From the New York Times bestselling author of Mostly Dead Things, a sparkling and funny new novel of entertainment, ambition, art, and love. Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act—and what kind of clown she wants to be under her suit. Equal parts bravado, tenderness, and humor, and bursting with misfits, magicians, musicians, and mimes, Stop Me If You've Heard This One is a masterpiece of comedic fiction that asks big questions about art and performance, friendship and community, and the importance of timing in jokes and in life.

One Woman's Obsessive Search for the Golden State Killer A masterful true crime account of the Golden State Killer—the elusive serial rapist turned murderer who terrorized California for over a decade—from Michelle McNamara, the gifted journalist who died tragically while investigating the case. "You’ll be silent forever, and I’ll be gone in the dark." For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area. Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called "the Golden State Killer." McNamara pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was. At the time of the crimes, the Golden State Killer was between the ages of eighteen and thirty, Caucasian, and athletic—capable of vaulting tall fences. He always wore a mask. After choosing a victim—he favored suburban couples—he often entered their home when no one was there, studying family pictures, mastering the layout. He attacked while they slept, using a flashlight to awaken and blind them. Though they could not recognize him, his victims recalled his voice: a guttural whisper through clenched teeth, abrupt and threatening. I’ll Be Gone in the Dark—the masterpiece McNamara was writing at the time of her sudden death—offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Framed by an introduction by Gillian Flynn and an afterword by her husband, Patton Oswalt, the book was completed by McNamara's lead researcher and a close colleague. Utterly original and compelling, it is destined to become a true crime classic—and may at last unmask the Golden State Killer.

Medium Raw marks the return of the inimitable Anthony Bourdain, author of the blockbuster bestseller Kitchen Confidential and three-time Emmy Award-nominated host of No Reservations on TV’s Travel Channel. Bourdain calls his book, “A Bloody Valentine to the World of Food and the People Who Cook,” and he is at his entertaining best as he takes aim at some of the biggest names in the foodie world, including David Chang, Alice Waters, the Top Chef winners and losers, and many more. If Hunter S. Thompson had written a book about the restaurant business, it could have been Medium Raw.

Book three in Frank Herbert's magnificent Dune Chronicles--one of the most significant sagas in the history of literary science fiction. The Children of Dune are twin siblings Leto and Ghanima Atreides, whose father, the Emperor Paul Muad'Dib, disappeared in the desert wastelands of Arrakis nine years ago. Like their father, the twins possess supernormal abilities--making them valuable to their manipulative aunt Alia, who rules the Empire in the name of House Atreides. Facing treason and rebellion on two fronts, Alia's rule is not absolute. The displaced House Corrino is plotting to regain the throne while the fanatical Fremen are being provoked into open revolt by the enigmatic figure known only as The Preacher. Alia believes that by obtaining the secrets of the twins' prophetic visions, she can maintain control over her dynasty. But Leto and Ghanima have their own plans for their visions--and their destinies.... Includes an introduction by Brian Herbert

Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un -fashionability. In Unsuitable , Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. Unsuitable uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.

"The Lesbian Path to self-affirmation is a journey of adventure, excitement, and passion. These stories provide entertainment, escape, reassurance, and a well-marked trail of shared experiences. A most positive, enjoyable anthology of true stories from lesbians' lives." â"Maida Tilchen, Gay Community News "I wouldn't have believed this book if I hadn't read it myself, and I've lived it." â"Carol Seajay, editor, Feminist Bookstore Newsletter "This is a much-needed collection of lesbians speaking in the first person. I could not put this book down." â"Barbara Hammer, Godess Films "The Lesbian Path, sensitively edited by Margaret Cruikshank, is an important contribution to the literature. . . . I recommend it highly" â"Deborah Wolf, author of The Lesbian Community

I have two luxuries to brood over...your Loveliness and the hour of my death Though John Keats (1795-1821) died when he was just twenty-five years old, he left behind some of the most exquisite and moving poetry ever written. He also left an incredibly beautiful and tender collection of love letters, inspired by his great love for Fanny Brawne. Although they knew each other for just a few short years and spent a great deal of that time due to Keats' worsening illness, which forced him to live abroad, Keats wrote again and again about Fanny--his very last poem is called simply "To Fanny"--and wrote love letters to her constantly. She, in turn, would wear the ring he had given her until her death. This remarkable volume contains the love poems and correspondence composed by Keats in the heat of his passion, and is a dazzling display of a talent cruelly cut short.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.