Speak another people's language. Know them. Become them. And discover you've destroyed them. In his training as a spy, Ro was warned: you will always be living a lie. Jumping into a Star Eater's mind in the first place requires a moment of perfect psychic connection, and he has studied all his life to comprehend their species. Admires them, respects them, is reverent at the idea of being one of them—the only species physiologically capable of mining the element needed for lightyear-spanning space travel. The species all others crave to know more of, but who have notoriously shared so very little. The species Ro's own small civilization, with its dwindling resources and withering reach, needs to know more about. It will feel real, his elders impressed upon him. It will never be real. But Ro's certainty runs deep: he will be different. Ro will not be an imposter hiding the truth of his past, because his heart will be one of them. He will be one of them. To understand is to become. It never occurs to him that the mere act of understanding can destroy.

A dark and utterly original literary horror debut, following a priest whose bloodthirsty life has extended far longer than any mere human’s—and is upended when a stranger comes to town Stutley Tillinghast lives a solitary life, ostensibly as the minister of a remote rural parish in Rhode Island. For many decades now, what little human contact he’s allowed himself has been brief, frenzied and bloody, and has always ended in a shallow grave in his cellar. There’s a name for what he is, but he prefers not to use it: it is simple enough that he has his needs, and that when they become unbearable, he fulfils them. In his long and lonely life, he has met only one other like him—the woman he still yearns for, the one who made him what he is. Then a girl arrives, searching for him. She has his last name, and bears an uncanny resemblance to that woman, awakening memories Tillinghast had long suppressed; the connection he feels for her is immediate and overwhelming. She’s also sick, very sick, with symptoms Tillinghast recognizes all too well…and only he knows how to cure her. Inspired by the real events of the New England vampire panic of the nineteenth century, TILLINGHAST is a novel to sink your teeth into: at once a gripping, atmospheric horror that turns the classic monster narrative on its head; a literary work of exceptional prose about giving into–or resisting–our impulses; and a remarkably moving father-daughter story that will leave you unexpectedly hopeful—and rooting, despite your every instinct, for the killers.

The mere has fingers.Clever fingers to reach through the marsh and wrap around little ankles.Strong arms to pull poor sinners downwards.And a great gaping belly that can never be filled . . .Mere by Danielle Giles is a strikingly beautiful historical novel about fear and survival, power and position, and a love that takes hold in the darkest of places.Norfolk, 990 AD. Deep in the Fens, isolated by a vast and treacherous mere, an order of holy sisters make their home. Under the steely guidance of Abbess Sigeburg they follow God’s path, looking to their infirmarian, Hilda, to provide what comfort and cures she can.But when the mere takes a young servant boy, Sigeburg’s grip falters and Hilda quickly realises this place holds secrets darker and more unholy than she can fathom.Then proud Sister Wulfrun, a recent arrival to the convent, has a a curse is upon them and change must be brought. Is she saint or serpent? To Hilda, Wulfrun is a signal bolder and brighter than any fire set – one she cannot help but follow . . .

In 1328, Bruges is under siege by the Chatelaine of Hell and her army of chimeras -- humans mixed with animals or armour, forged in the deep fires of the Hellbeast. At night, revenants crawl over the walls and bring plague and grief to this city of widows. Margriet de Vos learns she's a widow herself when her good-for-nothing husband comes home dead from the war. He didn't come back for her. The revenant who was her husband pulls a secret treasure of coins and weapons from under his floorboards and goes back through the mouth of the beast called Hell. Margriet killed her first soldier when she was 11. She's buried six of her seven children. She'll do anything for her daughter, even if it means raiding Hell itself to get her inheritance back. Margriet's daughter is haunted by a dead husband of her own, and blessed, or cursed, with an enchanted distaff that allows her to control the revenants and see the future. Together with a transgender man-at-arms who has unfinished business with the Chatelaine, a traumatized widow with a giant waterpowered forgehammer at her disposal, and a wealthy alderman's wife who escapes Bruges with her children, Margriet and Beatrix forge a raiding party like Hell has never seen.

From Hugo, Nebula, and World Fantasy Award-winning Jo Walton comes Lent, a magical re-imagining of the man who remade fifteenth-century Florence—in all its astonishing strangeness Young Girolamo’s life is a series of miracles. It’s a miracle that he can see demons, plain as day, and that he can cast them out with the force of his will. It’s a miracle that he’s friends with Pico della Mirandola, the Count of Concordia. It’s a miracle that when Girolamo visits the deathbed of Lorenzo “the Magnificent,” the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It’s a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. It’s a miracle than whenever Girolamo preaches, crowds swoon. It’s a miracle that, despite the Pope’s determination to bring young Girolamo to heel, he’s still on the loose… and, now, running Florence in all but name. That’s only the beginning. Because Girolamo Savanarola is not who—or what—he thinks he is. He will discover the truth about himself at the most startling possible time. And this will be only the beginning of his many lives.

Inception meets True Detective in this science fiction thriller of spellbinding tension and staggering scope that follows a special agent into a savage murder case with grave implications for the fate of mankind... Shannon Moss is part of a clandestine division within the Naval Criminal Investigative Service. In western Pennsylvania, 1997, she is assigned to solve the murder of a Navy SEAL's family--and to locate his vanished teenage daughter. Though she can't share the information with conventional law enforcement, Moss discovers that the missing SEAL was an astronaut aboard the spaceship U.S.S. Libra—a ship assumed lost to the currents of Deep Time. Moss knows first-hand the mental trauma of time-travel and believes the SEAL's experience with the future has triggered this violence. Determined to find the missing girl and driven by a troubling connection from her own past, Moss travels ahead in time to explore possible versions of the future, seeking evidence to crack the present-day case. To her horror, the future reveals that it's not only the fate of a family that hinges on her work, for what she witnesses rising over time's horizon and hurtling toward the present is the Terminus: the terrifying and cataclysmic end of humanity itself. Luminous and unsettling, The Gone World bristles with world-shattering ideas yet remains at its heart an intensely human story.

Wild rabies runs rampant through the woods. The foxes are gaining ground, boldly making their way into the village. In Dichtersruhe, an insular yet charming haven stifled by the Swiss mountains, these omens go unnoticed by all but the new parish priest. The residents have other things on their mind: Literature. Everyone’s a writer—the nights are alive with reworked manuscripts. So when the devil turns up in a black car claiming to be a hot-shot publisher, unsatisfied authorial desires are unleashed and the village’s former harmony is shattered. Taut with foreboding and Gothic suspense, Paolo Maurensig gives us a refined and engaging literary parable on narcissism, vainglory, and our inextinguishable thirst for stories.

Jaws with wasps. By the time Scarlett Sutton arrives at her dad’s cabin in the Smoky Mountains, two locals have already been eaten alive by wasps. Of course, she doesn’t know this yet. All Scarlett knows is her mom finally checked herself into a hospital to take care of her mental health, leaving Scarlett alone with her dad all summer. After he insists that she get a job, Scarlett accepts a position at nearby Stovetop Outfitters, hoping to spend as much time away from him as possible. She doesn’t expect to trip over a skeletonized corpse beneath the zip-line during one of her shifts—and definitely doesn’t expect to be thrown into a Netflix-style true crime investigation. The local sheriff’s department is so overwhelmed by these unsolved deaths that when one of the Stovetop Outfitters employees disappears next, Scarlett and her co-workers set out to find him on their own. They discover something much more horrifying: a swarm of yellow jackets stripping the meat off his body. Scarlett never signed up to solve a disgusting mystery, but in order to protect her friends and family, she must defeat the mountain’s darkness and all these godforsaken wasps.

The Blair Witch Project meets The Ritual, with a generous helping of The Menu, in Morsel, a delicious folk horror novella perfect for fans of T. Kingfisher, Cassandra Khaw, and Paul Tremblay.Lou did what the children of parents with back-breaking, poor paying jobs are supposed to pulled up her bootstraps, went to college, and got an office job with coworkers who won’t stop talking about their multi-level marketing scheme disguised as self-betterment.Determined to lift her ill mother out of poverty before it's too late, and in the spirit of climbing the corporate ladder, Lou accepts an assignment in the rural hills of Ohio. She quickly finds herself stranded in the middle of nowhere with a sabotaged truck, a dog she’s determined to keep safe, and something stalking her through the ancient Appalachian woods.If she can’t escape the woods in time, she’ll come face to face with the fact that her job isn’t the only thing that wants to eat her alive.Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

The Blair Witch Project meets The Ritual, with a generous helping of The Menu, in Morsel, a delicious folk horror novella perfect for fans of T. Kingfisher, Cassandra Khaw, and Paul Tremblay.Lou did what the children of parents with back-breaking, poor paying jobs are supposed to pulled up her bootstraps, went to college, and got an office job with coworkers who won’t stop talking about their multi-level marketing scheme disguised as self-betterment.Determined to lift her ill mother out of poverty before it's too late, and in the spirit of climbing the corporate ladder, Lou accepts an assignment in the rural hills of Ohio. She quickly finds herself stranded in the middle of nowhere with a sabotaged truck, a dog she’s determined to keep safe, and something stalking her through the ancient Appalachian woods.If she can’t escape the woods in time, she’ll come face to face with the fact that her job isn’t the only thing that wants to eat her alive.Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

人外、悪魔、異常性癖、カニバリズム。 ここがBLの極地――。 歪んだ性癖のせいで"異常者"と言われ、 一人ずっと苦しんできたマコトは、 ある日、半信半疑で手にした「悪魔を呼び出す本」を使い、 召喚の儀を行った。 すると、そこに出てきたのは威厳ある美しい容姿に、 ペラペラとよく喋る魔界の大公爵・J。 命と引き換えにマコトの秘めた願望を 叶えてくれるというJと命の契約を交わし、 マコトは悪魔として生まれ変わるが――!?

From the USA Today bestselling author of The Book Eaters comes The Girl with a Thousand Faces, a Gothic tale set in a historical Hong Kong that meshes ancient myths and local legends into a haunting story of ghosts, grief, and women who will not forgive. When Mercy Chan washed up on the shores of Hong Kong with no family, no money, and no memories, she was thrust into the horrors of World War II. She only survived by hiding in Kowloon Walled City, an infamous, ghost-infested slum full of lost and traumatized civilians. Since the end of the war, she has rebuilt her life and found work with the local triad as a ghost-talker, dealing with the angry and bitter spirits who haunt this place. These days, the filthy gutters and cramped alleyways of Kowloon feel like home. But the past she can’t remember won’t let her go. An unusually powerful ghost has infested Kowloon’s waterways, drowning innocents and threatening the district. Unnervingly, it claims to know Mercy―and her forgotten childhood. As Mercy is drawn into a deadly cat-and-mouse game with this malignant spirit, she begins to realize that the monster she fights within these walls may well be one of her own making. 33 years before, mere days ahead of the Japanese invasion, Sung Siu Yin and her mother flee Hong Kong, intending to hide out on her mother's ancestral island home. It’s beautiful, tranquil, and remote. . . but also inhabited by ghosts ever since the entire village drowned in a storm many years ago. Still, it’s better than living under occupation. But as the war drags on and isolation sets in, Siu Yin is increasingly drawn into the island's grim past―a past that may still have a hold on the present. There is a darkness lurking beneath that idyllic ocean, and it has been waiting many years for someone to return. "The Girl With a Thousand Faces confirms Sunyi Dean as one of the most interesting voices in genre fiction.”―Gareth Brown, USA Today bestselling author of The Book of Doors

Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God. Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.

When Apollo Kagwa’s father disappeared, all he left his son were strange recurring dreams and a box of books stamped with the word IMPROBABILIA. Now Apollo is a father himself–and as he and his wife, Emma, are settling into their new lives as parents, exhaustion and anxiety start to take their toll. Apollo’s old dreams return and Emma begins acting odd. Irritable and disconnected from their new baby boy, at first Emma seems to be exhibiting signs of postpartum depression, but it quickly becomes clear that her troubles go even deeper. Before Apollo can do anything to help, Emma commits a horrific act–beyond any parent’s comprehension–and vanishes, seemingly into thin air. Thus begins Apollo’s odyssey through a world he only thought he understood, to find a wife and child who are nothing like he’d imagined. His quest, which begins when he meets a mysterious stranger who claims to have information about Emma’s whereabouts, takes him to a forgotten island, a graveyard full of secrets, a forest where immigrant legends still live, and finally back to a place he thought he had lost forever. This captivating retelling of a classic fairy tale imaginatively explores parental obsession, spousal love, and the secrets that make strangers out of the people we love the most. It’s a thrilling and emotionally devastating journey through the gruesome legacies that threaten to devour us and the homely, messy magic that saves us, if we’re lucky.

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise? When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality. Interweaving pop culture references and horror concepts drawn from from Herman Melville, H.P. Lovecraft, and anonymous 'creepypastas', Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.