The Guncle meets Every Time I Go On Vacation Someone Dies in this fun, twisty mystery following a spoiled nepo baby forced to work at a struggling summer camp who stumbles into a real-life murder mystery he has no choice but to solve. Rustic cabins. Lakefront bonfires. A painfully hot lifeguard. And a murder? Summer has never been this camp. Mikey Hartford IV has coasted through his twenties in a distracted blur of yachts and sex and partying. But when his father discovers his latest million-dollar impulse buy and changes the terms of his trust, the party's finally over. Now, unless Mikey can make a positive contribution to the world before his thirtieth birthday—one that doesn't involve throwing cash at his problems—he'll never see another yacht again. (Or even so much as a canoe.) Camp Lore, a struggling summer camp in upstate New York where Mikey has to work as the oldest, least-qualified staffer to prove that he can "do good" alongside his twelve-year-old aunt. (Yes, aunt.) But Mikey isn't sure he'll be able to survive the camp's ramshackle living conditions, let alone the gaggle of preteens who won't leave his side. And when his campers become obsessed with a local legend set at an abandoned cabin on the grounds, Mikey's chances of not making it through the summer become dangerously real—because it turns out there's a murder hidden beneath Camp Lore. And someone there will stop at nothing to keep it that way. Solving a decade-old cold case will surely be enough "good" for Mikey to earn his inheritance. He just has to stay alive long enough to do it…

Jamie Wendon-Dale may design haunted houses, but they don't actually believe in ghosts—until they meet Edgar Lovejoy, who is tall, clever, beautiful…and 100% haunted. A COZY, GHOSTLY LGBTQIA+ ROMANCE Jamie Wendon-Dale creates haunted houses for a living. Haunting is their life—but nobody working New Orleans' spooky circuit actually believes in ghosts. Edgar Lovejoy is 100% haunted. No, really. Ghosts have tormented him since childhood and he's organized his life around attempts to avoid them. Opposites? Get ready to attract. But while Jamie's biggest concern is that Edgar sometimes seems a bit distracted, Edgar's fears are much greater. Not only is he scared of encountering the dearly departed whenever he leaves the house, but he's terrified of making himself vulnerable to Jamie. After all, how do you tell someone who believes ghosts only exist as smoke and mirrors that you see them everywhere you go? And how can you trust in a happy future when you can't even believe in yourself? A little spooky, a little magical, and a whole lot The (Most Unusual) Haunting of Edgar Lovejoy will leave you feeling like you've found a brand new bookish family of your own.

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

It is not the monster you must fear, but the monster it makes of men. . . For readers of Circe or Ariadne, a brilliant literary revisiting of Mary Shelley's classic Frankenstein with a fresh, queer, provocative twist. Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic, but she doesn't know why or how... The 1850s is a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and a sharper tongue, is keen to make her name in this world of science alongside her geologist husband Henry, but without wealth and connections, their options are limited. But when Mary discovers some old family papers that allude to the shocking truth behind her great-uncle's past, she thinks she may have found the key to securing their future... Their quest takes them to the wilds of Scotland, to Henry's intriguing but reclusive sister Maisie, and to a deadly chase with a rival who is out to steal their secret. Our Hideous Progeny is a sumptuous tale of ambition and obsession, of forbidden love and sabotage; an adventure story that blends classic, immersive storytelling with contemporary themes.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

Dr. Cliff Miyashiro arrives in the Arctic Circle to continue his recently deceased daughter's research, only to discover a virus, newly unearthed from melting permafrost. The plague unleashed reshapes life on earth for generations. Yet even while struggling to counter this destructive force, humanity stubbornly persists in myriad moving and ever inventive ways. Among those adjusting to this new normal are an aspiring comedian, employed by a theme park designed for terminally ill children, who falls in love with a mother trying desperately to keep her son alive; a scientist who, having failed to save his own son from the plague, gets a second chance at fatherhood when one of his test subjects-a pig-develops human speech; a man who, after recovering from his own coma, plans a block party for his neighbours who have also woken up to find that they alone have survived their families; and a widowed painter and her teenaged granddaughter who must set off on cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead, How High We Go in the Dark follows a cast of intricately linked characters spanning hundreds of years as humanity endeavours to restore the delicate balance of the world. This is a story of unshakable hope that crosses literary lines to give us a world rebuilding itself through an endless capacity for love, resilience and reinvention. Wonderful and disquieting, dreamlike and all too possible.

From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest--a moving, deeply personal journey of discovery. Suzanne Simard is a pioneer on the frontier of plant communication and intelligence; she's been compared to Rachel Carson, hailed as a scientist who conveys complex, technical ideas in a way that is dazzling and profound. Her work has influenced filmmakers (the Tree of Souls of James Cameron's Avatar) and her TED talks have been viewed by more than 10 million people worldwide. Now, in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths--that trees are not simply the source of timber or pulp, but are a complex, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard writes--in inspiring, illuminating, and accessible ways--how trees, living side by side for hundreds of years, have evolved, how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about the future; elicit warnings and mount defenses, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies--and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them. Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them--embarking on a journey of discovery, and struggle. And as she writes of her scientific quest, she writes of her own journey--of love and loss, of observation and change, of risk and reward, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding who we are and our place in the world, and, in writing of her own life, we come to see the true connectedness of the Mother Tree that nurtures the forest in the profound ways that families and human societies do, and how these inseparable bonds enable all our survival.

It is not the monster you must fear, but the monster it makes of men. . . For readers of Circe or Ariadne, a brilliant literary revisiting of Mary Shelley's classic Frankenstein with a fresh, queer, provocative twist. Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic, but she doesn't know why or how... The 1850s is a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and a sharper tongue, is keen to make her name in this world of science alongside her geologist husband Henry, but without wealth and connections, their options are limited. But when Mary discovers some old family papers that allude to the shocking truth behind her great-uncle's past, she thinks she may have found the key to securing their future... Their quest takes them to the wilds of Scotland, to Henry's intriguing but reclusive sister Maisie, and to a deadly chase with a rival who is out to steal their secret. Our Hideous Progeny is a sumptuous tale of ambition and obsession, of forbidden love and sabotage; an adventure story that blends classic, immersive storytelling with contemporary themes.

A thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible.Growing up, Patricia Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science.In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness, literal and otherwise, of all the life around us. Fungi, we learn, commonly have more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, which stumped scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all.Wide-ranging, richly observant, and full of surprise, Forest Euphoria will open your eyes and change how you look at the world around you.

How the Word Is Passed meets Braiding Sweetgrass in a cultural and personal reclamation of Black history and Black botanical mastery, told through the stories of long-lived trees. The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely. In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the way seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants. Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

This book's title, No Straight Road Takes You There, is an evocation and a declaration. Highways tend to be built across the easy routes and flat places, or the landscape is cleared away - logged, graded, levelled, tunnelled through - or the roadway lifted above it to streamline the journey. But to stick to these roads is to miss what else is out there. In her writing and activism, Rebecca Solnit has sought the back roads and the pathless places in order to celebrate indirect and unpredictable consequences, which, she argues are key to understanding power and the possibilities of change.Picking up where Hope in the Dark left off, collected together here are Solnit's best recent essays about the climate crisis, as well as her broader reflections on women's rights, the fight for democracy, the trends in masculinity, and the rise of the far right in the West. Incantatory and poetic, positive and engaging, these essays argue for the long-term view and the power of collective action, making a case for seeding change wherever possible, and offering us all a path out of the wilderness.