Nella sartoria della famiglia Elia, il tempo scorre al ritmo lento dell’ago e del filo, scandito dai divieti del padre, che teme la libertà delle figlie perché, nel Salento degli anni ’60, come nel resto d’Italia, le donne devono restare al loro posto. Eppure, in quelle quattro ragazze, qualcosa preme per uscire: la musica ribelle di Giovanna, i romanzi di Jane Austen in cui Ada si rifugia, la volontà di Maria di non accontentarsi e, soprattutto, la sete di immagini di Mimì, la più giovane, che, dalla cabina di proiezione del Cinema Apollo, mentre vede i film di Fellini e Visconti, scopre che la realtà può essere montata diversamente. E decide che sarà lei a tenere la macchina da presa. Così, mentre tutt’intorno si accendono le lotte operaie e le occupazioni studentesche e si formano i primi gruppi femministi, dentro casa Elia si combatte una rivoluzione silenziosa per riuscire a chiamare per nome il desiderio e la violenza, il diritto al lavoro e quello al piacere. E Mimì filma tutto. Non cerca la bellezza, cerca la verità: riprende le sorelle che danno vita a un’impresa quasi impossibile, gli sguardi e i gesti impercettibili ma rivelatori, un matrimonio «normale» eppure pieno di incertezze. Con forbici e determinazione, realizza un film che nessuno le ha chiesto di girare. Perché raccontare è resistere. Perché raccontando si può cambiare la vita, la propria ma anche quella degli altri. Perché tutti noi abbiamo vissuto anni in bianco e nero con la speranza di farli diventare un film a colori.

A magnetic, stirring debut novel about an adrift young woman whose growing fascination with her boyfriend’s cat ushers her into the possibilities of her own life—but not without first threatening to unravel it. Katie is far from home and fresh out of college, desperate to skirt adulthood’s demands, and all too willing to let her wealthy boyfriend James make decisions for them both. It doesn’t help that she’s no longer speaking to her mother. Or that her roommate has abruptly moved out of their New York City apartment. But when James takes Katie on vacation to his family’s seaside house, he brings Silver, his childhood cat, and Katie discovers a sudden, strange, and giddy sense of connection. Silver doesn’t mind that Katie can’t seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to lie around all day, misbehave spectacularly, be cute, gross, and still get fed, seems to have the life Katie increasingly longs for. Soon enough, they’re inseparable, and something inside Katie begins to crack open, or maybe just…crack. Because if Katie has learned anything from her estranged mother, it’s that devotion comes at a price. As Katie’s affection for Silver deepens, all of her other relationships begin to falter. Soon, Katie must confront what it is she desires from her life, and what she might have to risk to get it. Both darkly playful and unexpectedly heartfelt, this debut from a major new voice in fiction is a timeless reckoning with the uncertainty of becoming a person in a world that is as disorienting as it is full of hope and promise.

A BBC must-read book of 2026—”Sharp, dark and humorous, it’s a real nail-biter.” Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

Fifty years after its original publication, Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer. Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved. This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction by Christopher Buckley; a wealth of critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos from Joseph Heller’s personal archive; and much more. Here, at last, is the definitive edition of a classic of world literature.

Un magistrale reportage narrativo, in forma di pamphlet, che lancia un grido d'allarme sulla dipendenza da cellulare e sulle conseguenze del capitalismo digitale. Una dodicenne partecipa a una sfida lanciata sui social, va a scuola con una borraccia piena di vodka e finisce in coma etilico. Un bambino, scrollando TikTok, si imbatte in un gioco che consiste nel prendere piú pastiglie di paracetamolo possibile e finisce in ospedale. La maestra di una scuola elementare muore in un incidente stradale causato dall'autista del pullman su cui l'uomo, invece di guardare la strada, digitava sul cellulare. Attraverso storie come queste a tratti scioccanti, Carlo Verdelli racconta una rivoluzione, quella dei telefonini e delle loro applicazioni, che sta modificando nel profondo tanto gli adolescenti quanto gli adulti. E della cui pericolosa enormità - anche per le ingerenze della tecnologia nella politica - nessuno sembra volersi occupare.«La realtà è che il cellulare inteso come smartphone è un carcere senza sbarre e noi ci siamo dentro. Prendere consapevolezza che il problema esiste è già un buon punto di partenza».

I never anticipated Charlie Florek. Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay. But as soon as they settle in, their peace is disrupted by the roar of a familiar yellow boat, and the man driving it. Charlie Florek was nineteen when Alice took his photo from afar. Now he’s all grown up—a shameless flirt, who manages to make Nan laugh and Alice long to be seventeen again, when life was simpler, when taking pictures was just for fun. Sun-slanted days and warm nights out on the lake with Charlie are a balm for Alice’s soul, but when she looks up and sees his piercing green gaze directly on her, she begins to worry for her heart. Because Alice sees people—that’s why she is so good at what she does—but she’s never met someone who looks and sees her right back.

I never anticipated Charlie Florek. Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay. But as soon as they settle in, their peace is disrupted by the roar of a familiar yellow boat, and the man driving it. Charlie Florek was nineteen when Alice took his photo from afar. Now he’s all grown up—a shameless flirt, who manages to make Nan laugh and Alice long to be seventeen again, when life was simpler, when taking pictures was just for fun. Sun-slanted days and warm nights out on the lake with Charlie are a balm for Alice’s soul, but when she looks up and sees his piercing green gaze directly on her, she begins to worry for her heart. Because Alice sees people—that’s why she is so good at what she does—but she’s never met someone who looks and sees her right back.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

In this lush, slow-burning romance, two childhood neighbors, connected by a shared tragedy, unexpectedly reunite to ghostwrite a love story for a reclusive author. Spending the summer at her secluded Hamptons estate, they soon discover that dozens of classic romance tropes, including the ones they’re crafting on page, are mysteriously playing out in real life. Katie Caruso is a completely normal twenty-five-year-old girl. At least, for the past eight years, she’s tried to be. She likes glitter and sequins and flirting with cute boys at New York City bars. She’s also a ghostwriter for Meredith Bradford, the bestselling romance novelist of all time. But then Tyler McNally walks back into Katie’s life, and that bedazzled facade crumbles at her platform-sneakered feet. Katie and Tyler haven’t seen or spoken to each other since the overdose death of Katie’s older brother, a standout MLB pitching prospect. Tyler was her brother’s best friend, and Katie—naturally—was the girl next door. But now, Tyler is a sleeve-tattooed, Ivy League-educated aspiring literary fiction novelist, nine years sober . . . and Katie’s writing partner for the summer. As genre conventions require, Katie and Tyler soon find themselves removed from Manhattan and instead writing their love story in “forced proximity” at Meredith’s isolated Southampton home. As the summer unfolds, the tropes Katie and Tyler have written into their novel begin to play out in their own lives. Call it destiny, fate, or magic It’s clear their love story is unfinished. This time, though, they’ll fight for their happy ending. Heart-wrenching and tender, Tropesick is a love letter to the romance genre. With a wink and a nod, Okie has packed the novel with listeners’ favorite Grumpy/Sunshine Brother’s best friend Girl next door Forced proximity Forbidden love Kissing in the rain Groveling hero Second-chance romance Slow burn Only one bed

Everyone around Iris Kelly is in love. Her best friends are all coupled up, her siblings have partners that are perfect for them, her parents are still in marital bliss. And she’s happy for all of them, truly. So what if she usually cries in her Lyft on the way home. So what if she misses her friends, who are so busy with their own wonderful love lives, they don’t really notice Iris is spiraling. At least she has a brand-new career writing romance novels (yes, she realizes the irony of it). She is now working on her second book but has one problem: she is completely out of ideas after having spent all of her romantic energy on her debut. Perfectly happy to ignore her problems as per usual, Iris goes to a bar in Portland and meets a sexy stranger, Stefania, and a night of dancing and making out turns into the worst one-night stand Iris has had in her life (vomit and crying are regretfully involved). To get her mind off everything and overcome her writer's block, Iris tries out for a local play, but comes face-to-face with Stefania—or, Stevie, her real name. When Stevie desperately asks Iris to play along as her girlfriend, Iris is shocked, but goes along with it because maybe this fake relationship will actually get her creative juices flowing and she can get her book written. As the two women play the part of a couple, they turn into a constant state of hot-and-bothered and soon it just comes down to who will make the real first move…

The next book in the blockbuster Empyrean series, Threshing Day contains thirteen stories starring your favorite characters and their dragons. Full blurb to be revealed soon!