East Village, summer of 1984. Renata is a young dyke-about-town who happens to have the ability to see ghosts, which has been happening more and more frequently as her friends have started dying of what has recently been named AIDS.So, when her best friend Mark dies, she assumes she'll see him again. There's no way Mark wouldn't give her a chance to say goodbye, would he? But to her disappointment - and increasingly, her concern - Mark doesn't appear.Renata has other problems, too. There's something strange happening in her advertisements for paranormal 'exterminators' who promise to clear out bad energy keep showing up. At first, she's sure they're scam artists, but it becomes clear they're actually trapping ghosts as part of a city-wide gentrification plot to make downtown safe for Reaganites.Told with humour and pathos, Waiting on a Friend is a genre-bending retelling of Queer history that manages to be both heartbreaking and healing.

After a storm has killed off all the island's men, two women in a 1600s Norwegian coastal village struggle to survive against both natural forces and the men who have been sent to rid the community of alleged witchcraft. Finnmark, Norway, 1617. Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.

From Laila Lalami—the Pulitzer Prize and National Book Award finalist and a “maestra of literary fiction” (NPR)—comes a riveting and utterly original novel about one woman’s fight for freedom, set in a near future where even dreams are under surveillance.Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most, her husband. For his safety, she must be kept under observation for twenty-one days.The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom.Eerie, urgent, and ceaselessly clear-eyed, The Dream Hotel artfully explores the seductive nature of technology, which puts us in shackles even as it makes our lives easier. Lalami asks how much of ourselves must remain private if we are to remain free, and whether even the most invasive forms of surveillance can ever capture who we really are.