A woman who wields magical tarot cards lands herself in a false engagement with the headmaster of a mysterious academy in this first installment of an enthralling romantasy series from the bestselling author of A Deal with the Elf King.Clara Graysword has survived the underworld of Eclipse City through thievery, luck, and a whole lot of illegal magic. After a job gone awry, Clara is sentenced to a lifetime in prison for inking tarot cards-a rare power reserved for practitioners at the elite Arcana Academy.Just when it seems her luck has run dry, the academy's enigmatic headmaster, Prince Kaelis, offers her an escape-for a price. Kaelis believes that Clara is the perfect tool to help him steal a tarot card from the king and use it to re-create an all-powerful card long lost to time.In order to conceal her identity and keep her close, Kaelis brings Clara to Arcana Academy, introducing her as the newest first-year student and his bride-to-be.Thrust into a world of arcane magic and royal intrigue, where one misstep will send her back to prison or worse, Clara finds that the prince she swore to hate may not be what he seems. But can she risk giving him power over the world-and her heart? Or will she take it for herself?

The shadows have risen, and the line is law. All Bree wanted was to uncover the truth behind her mother’s death. So she infiltrated the Legendborn Order, a secret society descended from King Arthur’s knights—only to discover her own ancestral power. Now, Bree has become someone new: A Medium. A Bloodcrafter. A Scion. But the ancient war between demons and the Order is rising to a deadly peak. And Nick, the Legendborn boy Bree fell in love with, has been kidnapped. Bree wants to fight, but the Regents who rule the Order won’t let her. To them, she is an unknown girl with unheard-of power, and as the living anchor for the spell that preserves the Legendborn cycle, she must be protected. When the Regents reveal they will do whatever it takes to hide the war, Bree and her friends must go on the run to rescue Nick themselves. But enemies are everywhere, Bree’s powers are unpredictable and dangerous, and she can’t escape her growing attraction to Selwyn, the mage sworn to protect Nick until death. If Bree has any hope of saving herself and the people she loves, she must learn to control her powers from the ancestors who wielded them first—without losing herself in the process.

A beautiful restoration of Steadman's 1968 edition The force of social satire and fantasy in the original text of Alice in Wonderland is as relevant today as when the novel was first published in 1865 This version of Carroll's classic tale is a startling departure from the traditional Victorian or Disney approaches In his introduction, Ralph Steadman describes how a fresh illustrative perspective created an original, modern vision The irony and satire of Alice in Wonderland acquires new life with Steadman's audacious and dynamic illustrations The 47 pen and ink illustrations from the critically acclaimed 1968 British edition are faithfully restored and reformatted The energy, imagination and power of Steadman's pen introduces the wit and wisdom of Alice to a new generation of readers

When the scientist Victor Frankenstein attempts to create life in his laboratory, he sets in motion tragic forces beyond his control and faces losing everything he loves. No reader in the grip of Mary Shelley’s novel, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the countless adaptations, imitations, and homages which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), the teenaged Shelley managed to produce English Romanticism’s finest prose fiction. This edition reproduces her original 1818 text.

A seductively twisted romance about loyalty, fate, the lengths we go to hide the darkest parts of ourselves . . . and the people who love those parts most of all. Wyatt Westlock has one plan for the farmhouse she's just inherited -- to burn it to the ground. But during her final walkthrough of her childhood home, she makes a shocking discovery in the basement -- Peter, the boy she once considered her best friend, strung up in chains and left for dead. Unbeknownst to Wyatt, Peter has suffered hundreds of ritualistic deaths on her family's property. Semi-immortal, Peter never remains dead for long, but he can't really live, either. Not while he's bound to the farm, locked in a cycle of grisly deaths and painful rebirths. There's only one way for him to break free. He needs to end the Westlock line. He needs to kill Wyatt. With Wyatt's parents gone, the spells protecting the property have begun to unravel, and dark, ancient forces gather in the nearby forest. The only way for Wyatt to repair the wards is to work with Peter -- the one person who knows how to harness her volatile magic. But how can she trust a boy who's sworn an oath to destroy her? When the past turns up to haunt them in the most unexpected way, they are forced to rely on one another to survive, or else tear each other apart.

Go Tell It On The Mountain, first published in 1953, is Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

"Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.