Blaire Monroe is the only woman I’ve ever loved, and the only one I’ve let break my heart.It’s been ten years since she ran from this town, chasing a life that didn’t include the cowboy next door who blurred the line between best friend and something more.Now she’s back.Fresh off a busted engagement and hiding out on her grandmother’s crumbling strawberry farm like the past never happened.Like she doesn’t still linger in every part of me I’ve spent years trying to erase.But Blaire isn’t the kind of girl you forget.She’s reckless, untamed, and impossible to hold without getting scorched.We collide the second we’re in the same room.Too much heat. Too much history. Not nearly enough distance.The tension crackles, the pull is impossible, and before long, we’re right back where we swore we’d never be—pressed against the wall, her hands in my hair, my mouth on hers like I’ve been starving for a decade.I tell myself I can handle it.But the truth is, this cowboy was never meant for casual.Not with her. And sure as hell not again.

Sam Vimes is a man on the run. Yesterday he was a duke, a chief of police and the ambassador to the mysterious, fat-rich country of Uberworld. Now he was nothing but his native wit and the gloomy trousers of Uncle Vanya (don't ask). It's snowing. It's freezing. And if he can't make it through the forest to civilisation there's going to be a terrible war. But there are monsters on his trail. They're bright. They're fast. They're werewolves - and they're catching up. Sam Vimes is out of time, out of luck and already out of breath...

Blaire Monroe is the only woman I’ve ever loved, and the only one I’ve let break my heart.It’s been ten years since she ran from this town, chasing a life that didn’t include the cowboy next door who blurred the line between best friend and something more.Now she’s back.Fresh off a busted engagement and hiding out on her grandmother’s crumbling strawberry farm like the past never happened.Like she doesn’t still linger in every part of me I’ve spent years trying to erase.But Blaire isn’t the kind of girl you forget.She’s reckless, untamed, and impossible to hold without getting scorched.We collide the second we’re in the same room.Too much heat. Too much history. Not nearly enough distance.The tension crackles, the pull is impossible, and before long, we’re right back where we swore we’d never be—pressed against the wall, her hands in my hair, my mouth on hers like I’ve been starving for a decade.I tell myself I can handle it.But the truth is, this cowboy was never meant for casual.Not with her. And sure as hell not again.

Two video game creators go head-to-head in this delightful, queer enemies-to-lovers workplace romance debut. Cat Li cares about two things: video games and swoony romances. The former means there hasn't been much of the latter in her (real) life, but when she lands her dream job writing the love storylines for Compass Hollow—the next big thing in games—she knows it’s all been worth it. Then she meets her boss: the infamous Andi Zhang, who’s not only an arrogant hater of happily-ever-afters determined to keep Cat from doing her job but also impossibly, annoyingly hot. As Compass Hollow’s narrative director, Andi couldn’t care less about love—in-game or out. After getting doxxed by internet trolls three years ago, Andi’s been trying to prove to the gaming world that they’re a serious gamedev. Their plan includes writing the best game possible, with zero lovey-dovey stuff. That is, until the man funding the game’s development insists Andi add romance in order to make the story “more appealing to female gamers.” Forced to give Cat a chance, Andi begrudgingly realizes there’s more to Cat than romantic idealism and, okay, a cute smile. But admitting that would mean giving up the single-player life that has kept their heart safe for years. And when Cat uncovers a behind-the-scenes plan to destroy Andi’s career, the two will have to put their differences aside and find a way to work together before it’s game over.

Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?  As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one. So, of course, then she gets laid off. With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks. Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance. It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world. A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics. 

To lonely eight-year-old Kay Washington the worst thing in the world is silence. That’s why Eddie Video makes the perfect imaginary friend. He’s smart, rambunctious, and loves pulling pranks. But most important, he’s never ever quiet. Forty-something, immigrant Ivanon is a contract killer with an unusual imaginary friends who’ve overstayed their welcome. His only rule, no kids—kids need their imaginary friends. But when one of Eddie Video’s “pranks” goes too far and lands Kay in the hospital, Ivanon agrees maybe exceptions can be made. After all, rent is due. But Ivanon and Kay will soon learn Eddie Video is no ordinary imaginary friend; he is something much, much darker.A balance of comedy and catharsis, this dual-narrative tackles both the fear of growing up and the scars our childhood leaves behind.

Mightily Oats has not picked a good time to be a priest. He thought he'd come to the mountain kingdom of Lancre for a simple little religious ceremony. Now he's caught up in a war between vampires and witches, and he's not sure there is a right side. There're the witches - young Agnes, who is really in two minds about everything; Magrat, who is trying to combine witchcraft and nappies, Nanny Ogg, who is far too knowing,.. and Granny Weatherwax, who is big trouble. And the vampires are intelligent - not easily got rid of with a garlic enema or by going to the window, grasping the curtains and saying, "I don't know about you, but isn't it a bit stuffy in here?" They've got style and fancy waistcoats. They're out of the casket and want a bite of the future. Mightily Oats knows he has a prayer, but he wishes he had an axe.