kill to survive. Tanisha is a Michigan sex worker and fledgling entrepreneur determined to help detectives solve a cold case, whatever the consequences. Jema is a softhearted factory worker from Missouri, struggling to keep her family together as she navigates an increasingly dangerous relationship. TC is a bold Californian trying, along with her mother, to escape generations of trauma—and a toxic family environment. Each woman was abused in childhood, only to find that abuse replicated in adulthood, until they were ultimately forced to make an impossible choice. A work of literary reportage that feels like the most dynamic crime novel, Unreasonable Women is the result of seven years of intensive, unprecedented research and on-the-ground reporting in prisons across the United States. It is the story of women and violence in America—and a wake-up call about a system that would rather condemn a woman to life behind bars than face its failings. It is also the moving story of three women who find hope and humanity in the unlikeliest of places.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.