This heartwarming story has beckoned generations of readers into the special world of Green Gables, an old-fashioned farm outside a town called Avonlea. Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL

An unexpected act of violence brings together a Chinese-American family and a wealthy white lawyer in this propulsive and sweeping story of family, identity and the American experience—for fans of Jean Kwok, Mary Beth Keane and Naima Coster. Set in New York and China over three decades, Paper Names explores what it means to be American from three different perspectives. There’s Tony, a Chinese-born engineer turned Manhattan doorman, who immigrated to the United States to give his family a better life. His daughter, Tammy, who we meet at age nine and follow through adulthood, grapples with the expectations of a first generation American and her own personal desires. Finally, there’s Oliver, a handsome white lawyer with a dark family secret and who lives in the building where Tony works. A violent attack causes their lives to intertwine in ways that will change them forever. Taut, panoramic and powerful, debut novelist Susie Luo's Paper Names is an unforgettable story about the long shadows of our parents, the ripple effect of our decisions and the ways in which our love transcends difference.

An unexpected act of violence brings together a Chinese-American family and a wealthy white lawyer in this propulsive and sweeping story of family, identity and the American experience—for fans of Jean Kwok, Mary Beth Keane and Naima Coster. Set in New York and China over three decades, Paper Names explores what it means to be American from three different perspectives. There’s Tony, a Chinese-born engineer turned Manhattan doorman, who immigrated to the United States to give his family a better life. His daughter, Tammy, who we meet at age nine and follow through adulthood, grapples with the expectations of a first generation American and her own personal desires. Finally, there’s Oliver, a handsome white lawyer with a dark family secret and who lives in the building where Tony works. A violent attack causes their lives to intertwine in ways that will change them forever. Taut, panoramic and powerful, debut novelist Susie Luo's Paper Names is an unforgettable story about the long shadows of our parents, the ripple effect of our decisions and the ways in which our love transcends difference.

It was Vera's idea to buy the Itza. The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room. It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room... The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world. A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

It was Vera's idea to buy the Itza. The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room. It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room... The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world. A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

A small town is transformed by dark magic when a strange tree begins bearing magical apples in this new masterpiece of horror from the bestselling author of Wanderers and The Book of Accidents. It’s autumn in the town of Harrow, but something else is changing in the town besides the season. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: Strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker. This is what happens when the townsfolk discover the secret of the orchard. Soon it seems that everyone is consumed by an obsession with the magic of the apples… and what’s the harm, if it is making them all happier, more confident, more powerful? And even if buried in the orchard is something else besides the seeds of this extraordinary tree: a bloody history whose roots reach back the very origins of the town. But now the leaves are falling. The days grow darker. And a stranger has come to town, a stranger who knows Harrow’s secrets. Because it’s harvest time, and the town will soon reap what it has sown.

Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.