Milow can’t speak. Her father took her voice before she ever had a chance to use it, leaving her trapped in silence and haunted by memories no one should ever endure. Every day is a reminder of what was taken from her, and every moment is a quiet battle to survive the shadows of her past. When she arrives at a new foster home, Milow expects nothing. Just another place where she doesn’t belong and isn’t loved. But then she meets Ashby, her new foster brother, who has lived through his own hell. Somehow, he sees her, and without words or judgment, he understands her in a way no one else ever has. Growing up together, their bond deepens into something unbreakable. Ashby becomes her protector and the one constant in her life. They spend years leaning on each other, but childhood doesn’t last forever, and that closeness starts to shift into something more complicated and intense. As they grow older, the world gets crueler. The bullying Milow has endured her whole life never lets up, and it only becomes heavier. At the same time, the pressure on Ashby keeps building as school and swimming demand more from him. Milow has to decide how much of herself she can risk in a world that has never treated her gently, while Ashby has to choose what he’s willing to sacrifice to reach his goals. But after everything, they know one truth: no matter what it costs, they will always choose each other. CLOSE TO YOU is an epic and emotional coming-of-age novel with a HEA that deals with heavy topics. This book is not meant for sensitive readers. AUTHOR'S NOTE Each book in this series focuses on a different couple and tells their story. All the stories take place during the same time period, so events in one book may overlap with those in another. You will encounter familiar situations, locations, or characters from the other books, but from the couple's perspective featured in the current story. Because the books share the same timeline and interconnect in this way, they are meant to be read in order (or, in the future, as tandem reads) and cannot be fully understood as standalone stories. Together, the books form a continuous, interconnected series. That said... Milow and Ashby will get at least 1 more book!

Seventeen-year-old Cassie Hobbes has a gift for profiling people. Her talent has landed her a spot in an elite FBI program for teens with innate crime-solving abilities, and into some harrowing situations. After barely escaping a confrontation with an unbalanced killer obsessed with her mother’s murder, Cassie hopes she and the rest of the team can stick to solving cold cases from a distance. But when victims of a brutal new serial killer start turning up, the Naturals are pulled into an active case that strikes too close to home: the killer is a perfect copycat of Dean’s incarcerated father—a man he’d do anything to forget. Forced deeper into a murderer’s psyche than ever before, will the Naturals be able to outsmart the enigmatic killer’s brutal mind games before this copycat twists them into his web for good? With her trademark wit, brilliant plotting, and twists that no one will see coming, Jennifer Lynn Barnes will keep readers on the edge of their seats (and looking over their shoulders) as they race through the pages of this thrilling novel.

Seventeen-year-old Cassie is a natural at reading people. Piecing together the tiniest details, she can tell you who you are and what you want. But it’s not a skill that she’s ever taken seriously. That is, until the FBI come knocking: they’ve begun a classified program that uses exceptional teenagers to crack infamous cold cases, and they need Cassie. What Cassie doesn’t realize is that there’s more at risk than a few unsolved homicides—especially when she’s sent to live with a group of teens whose gifts are as unusual as her own. Sarcastic, privileged Michael has a knack for reading emotions, which he uses to get inside Cassie’s head—and under her skin. Brooding Dean shares Cassie’s gift for profiling, but keeps her at arm’s length. Soon, it becomes clear that no one in the Naturals program is what they seem. And when a new killer strikes, danger looms closer than Cassie could ever have imagined. Caught in a lethal game of cat and mouse with a killer, the Naturals are going to have to use all of their gifts just to survive.

Seventeen-year-old Cassie is a natural at reading people. Piecing together the tiniest details, she can tell you who you are and what you want. But it’s not a skill that she’s ever taken seriously. That is, until the FBI come knocking: they’ve begun a classified program that uses exceptional teenagers to crack infamous cold cases, and they need Cassie. What Cassie doesn’t realize is that there’s more at risk than a few unsolved homicides—especially when she’s sent to live with a group of teens whose gifts are as unusual as her own. Sarcastic, privileged Michael has a knack for reading emotions, which he uses to get inside Cassie’s head—and under her skin. Brooding Dean shares Cassie’s gift for profiling, but keeps her at arm’s length. Soon, it becomes clear that no one in the Naturals program is what they seem. And when a new killer strikes, danger looms closer than Cassie could ever have imagined. Caught in a lethal game of cat and mouse with a killer, the Naturals are going to have to use all of their gifts just to survive.

Sylvia Plath's celebrated collection. When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. Her husband, Ted Hughes, brought the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel" and once again shows why readers have fallen in love with her work throughout the generations.

Diverse in theme as well as form, this new collection explodes onto the page with a maturity and dynamism rarely seen in such a young poet. Using language full of unique beauty and charisma, Miller writes everything from love poems to biblical chronicles, exploring themes such as conflicting identity, home and family, and the spirit of his Jamaican ancestors.

In a career that has spanned more than a quarter century, Nikki Giovanni has earned the reputation as one of America's most celebrated and contoversial writers. Now, she presents a stunning collection of love poems that includes more than twenty new works. From the revolutionary "Seduction" to the tender new poem, "Just a Simple Declaration of Love," from the whimsical "I Wrote a Good Omelet" to the elegiac "All Eyez on U," written for Tupac Shakur, these poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered. Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers. In a career that has spanned more than a quarter century, starting with her explosive early years in the Black Rights Movement, Nikki Giovanni has earned a reputation as one of America's most celebrated and controversial writers. Her mind-speaking work has made her a universal favorite and a number-one best-seller.The love poems-the revolutionary "Seduction," the whimsical "I Wrote a Good Omelet," and the tender "My House" to name just a few-are among the most beloved of all Nikki Giovanni's works. Now, Love Poems brings together these and other favorites with over twenty new poems. Romantic, bold, and erotic, Love Poems will once again confirm Nikki Giovanni's place among the country's most renowned poets and truth tellers.

After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.

National Book Critics Circle Award finalist “[Elegy Owed is a] fluid, absorbing new collection... Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review “Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times “This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post "Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist “Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly "Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book Review When asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom. “Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark Doty Bob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

National Book Critics Circle Award finalist “[Elegy Owed is a] fluid, absorbing new collection... Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review “Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times “This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post "Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist “Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly "Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book Review When asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom. “Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark Doty Bob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

机缘巧合之下，温以凡跟曾被她拒绝过的高中同学桑延过上了合租的生活。两人井水不犯河水，像是同住一屋檐下的两个陌生人。 平静的生活中止于某个晚上。温以凡从桑延口里得知自己近期梦游的事情。她有些窘迫，也不知道该做出什么反应：“昨晚应该是你*次看到我梦游吧？” 桑延散漫道：“还有一次。” 温以凡沉默两秒，迟疑说：“那我……做了什么吗？” “你突然跑出来抱住我。” “？” 桑延挑眉，闲闲地补充了句。 “还亲了我一下。”

The night that Harry and Dumbledore return from the cave, the Death Eaters are delayed from reaching the top of the Astronomy Tower for one more minute. Draco Malfoy lowers his wand. A Deathly Hallows rewrite in which Draco accepts Dumbledore's offer to fake his death and go into hiding with the Order of the Phoenix

Hidden passageways, secret meetings at midnight, five courts, a glass dance, and a tender-hearted mortal king in search of a wife, A BRIDE OF FALLEN STARS begins the BROKEN CONSTELLATIONS DUET. Perfect for fans of Once Upon a Broken Heart or closed-door romance that feels like a fairytale.Cora and Adele were meant to inherit the heavens together, ruling as twin stars. But on the night of their ascension, Adele shatters the bond between them and steals the sky for herself.In doing so, she unknowingly unleashes an ancient beast her sister had kept hidden in her veins. Once a bloodthirsty king, the creature takes a mortal host as it claws its way back to power.Cora has fourteen nights to find him among the five mortal courts before he grows strong enough that the stars go dark forever. To do this, she aligns herself with the mortal king her sister once loved—posing as his Fallen Bride—for the duration of the Festival of Fourteen Nights, a season of masks and music honoring the beast’s fall centuries ago. They will search between dances and dinners, in secret passageways and glassy lakes, to find an ancient evil before the skies fall.This year’s Festival of Fourteen Nights promises to be a ruinously romantic one. We hope you can attend.