An exquisite slow-burn forbidden love story, laced with passion and faithRome, 1953. David is young, handsome, charismatic, and sworn to celibacy. He is freshly ordained, and about to return to England to begin life as a priest. Devotion to God is all he’s ever known, and all he thinks he ever will.In London, Margaret is entangled in an impossible love affair. Increasingly drawn to the Church, she sets out to join the new revolutions of sex and faith.Decades later, she is being cared for by her grandson, who has just discovered the strange truth of his family history.Stephanie Sy-Quia’s A Private Man is a stunning story of devotion and sacrifice, and of the consequences of our actions that ripple throughout generations.

An exquisite slow-burn forbidden love story, laced with passion and faithRome, 1953. David is young, handsome, charismatic, and sworn to celibacy. He is freshly ordained, and about to return to England to begin life as a priest. Devotion to God is all he’s ever known, and all he thinks he ever will.In London, Margaret is entangled in an impossible love affair. Increasingly drawn to the Church, she sets out to join the new revolutions of sex and faith.Decades later, she is being cared for by her grandson, who has just discovered the strange truth of his family history.Stephanie Sy-Quia’s A Private Man is a stunning story of devotion and sacrifice, and of the consequences of our actions that ripple throughout generations.

For fans of The Goldfinch and Tomorrow, and Tomorrow, and Tomorrow, an ambitious and absorbing debut that follows three generations of women from New York to rural Ireland and back again. New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady’s father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn’t know existed in Ireland with the offer of a new life, the name jogs a an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school. County Donegal, 1974. An eclectic group of artists known as the Screamers arrives in Burtonport and moves into the old schoolhouse down the road from where Roisin lives with her older sister Moira. Alternately kind and cruel, brilliant artist Moira is a mystery to Roisin, as is Moira’s relationship with the boy next door, Michael. When the Screamers look to hire an artist in residence, Roisin enlists Michael’s help to get Moira the job, setting in motion a chain of events that will put an ocean between the sisters and threaten to tear them apart forever. Burtonport, 2018. Lyca Brady lives in a sprawling old house with her mother, Cora, and great aunt, Ro. Abortion has just been legalized in Ireland, and Lyca is struggling to find herself outside her mother’s activism. An unexpected message from a childhood friend sends Lyca searching her house’s mysterious attic, with its strange collection of old medical equipment, piles of paperwork, and dusty boxes of ancient video games. There, she unearths secrets hidden for decades—secrets perhaps better left unknown. Catherine Airey’s haunting debut spins a mesmerizing story of family and fate, survival and revelation, examining the irresistible gravity of the past—how it endures through generations, pervasively present even when buried or forgotten.

For fans of The Goldfinch and Tomorrow, and Tomorrow, and Tomorrow, an ambitious and absorbing debut that follows three generations of women from New York to rural Ireland and back again. New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady’s father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn’t know existed in Ireland with the offer of a new life, the name jogs a an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school. County Donegal, 1974. An eclectic group of artists known as the Screamers arrives in Burtonport and moves into the old schoolhouse down the road from where Roisin lives with her older sister Moira. Alternately kind and cruel, brilliant artist Moira is a mystery to Roisin, as is Moira’s relationship with the boy next door, Michael. When the Screamers look to hire an artist in residence, Roisin enlists Michael’s help to get Moira the job, setting in motion a chain of events that will put an ocean between the sisters and threaten to tear them apart forever. Burtonport, 2018. Lyca Brady lives in a sprawling old house with her mother, Cora, and great aunt, Ro. Abortion has just been legalized in Ireland, and Lyca is struggling to find herself outside her mother’s activism. An unexpected message from a childhood friend sends Lyca searching her house’s mysterious attic, with its strange collection of old medical equipment, piles of paperwork, and dusty boxes of ancient video games. There, she unearths secrets hidden for decades—secrets perhaps better left unknown. Catherine Airey’s haunting debut spins a mesmerizing story of family and fate, survival and revelation, examining the irresistible gravity of the past—how it endures through generations, pervasively present even when buried or forgotten.

She will leave your surfaces sparkling. But she may well leave you dead... Maria is a good woman and a good cleaner. She cleans for Elsie, the funny old bird who's losing her marbles, with the terrible husband. She cleans for Brian, the sweet man with the terrible boss. She cleans for the mysterious Mr Balogan, with the terrible neighbours. If you're thinking of hiring her, you should probably know that Maria might have killed the terrible husband, the terrible boss and the terrible neighbours. She may also have murdered the man she loved. She didn't set out to kill anyone, of course, but her clients have hired her to clean up their lives, and she takes her job seriously - not to mention how much happier they all are now. The trouble is, murder can't be washed out. You can only sweep it under the carpet, and pray no one looks too closely... Darkly funny and completely gripping from the first page to the last, Make Me Clean is one thriller you won't be able to scrub from your mind. Perfect for fans of Harriet Tyce, Fiona Cummins and My Sister the Serial Killer.

Sam Beckbessinger's FEMME FERAL, a feminist Jekyll and Hyde comedy-horror pitched as NIGHTBITCH meets Grady Hendrix, about middle-age female rage, following a hyper-competent tech CEO who thinks she's going through perimenopause, but is actually turning into a werewolf.

From the BAFTA award-winning writers James Corden and Ruth Jones, discover the funny and intimate memoir about the making of one of our most beloved shows.'Gavin & Stacey’ is a TV series like no other. Now, for the first time, its creators tell the full extraordinary story of how they turned their little show into a full-on cultural phenomenon.As they recount the rejection, obstacles and challenges they faced on the way to giving birth to their beloved comedy creation, Ruth and James also explore the flourishing of their own real-life friendship. While their now legendary on-screen characters Nessa and Smithy had a profound awkwardness to negotiate, Ruth and James forged a magical relationship of mutual support based also on a deep, shared sense of subversive fun.In their incredible new memoir, When Gavin Met Stacey and Everything in Between, the duo detail what’s occurred every step of the way, from their tentative initial pitch to the emotionally overwhelming final day of filming, bouncing off each other in inimitable style.Full of revelations and never-before-heard stories, this one-of-a-kind book takes you behind-the-scenes of one of the most iconic and beloved TV shows in British history.