Have you ever relied on the kindness of strangers? What brings people together to find hope and solidarity? What do we owe each other as citizens and comrades? Questions of care, intimacy, education, meaningful work, and social engagement lie at the core of our ability to understand the world and its possibilities for human flourishing. In Lean On Me feminist thinker Lynne Segal goes in search of hope in her own life and in the world around her. She finds it entwined in our intimate commitments to each other and our shared collective endeavours. Segal calls this shared dependence 'radical care'. In recounting from her own life the moments of motherhood, and of being on the front line of second-wave feminism, she draws upon lessons from more than half a century of engagement in left feminist politics, with its underlying commitment to building a more egalitarian and nurturing world. The personal and the political combine in this rallying cry to transform radically how we approach education, motherhood, and our everyday vulnerabilities of disability, ageing, and enhanced needs. Only by confronting head-on these different forms of interdependence and care can we change the way we think about the environment and learn to struggle — together —against impending climate catastrophe.

A creeping story of sapphic obsession with Gothic undertones and a delicious mid-century feel, from the author of the Polari Prize-shortlisted Sunburn. January 1965. The orphaned O'Leary siblings - Tom, Jack, Anna and Peggy - arrive in the village of Ballycrea, tight-lipped about their troubled past and desperate for a fresh start. After being met with suspicion from most of the locals, the family are thrilled when they're taken under the wing of their well-respected neighbours, Bill and Betty Nevan, who offer them work, companionship and an opportunity to fit in. But for one of the O'Learys, this new friendship sparks an intense attachment that makes the dynamic dangerous for all. It's difficult to bury secrets, but almost impossible to bury feelings... Crackling with suspense, Heap Earth Upon It revisits the rural Ireland of Howarth's critically acclaimed debut and delves into claustrophobic relationships and tangled identities, leaving you wondering who to trust until the very last page. It combines the emotional intensity and slow-burn sapphic obsession of Julia Armfield's Our Wives Under the Sea and K. Patrick's Mrs S. with the unsettling gothic undertones of Daphne du Maurier's Rebecca and Shirley Jackson's fiction. 'A tense and claustrophobic novel with gothic atmosphere which seeps into your bones like fog... A brutal exploration of the corrosive impact of shame and secrecy. Howarth knows her sapphic yearning!' RACHEL DAWSON, author of Neon Roses 'Dark, passionate and poised. A remarkable story of the way rural Ireland haunts and is haunted. Intense and thrilling' SOULA EMMANUEL, author of Wild Geese ** READERS LOVE SUNBURN ** ‘Achingly beautiful, almost lyrical… This was both sweet and heartbreaking – I couldn’t put it down’ 5-star Reader Review ‘An addictive, honey-dipped queer love story’ 5-star Reader Review ‘Ever since I read this, I simply CANNOT stop thinking about it’ 5-star Reader Review ‘Completely heart-wrenching, devastating, all-consuming… Spectacular’ 5-star Reader Review

In Teaching to Transgress, bell hooks—writer, teacher, and insurgent black intellectual—writes about a new kind of education, educations as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal. Bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? Full of passion and politics, Teaching to Transgress combines practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise critical questions about eros and rage, grief and reconciliation, and the future of teaching itself. "To educate as the practice of freedom," writes bell hooks, "is a way of teaching that any one can learn." Teaching to Transgress is the record of one gifted teacher's struggle to make classrooms work. –from the back of the book

Two young women meet in Paris in this decades-spanning tour de force about the enduring power of young love and the poignant heartbreak of missed chances—perfect for fans of One Day and Normal People. Erica and Laure meet on the steps of the Sacré-Coeur in Paris, 1978. Erica is a student, relishing her first summer abroad before beginning university at home in England. Laure is studying for her PhD at the Sorbonne, drinking and smoking far too much, and sleeping with a married woman. The moment the two women meet, the spark is undeniable, but their encounter turns into far more than a summer of love. It is the beginning of a relationship that will define their lives and every decision they have yet to make… Erica and Laure’s love story spans decades, marriage, children, secret trysts, and the agonizing changes—both personal and political—that might mean they can be together, after all. But when life brings them within touching distance again, will they be brave enough to seize a future together? Beautifully capturing young love and all its complexities, Almost Life is a story of longing for the paths not taken, and the almost lives we live.

An award-winning writer and illustrator follows the story of her grandfather’s involvement in a freewheeling group of Jewish revolutionaries to question whether the world was ready for their vision of multiracial solidarity—and whether we are today.Molly Crabapple first discovered the story of the Jewish Bund when her mother showed her a trove of her grandfather's old paintings and letters. Sam Rothman was a rough-and-tumble kid who worked at a tannery deep in the Pale of Settlement in 19th century Russia. He discovered that he was an artist--a brilliant interpreter of life in his Jewish village--and soon after that he was a revolutionary, enlisted in the strikes, street fights, and study groups of the Jewish Bund. Molly saw herself not just in his career but in his revolutionary inclinations--Molly spent much of her life in revolutionary enclaves around the world, marching in the streets and dancing till morning. In the Bund, she discovered a movement of artists, philosophers, working people, and street fighters who had a utopian vision for the world. As Jews--a people always on the margins--they understood themselves as a people who needed special protection. But as Marxist revolutionaries, they also saw themselves as part of an international solidarity that rejected all forms of ethnonationalism. They fought for this vision in the parlors, cafes, battlefields and prison camps. Their ideas sparked the Russian Revolution, which soon swept them aside. They fought with the emerging nationalist movements sweeping Europe. And they battled Zionists over the destiny of the Jewish people, believing that Jews could never find peace by becoming colonizers themselves. Their last stand was against the Nazis--they led the largest Jewish resistance movement, culminating in the Warsaw Ghetto Uprising, a dramatic and tragic climax to their story. In retelling the history of the Bund and its extraordinary cast of characters during one of the most politically and culturally vibrant moments in European history, Molly is also exploring her own revolutionary life. Her narration is tinged with an almost desperate need to understand whether the Bund failed because their idea was unworkable--or if the world failed the Bund, whose movement could've saved us from the violence of Russian Communism, Nazism, and Zionism. This dynamic, tragic story, is driven by that urgent question--and offers a new lens through which to see our contemporary struggles for solidarity in the face of tribalism.

A sequel to Nervous Conditions, this is a powerful and engaging story about one young woman’s quest to redefine the personal and political forces that threaten to engulf her. As its title suggests, this is also a book about denial and unfulfilled expectations and about the theft of the self that remains one of colonialism’s most pernicious legacies. The novel disrupts any comfortable sense of closure to the dilemmas of colonial modernity explored in Nervous Conditions and as such is a fitting sequel.

A searing novel about the obstacles facing women in Zimbabwe, by one of the country’s most notable authors Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point. In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival. As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. It is this homecoming, in Dangarembga’s tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.

A modern classic in the African literary canon and voted in the Top Ten Africa's 100 Best Books of the 20th Century, this novel brings to the politics of decolonization theory the energy of women's rights. An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.

Two young women meet in Paris in this decades-spanning tour de force about the enduring power of young love and the poignant heartbreak of missed chances—perfect for fans of One Day and Normal People. Erica and Laure meet on the steps of the Sacré-Coeur in Paris, 1978. Erica is a student, relishing her first summer abroad before beginning university at home in England. Laure is studying for her PhD at the Sorbonne, drinking and smoking far too much, and sleeping with a married woman. The moment the two women meet, the spark is undeniable, but their encounter turns into far more than a summer of love. It is the beginning of a relationship that will define their lives and every decision they have yet to make… Erica and Laure’s love story spans decades, marriage, children, secret trysts, and the agonizing changes—both personal and political—that might mean they can be together, after all. But when life brings them within touching distance again, will they be brave enough to seize a future together? Beautifully capturing young love and all its complexities, Almost Life is a story of longing for the paths not taken, and the almost lives we live.

An electrifying collection of linked stories following a cast of characters navigating bodies, queerness, power, and sex—with radical results—from the bestselling author of Housemates. With a brash and stylish voice that implicates and confronts the reader, Emma Copley Eisenberg wades into the contradictions, joys, and violence of a modern world shaped by looking and watching, examining how our hungers can both hijack and crack open our lives. In the title story, a young girl looks to a group of fat women at her local pool to teach her about her changing body. In “Swiffer Girl,” a woman agrees to try for a baby with her partner, only to suddenly find herself haunted by the viral sex video that made the rounds during high school—a video indelibly tied to her own sense of self. In other stories, an obscure fat makeup vlogger’s strange friendship with a middle schooler forces her to reflect on her past life at a toxic beauty startup, a boomer retiree tries to understand her nonbinary child’s gender and polyamory, and a trans librarian takes a job as assistant to a famous science fiction writer only to find himself screening hookups on his octogenarian employer’s behalf. For better or for worse, these stories counsel, none of us can leave our bodies behind: they remind us what it is to be alive. As the characters in Fat Swim dance into and out of each other’s lives—and through and around Philadelphia—they seek connections and experiences that remind them of that fact, culminating in a reality-bending, tour de force finale, “Camp Sensation.” Eisenberg, whose fiction “should be studied by every contemporary author as the finest departure from the fatphobic hellscape of fiction that exists” (Electric Literature), has a singular vision, and Fat Swim is her most incisive and provocative work yet.

From her prison cell, Firdaus, sentenced to die for having killed a pimp in a Cairo street, tells of her life from village childhood to city prostitute. Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

A Vulture Best Book of 2020 This genre-defying debut memoir by Betty Trask Prize winner, Samantha Harvey, weaves a tapestry of confessional anguish, flash fiction, cathartic poetry, and feverish observations on politics and psychology in a transcendent search for reality and truth. In 2016, Samantha Harvey began to lose sleep. She tried everything to appease her wakefulness: from medication to therapy, changes in her diet to changes in her living arrangements. Nothing seemed to help. The Shapeless Unease is Harvey's darkly funny and deeply intelligent anatomy of her insomnia, an immersive interior monologue of a year without one of the most basic human needs. Original and profound, and narrated with a lucid breathlessness, this is a startlingly insightful exploration of memory, writing and influence, death and the will to survive, from "this generation's Virginia Woolf" (Telegraph).

A modern classic in the African literary canon and voted in the Top Ten Africa's 100 Best Books of the 20th Century, this novel brings to the politics of decolonization theory the energy of women's rights. An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.

How do powerand beauty join forces to determine who is considered ugly? What role does thatugliness play in fomenting hatred? Moshtari Hilal, anAfghan-born author and artist who lives in Germany, has written a touching,intimate, and highly political book. Dense body hair, crookedteeth, and big Hilal uses a broad cultural lens to question norms ofappearance—ostensibly her own, but in fact, everyone’s. She writes about beautysalons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin’stheory of evolution, Kim Kardashian, and a utopian place in the shadow of hernose. With a profound mix of essay, poetry, her own drawings, and cultural andsocial history of the body, Hilal explores notions of repulsion and attraction,taking the reader into the most personal of realms to put self-image to thetest. Why are we afraid of ugliness?