He broke her heart. She will burn his world down.Five years ago, Dante Black rejected Eva Highwater in the most despicable way—after his wolf had already claimed hers. The rejection shattered her life and bound her to the torment of an incomplete mate bond.In a fit of jealousy, her wolf strikes out, leaving Eva with blood on her hands and her life at the judgment of the Prime 10 Council, whose decision thrusts her into a Mating Trial with the very Alpha who destroyed her.Stripped of choice, defiance is her only lifeline. To earn her freedom, Eva must endure the Trial without surrendering to the bond’s pull, her heat, or Dante’s dangerous temptation.But once at Black Valley, Eva is drawn into a pack steeped in secrets that all point toward Dante’s dark past. She must decide if the truth she craves is worth the cost of exposing her heart—and risking her freedom.Heat and Heart is the second book in the A Scent of Moon and Madness series, a sweeping paranormal romantasy where Council politics collide with fated mate bonds, and where heat has the power to sway hearts.

Thirty-seven writers from First Nations, migrant and refugee backgrounds reveal the true wealth and beauty of Australia’s cultural melting pots.Australia is often referred to as The Lucky Country — a land of economic opportunity and vast natural resources. But how does this myth square up against the true experiences of Indigenous and culturally diverse Australians living in our nation’s most densely populated regions?Featuring original works of prose, poetry and non-fiction which centre and celebrate the eclectic vibrancy and linguistic fluidity of a new generation of Australian writers.Povo features a ground-breaking collection of works by emerging and established writers from diverse cultural and socio-economic backgrounds. The collection includes experimental writing from the Asylum Seekers Centre, Macquarie Fields High School and Leumeah High School.Acclaimed & Award-Winning contributors Phoebe Grainer is a Kuku Djungan, Muluridji, Wakaman, Tagalaka, Kunjen, Warrgamay and Yindinji actor, writer and editor from Far North Queensland. In 2023, Phoebe won the prestigious Australia Council Dreaming Award.Natalia Figueroa Barroso is a Uruguayan-Australian writer from Penrith. Natalia is currently working on her debut novel, Hailstones Fell Without Rain (UQP, 2025).Daniel Nour is an Egyptian-Australian writer. In 2020, Daniel won the New South Wales Premier’s Young Journalist of the Year Award. Daniel is currently working on his debut novel as a recipient of the 2021 Affirm Press Mentorship for Sweatshop Writers.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

Dirt Poor Islanders is a potent, mesmerising novel that opens our eyes to the brutal fractures navigated when growing up between two cultures and the importance of understanding all the many pieces of yourself. 'Islanders must do everything together. We painted ngatu together. We crossed the ocean together. We settled on isles together. We took up Christianity together. We entered into new citizenships together. We became wage workers together. We lived with generations upon generations stacked in fibro houses together. We became half-White together. We got nits together. We sooked together. We stayed poor together. Together. Together. Together.' Meadow Reed used to get confused when explaining that she had grandparents from Australia, Tonga and Great Britain. She'd say she was full-White and full-Tongan, thinking that so many halves made separate wholes. Despite the Anglo-Saxon genetics that gave Meadow a narrow nose and light-brown skin, everybody who raised her was Tongan. Everybody who loved her was Tongan. This was what made her Tongan. Growing up in the heat-hummed streets of Mt Druitt in Western Sydney, Meadow will face palangis who think they are better than Fobs, women who fall into other women, what it means to have many mothers, a playful rain and even Pineapple Fanta. For this half-White, half-Tongan girl, the world is bigger than the togetherness she has grown up in. Finding her way means pushing against the constraints of tradition, family and self until she becomes whole in her own right. Meadow is going to see that being a dirt poor Islander girl is more beautiful than she can even begin to imagine.

What would you change if you could go back in time? In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know. But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . . Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?