From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

Everyone around Iris Kelly is in love. Her best friends are all coupled up, her siblings have partners that are perfect for them, her parents are still in marital bliss. And she’s happy for all of them, truly. So what if she usually cries in her Lyft on the way home. So what if she misses her friends, who are so busy with their own wonderful love lives, they don’t really notice Iris is spiraling. At least she has a brand-new career writing romance novels (yes, she realizes the irony of it). She is now working on her second book but has one problem: she is completely out of ideas after having spent all of her romantic energy on her debut. Perfectly happy to ignore her problems as per usual, Iris goes to a bar in Portland and meets a sexy stranger, Stefania, and a night of dancing and making out turns into the worst one-night stand Iris has had in her life (vomit and crying are regretfully involved). To get her mind off everything and overcome her writer's block, Iris tries out for a local play, but comes face-to-face with Stefania—or, Stevie, her real name. When Stevie desperately asks Iris to play along as her girlfriend, Iris is shocked, but goes along with it because maybe this fake relationship will actually get her creative juices flowing and she can get her book written. As the two women play the part of a couple, they turn into a constant state of hot-and-bothered and soon it just comes down to who will make the real first move…

A coming-of-age story that follows the meteoric rise of singer Amber Young as she navigates fame in the late-1990s and early-2000s era of pop music superstardom It is 1997, and Amber Young has received a life-changing call. It is a chance thousands of girls would die for: the opportunity to join girl group Cloud9 in Los Angeles and escape her small town. She quickly finds herself in the orbits of fellow rising stars Gwen Morris, a driven singer-dancer, and Wes Kingston, a member of the biggest boy band in the world, ETA. As Amber embarks on her solo career and her fame intensifies, her rich interior life is frequently reduced. Surrounded by people who claim to love her but only wish to exploit her, and driven by a desire for recognition and success, for love and sex, for agency and connection, Amber comes of age at a time when the kaleidoscope of public opinion can distort everything and one mistake can shatter a career. Isabel Banta’s debut novel redefines the narratives of some of the most famous pop icons of the 1990s and 2000s. It reimagines the superstars we idolized and hated, oversexualized and underestimated, and gives them the fresh, multifaceted story they deserve.

El campo ha cambiado frente a nuestros ojos sin que nadie se diera cuenta. Y quizá no se trate solo de sequías y herbicidas, quizá se trate del hilo vital y filoso que nos ata a nuestros hijos, y del veneno que echamos sobre ellos. Nada es un cliché cuando finalmente sucede. "Distancia de rescate" sigue esta vertiginosa fatalidad haciéndose siempre las mismas preguntas: ¿Hay acaso algún apocalipsis que no sea personal? ¿Cuál es el punto exacto en el que, sin saberlo, se da el paso en falso que finalmente nos condena? Samanta Schweblin ha escrito un relato extraordinario e hipnótico, urgente y perdurable, que logra mantenernos inevitablemente atrapados y sumergirnos en un universo ficcional estremecedor.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Plena de emoción y crudeza, Tatiana Ţîbuleac muestra una intensísima fuerza narrativa en este brutal testimonio que conjuga el resentimiento, la impotencia y la fragilidad de las relaciones maternofiliales. Una poderosa novela que entrelaza la vida y la muerte en una apelación al amor y al perdón. Uno de los grandes descubrimientos de la literatura europea actual. Aleksy aún recuerda el último verano que pasó con su madre. Han transcurrido muchos años desde entonces, pero, cuando su psiquiatra le recomienda revivir esa época como posible remedio al bloqueo artístico que está sufriendo como pintor, Aleksy no tarda en sumergirse en su memoria y vuelve a verse sacudido por las emociones que lo asediaron cuando llegaron a aquel pueblecito vacacional francés: el rencor, la tristeza, la rabia. ¿Cómo superar la desaparición de su hermana? ¿Cómo perdonar a la madre que lo rechazó? ¿Cómo enfrentarse a la enfermedad que la está consumiendo? Este es el relato de un verano de reconciliación, de tres meses en los que madre e hijo por fin bajan las armas, espoleados por la llegada de lo inevitable y por la necesidad de hacer las paces entre sí y consigo mismos.

The internationally beloved author of Kitchen and Dead-End Memories returns with a beautiful and heartfelt story of a young woman haunted by her childhood and the inescapable bitterness that inevitably comes from knowing the truth. Yayoi, a nineteen-year-old woman from a seemingly loving middle-class family, has lately been haunted by the feeling that she has forgotten something important from her childhood. Her premonition grows stronger day by day and, as if led by it, she decides to move in with her mysterious aunt, Yukino. No one understands her aunt's unusual lifestyle. For as long as Yayoi can remember, Yukino has lived alone in an old gloomy single-family home, quietly, almost as though asleep. When she is not working, Yukino spends all day in her pajamas, clipping her nails and trimming her split ends. She eats only when she feels like it, and she often falls asleep lying on her side in the hallway. She sometimes wakes Yayoi at two in the morning to be her drinking companion, sometimes serves flan in a huge mixing bowl for dinner, and watches Friday the 13th over and over to comfort herself. A study desk, old stuffed animals--things Yukino wants to forget--are piled up in her backyard like a graveyard of her memories. An instant bestseller in Japan when first published in 1988, The Premonition is finally available for the first time in English, translated by the celebrated Asa Yoneda.

Da autora mais provocadora da literatura francesa, um romance atual sobre a violência das relações humanas. Rebecca tem cinquenta anos, é uma atriz famosa e, embora se ache mais atraente do que nunca, começa a sentir na sua própria pele a discriminação da indústria cinematográfica. Oscar é um escritor só um pouco mais novo do que ela, cuja vida pessoal e carreira se encontram num caos ao descobrir-se no centro do mais recente escândalo MeToo. Zoé Katana, feminista e bloguista, é a jovem vítima que regressou do passado para finalmente ajustar contas com ele. Os três irão iniciar um diálogo tenso, por meio de chat, e descobrir como uma amizade improvável pode nascer entre pessoas que, à primeira vista, nada têm que ver umas com as outras, e como essa força desconhecida as pode ajudar a lidar melhor com as suas ansiedades, neuroses, vícios, complexos, vergonhas e medos. Regresso aguardado e festejado de Virginie Despentes, Caro Idiota é um romance epistolar dos nossos tempos que aborda temas e episódios atuais, um livro de raiva e consolo sobre a violência das relações humanas e sobre as posturas ideológicas às quais estamos agarrados, mesmo quando há muito deixaram de nos fazer compreender não só a realidade mas também a velocidade e irreversibilidade da mudança. Os elogios da crí «A escritora que melhor compreende a nossa época.» Radio France «Luminoso» Le Monde

The internationally beloved author of Kitchen and Dead-End Memories returns with a beautiful and heartfelt story of a young woman haunted by her childhood and the inescapable bitterness that inevitably comes from knowing the truth. Yayoi, a nineteen-year-old woman from a seemingly loving middle-class family, has lately been haunted by the feeling that she has forgotten something important from her childhood. Her premonition grows stronger day by day and, as if led by it, she decides to move in with her mysterious aunt, Yukino. No one understands her aunt's unusual lifestyle. For as long as Yayoi can remember, Yukino has lived alone in an old gloomy single-family home, quietly, almost as though asleep. When she is not working, Yukino spends all day in her pajamas, clipping her nails and trimming her split ends. She eats only when she feels like it, and she often falls asleep lying on her side in the hallway. She sometimes wakes Yayoi at two in the morning to be her drinking companion, sometimes serves flan in a huge mixing bowl for dinner, and watches Friday the 13th over and over to comfort herself. A study desk, old stuffed animals--things Yukino wants to forget--are piled up in her backyard like a graveyard of her memories. An instant bestseller in Japan when first published in 1988, The Premonition is finally available for the first time in English, translated by the celebrated Asa Yoneda.

Plena de emoción y crudeza, Tatiana Ţîbuleac muestra una intensísima fuerza narrativa en este brutal testimonio que conjuga el resentimiento, la impotencia y la fragilidad de las relaciones maternofiliales. Una poderosa novela que entrelaza la vida y la muerte en una apelación al amor y al perdón. Uno de los grandes descubrimientos de la literatura europea actual. Aleksy aún recuerda el último verano que pasó con su madre. Han transcurrido muchos años desde entonces, pero, cuando su psiquiatra le recomienda revivir esa época como posible remedio al bloqueo artístico que está sufriendo como pintor, Aleksy no tarda en sumergirse en su memoria y vuelve a verse sacudido por las emociones que lo asediaron cuando llegaron a aquel pueblecito vacacional francés: el rencor, la tristeza, la rabia. ¿Cómo superar la desaparición de su hermana? ¿Cómo perdonar a la madre que lo rechazó? ¿Cómo enfrentarse a la enfermedad que la está consumiendo? Este es el relato de un verano de reconciliación, de tres meses en los que madre e hijo por fin bajan las armas, espoleados por la llegada de lo inevitable y por la necesidad de hacer las paces entre sí y consigo mismos.

A heart warming and irresistible novel about the rejuvenating power of pottery, for fans of Before The Coffee Gets Cold and What You Are Looking For Is In The Library. She rubbed the spoiled clay with her fingertips. Like a wound as it heals, the traces faded, and had soon vanished completely, as if they’d never been there at all. Burnt out by her newswriting job, Jungmin abruptly quits; she’s worked tirelessly for years and she needs to make a change. Now, after months of hibernation, it’s time to put her life back together. Venturing out into the streets near Seoul, she stumbles upon the Soyo pottery workshop. Drawn in by its light and warmth, and the smell of clay and coffee, Jungmin feels something unfurl within her… Here, everyone has a story to share, and as the seasons change, Jungmin returns to herself. Pot by pot, plate by plate, Jungmin discovers that as her hands become busier, her mind becomes calmer, and her heart opens up like never before. From a rising talent, this is an uplifting story of new friends and old practices, of finding community, and of what happens when you finally slow down in this fast-paced world.

In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.