You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

Dooshik is in a bind. After making off with the takings from the gay bar where he worked, he seeks refuge in a small, coastal town. As his funds dwindle, he desperately needs a way to make ends meet. Still, a boy’s gotta eat! So he dives into a clam house to satisfy his cravings. But with no money to pay, he dashes off leaving Jooha, the server, to foot the bill. Later on, when Dooshik returns to pay his debt, he’s greeted by a sordid scene that offers a tantalizing glimpse of the solution to his money problems. For within Jooha’s beautiful shell lies a secret treasure waiting to be drawn out. And Dooshik is just the man to do it.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Noticing Haiga’s job search hasn’t been going well—and that they haven’t been on a date in a while—Kanae decides to take him out to cheer him up. Unfortunately, even that doesn’t go well, and Kanae falls ill. But as the seasons pass, the two affirm and reaffirm their relationship, and before long, it’s time for Haiga’s final college performance—his graduation concert!

Haiga is further overjoyed when during their club’s music camp, he’s able to perform together with Kanae, and it’s during this time that he finally realizes his feelings for the upperclassman go beyond simple admiration. But his joy is quickly negated when his crush tells him to stop coming to the brothel. Is Kanae simply concerned for Haiga's health because of how hard he’s been working so he can afford to see him, or could it be that Kanae has finally found his special someone and left the brothel altogether?

The Locked Tomb series—Gideon the Ninth, Harrow the Ninth, Nona the Ninth, and Alecto the Ninth—is an epic science fantasy that blends necromantic theory and thrilling swordplay with a wicked, sacrilegious sense of humor; a modern mix of Dune, Riddick, and Gormenghast.

Her city is under siege. The zombies are coming back. And all Nona wants is a birthday party. In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona's not like other people. Six months ago she woke up in a stranger's body, and she's afraid she might have to give it back. The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever. And each night, Nona dreams of a woman with a skull-painted face...

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

The bestselling South Korean phenomenon, To the Moon is a bittersweet tale of wealth and class, female friendship, and the promise of the future when good fortune seems to be just around the corner.In Seoul, three young women meet while working mundane desk jobs at a confectionary manufacturer. They become fast friends, taking their conversations out of the group chat as they bond over their 'average' employee report cards, the incompetence of their male team leader and a mutual longing for financial freedom amid mediocre raises.Eun-sang, the eldest of the group, is always looking for ways to earn extra money, but faces trouble at work after she opens a mini mart at her desk. Jisong, the youngest, dreams of a perfect romance with her Taiwanese boyfriend and spends her low salary on trips to Taipei. Meanwhile, Dahae searches endlessly for a better apartment – albeit one she can actually afford.One day over lunch, Eun-sang announces a plan to make enough money to quit her job, by investing her life's savings in cryptocurrency. What's more, she thinks the others should join her. All they need to do, she says, is hold on tight and wait for the price to skyrocket . . . to the moon. But as the market begins to fluctuate and spiral out of their control, the fate of their friendships – and their futures – soon hangs in the balance.What readers are 'A propulsive story that kept me on the razor wire of anxious and hopeful''This book was like no other''Bittersweet and deeply relatable ... A must-read'

에는 조금 특별한 환자가 있다. 나무의사 소이연이 비밀리에 숨겨두고 있는, 2년째 의식불명인 식물인간인데……. ‘깨어나지 말아요. 제발 깨어나지 말아요.’ 조용히 사는 것만이 꿈이었던 그녀는 매일 밤 그렇게 기도를 한다. 그러던 어느 날, 기적인지 낭패인지 식물인간이 긴 잠에서 깨어나고! “병신인 새끼 좆 빨아 주러 왔어요?” 기억도 잃고 상식도 잃은 남자 앞에서 그녀는 살인마였던 그의 본성이 무서워 그만 돌이킬 수 없는 거짓말을 해 버린다. “내가 권채우 씨 아, 아내, 거든요.” 2년 전, 뒷산에 사람을 생매장하고 나를 죽이려 한 그 남자에게!