From sci-fi visionary and acclaimed author Annalee Newitz comes Automatic Noodle, a cozy near-future novella about a crew of abandoned food service bots opening their very own restaurant. While San Francisco rebuilds from the chaos of war, a group of food service bots in an abandoned ghost kitchen take over their own delivery app account. They rebrand as a neighborhood lunch spot and start producing some of the tastiest hand-pulled noodles in the city. But there’s just one problem. Someone―or something―is review bombing the restaurant’s feedback page with fake “bad service” reports. Can the bots find the culprit before their ratings plummet and destroy everything they created?

L. M. Sagas' debut, Cascade Failure, is a highly commercial, sci-fi adventure blending J. S. Dewes' Divide series with the broad fan appeal of The Expanse and the cozy sf of Becky Chambers. It features a fierce, messy, chaotic space fam, vibrant worlds, and an exploration of the many ways to be―and not to be―human. There are only three real powers in the universe: the corporate power of the Trust versus the Union's labor's leverage. And between them, the Guild tries to keep everyone's hands above the table. It ain't easy. Branded a Guild deserter, Jal "accidentally" lands a ride on a Guild ship. Helmed by an AI, with a ship's engineer/medic who doesn't see much of a difference between the two jobs, and a "don't make me shoot you" XO, the Guild crew of the Ambit is a little . . . different. They're also in over their heads. Responding to a distress call from an abandoned planet, they find a mass grave, and a live programmer who knows how it happened. The Trust has plans. This isn't the first dead planet, and it's not going to be the last. Unless the crew of the Ambit can stop it. Ambit's Run series Cascade Failure

A slender novel of epic power, Orbital  deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.  Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—a daring, moving tale of memory and fate from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier. When a pair of young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become home to an extraordinary succession of inhabitants . An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to apples. A pair of spinster twins survive war and famine, only to succumb to envy and desire. A crime reporter unearths a mass grave, but finds the ancient trees refuse to give up their secrets. A lovelorn painter, a conman, a stalking panther, a lusty beetle; as each one confronts the mysteries of the north woods, they come to realize that the dark, raucous, beautiful past is very much alive. Traversing cycles of history, nature, and even literature, North Woods shows the myriad, magical ways in which we’re connected to our environment and to one another, across time, language and space. Written along with the seasons and divided into the twelve months of the year, it is an unforgettable novel about secrets and fates that asks the timeless how do we live on, even after we’re gone?

A palace the size of a city, ruled by giant Ladies of unknowable, eldritch origin. A land left to slow decay, drowning in the debris of generations. All this and more awaits you within The West Passage, a delightfully mysterious and intriguingly weird medieval fantasy unlike anything you've read before. When the Guardian of the West Passage died in her bed, the women of Grey Tower fed her to the crows and went back to their chores. No successor was named as Guardian, no one took up the fallen blade; the West Passage went unguarded. Now, snow blankets Grey in the height of summer. Rats erupt from beneath the earth, fleeing that which comes. Crops fail. Hunger looms. And none stand ready to face the Beast, stirring beneath the poisoned soil. The fate of all who live in the palace hangs on narrow shoulders. The too-young Mother of Grey House sets out to fix the seasons. The unnamed apprentice of the deceased Grey Guardian goes to warn Black Tower. Both their paths cross the West Passage, the ancient byway of the Beast. On their journeys they will meet schoolteachers and beekeepers, miracles and monsters, and very, very big Ladies. None can say if they'll reach their destinations, but one thing is for the world is about to change.

A visionary novel about the collision of technology and play, horror and humanity, from a master of the spine-tingling tale. They've infiltrated homes in Hong Kong, shops in Vancouver, the streets of Senegal, town squares of Oaxaca, schools in Tel Aviv, bedrooms in Ohio. They're following you. They're everywhere now. They're us. In Samanta Schweblin's wildly imaginative new novel, Little Eyes, "kentukis" have gone viral across the globe. They're little mechanical stuffed animals that have cameras for eyes, wheels for feet, and are connected to an anonymous global server. Owners of kentukis have the eyes of a stranger in their home and a cute squeaking pet following them; or you can be the kentuki and voyeuristically spend time in someone else's life, controlling the creature with a few keystrokes. Through kentukis, a jaded Croatian hustler stumbles into a massive criminal enterprise and saves a life in Brazil, a lonely old woman in Peru becomes fascinated with a young woman and her louche lover in Germany, and a motherless child in Antigua finds a new virtual family and experiences snow for the first time in Norway. These creatures can reveal the beauty of connection between farflung souls - but they also expose the ugly humanity of our increasingly linked world. Trusting strangers can lead to unexpected love and marvelous adventure, but what happens when the kentukis pave the way for unimaginable terror?

The Lighthouse at the Edge of the World by J. R. Dawson is a powerful and poignant contemporary queer fantasy. Perfect for fans of Hadestown and Under the Whispering Door by TJ Klune.Love doesn’t die, people do . . .At the edge of Chicago, nestled on the shores of Lake Michigan, there is a waystation for the dead. Every night, the newly-departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives, before stepping aboard a boat to go beyond.Nera has spent decades watching her father – the ferryman of the dead – sail across the lake, each night just like the last.But tonight, something is wrong.The Station's lighthouse has started to flicker out. The terrifying, ghostly Haunts have multiplied in the city. And now a person – a living person has found her way onto the boat.Her name is Charlie. She followed a song. And she is searching for someone she lost.From the author of The First Bright Thing, The Lighthouse at the Edge of the World is a moving and emotional story of magic, family and those who leave us alone - but who might not remain lost.

Jack Holloway works alone, for reasons he doesn't care to talk about. Hundreds of miles from ZaraCorp's headquarters on planet, 178 light-years from the corporation's headquarters on Earth, Jack is content as an independent contractor, prospecting and surveying at his own pace. As for his past, that's not up for discussion. Then, in the wake of an accidental cliff collapse, Jack discovers a seam of unimaginably valuable jewels, to which he manages to lay legal claim just as ZaraCorp is cancelling their contract with him for his part in causing the collapse. Briefly in the catbird seat, legally speaking, Jack pressures ZaraCorp into recognizing his claim, and cuts them in as partners to help extract the wealth. But there's another wrinkle to ZaraCorp's relationship with the planet Zarathustra. Their entire legal right to exploit the verdant Earth-like planet, the basis of the wealth they derive from extracting its resources, is based on being able to certify to the authorities on Earth that Zarathustra is home to no sentient species. Then a small furry biped—trusting, appealing, and ridiculously cute—shows up at Jack's outback home. Followed by its family. As it dawns on Jack that despite their stature, these are people, he begins to suspect that ZaraCorp's claim to a planet's worth of wealth is very flimsy indeed…and that ZaraCorp may stop at nothing to eliminate the "fuzzys" before their existence becomes more widely known.

An anthology of weird, fantastic, supernatural, Dalit futurist, & magical realist fiction by writers from South Asia and the diaspora. This book features a mix of original English short stories and works in translation, as well as a few comics/graphic narratives. Some are by well-known superstars of Dalit and Bahujan literature, others by emerging or newly-emerged authors. The list of writers includes: Bama, Dalit feminist icon and author of the groundbreaking novel Karukku (1992). Her brand new story "Kurali" is about a group of villagers who put on a sound & light show for some ravenous ghosts. (Translated from the Tamil by Meena Kandasamy.) Mimi Mondal, whose fiction has twice been nominated for the Nebula Award, who co-edited a Hugo-nominated and Locus Award-winning anthology on the work of Octavia Butler, and who has written adventures for Dungeons & Dragons. (She also interned at Blaft, once upon a long, long time ago...!) Gautamiputra Kamble, Marathi-language author of Parivrajak, a fable about two wanderers on a journey to a forbidden mountain. (In translation by Sirus Libeiro.) Gogu Shyamala, Telugu-language author of Father May Be an Elephant and Mother Only a Small Basket, But.... (2012). Her new story is "The Mysterious Ladder." (In Translation by Divya Kalavala.) P. A. Uthaman (1961-2008), Malayalam-language author of Chaoli, for which he posthumously won the Kerala Sahitya Academy Award for best novel in 2008. We'll be including his story "The River Didn't Know, Either", about a magical family heirloom. (In translation by Mridula Makkuni.) Neerav Patel (1950-2019), founder of the Gujarati Dalit literary magazine Kalo Suraj ("Black Sun"). His story deals with caste oppression among the robots. (In translation by Gopika Jadeja.) Tamilmagan, Tamil-language author of the science fiction novel Operation Nova and the collection Amila Devathaigal ("Acid Angels"). His story in this anthology is about a far-future Indian city where something very strange has happened to the agrarian class. (In translation by Nirmal Rajagopalan.) Sumit Kumar, founder of the independent comics publisher Bakarmax, and creator of the graphic novels Amar Bari Tomar Bari Naxalbari and Kashmir ki Kahani. Archita Mittra, whose work has been published or is forthcoming in Lightspeed, Locus Magazine, Reactor, and Strange Horizons, among other venues. She is an Ignyte Award finalist for Best Critic while her fiction and poetry have been nominated for the Pushcart and Best of the Net prizes. Goutam Mandal, a Bengali science fiction novelist and thriller writer who has also translated Japanese yokai stories into Bengali. (In translation by Ipsa S. and Pratiti Ketoki.) V. Chandrashekar Rao Sahej Rahal Rahee Punyashloka Kunal Lokhande Subash Thebe Limbu Nabi Haider Ali Esther Larisa David Snehashish Das Hameedha Khan Aswathy K. Raj Gouri Gitanjali Joshua Prachi Singh Shivani Kshirsagar Yukti Narang Sudarshan Devadoss & M.K. Abhilash Yeswanth Mocharla

When Davis Kennedy interviews at a mysterious new startup called Paradox Inc., he’s startled to find the venue is in the past. Silicon Valley’s emerging “temporal engineering” sector has just cracked time travel, and companies are racing to exploit it for productivity hacks that would make Steve Jobs’s head spin. Despite initial hesitations, Davis takes the job—only to find himself at the center of a frenzied tech arms race to bring consumer time travel to market. As corporate recklessness fractures reality itself, Davis struggles to clean up his colleagues’ messes. Even worse, his billionaire founder isn’t just in it for the science—he has far more sinister plans. If he gains control of the future, it might already be too late to stop him. Told in a mockumentary style with rotating POVs, Paradox Inc. follows Davis; Gloria, an executive at a rival tech firm battling time travel-induced chaos; and Lena, a journalist profiling Paradox Inc.'s founder, only to uncover a much larger conspiracy.

“One of the finest writers of the new non-fiction” (Harper’s Bazaar) explores the role of art in the tumultuous twenty-first century. In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the twenty-first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living. Funny Weather brings together a career’s worth of Laing’s writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.