Welcome to The Sunbearer Trials, where teen semidioses compete in a series of challenges with the highest of stakes, in this electric new Mexican-inspired fantasy from Aiden Thomas, the New York Times bestselling author of Cemetery Boys. “Only the most powerful and honorable semidioses get chosen. I’m just a Jade. I’m not a real hero.” As each new decade begins, the Sun’s power must be replenished so that Sol can keep traveling along the sky and keep the evil Obsidian gods at bay. Ten semidioses between the ages of thirteen and eighteen are selected by Sol himself as the most worthy to compete in The Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all―they will be sacrificed to Sol, their body used to fuel the Sun Stones that will protect the people of Reino del Sol for the next ten years. Teo, a 17-year-old Jade semidiós and the trans son of Quetzal, goddess of birds, has never worried about the Trials…or rather, he’s only worried for others. His best friend Niya―daughter of Tierra, the god of earth―is one of the strongest heroes of their generation and is much too likely to be chosen this year. He also can’t help but worry (reluctantly, and under protest) for Aurelio, a powerful Gold semidiós and Teo’s friend-turned-rival who is a shoo-in for the Trials. Teo wouldn’t mind taking Aurelio down a notch or two, but a one-in-ten chance of death is a bit too close for Teo’s taste. But then, for the first time in over a century, Sol chooses a semidiós who isn’t a Gold. In fact, he chooses two: Xio, the 13-year-old child of Mala Suerte, god of bad luck, and…Teo. Now they must compete in five mysterious trials, against opponents who are both more powerful and better trained, for fame, glory, and their own survival.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

Get ready for the unmissable new thriller from the #1 internationally bestselling author of A Good Girl's Guide to Murder ******In seven days Jet Mason will be dead.Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. She’ll do it later, she always says. She has time.Until, on the night of Halloween, Jet is violently attacked by an unseen intruder. She suffers a catastrophic brain injury. The doctor is certain that within a week, she’ll suffer a deadly aneurysm.Jet never thought of herself as having enemies. But now she looks at everyone in a new her family, her ex-best friend turned sister-in-law, her former boyfriend.She only has seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish Jet is going to solve her own murder.

Acclaimed author Jade Song (Chlorine) returns with her latest literary exploration: a lyrical, poignant, and heartfelt novel about the meaning of love, friendship, debt, depression, and death in New York City—a coming-of-age for a new generation, in the vein of Sally Rooney and Ottessa Moshfegh. For as far back as she can remember, Vicky has been fascinated and obsessed with death as the only inevitable thing in life. From living above a Chinatown funeral parlor to working at a celebrity start-up for bespoke urns, she has surrounded herself with death—in her home, in her work, and in her ever-growing collection of zhizha, paper creations meant to be burned for the dead, adorning the walls of her apartment. Yet, though living in Manhattan and working her dream job is all she ever wanted, she still struggles to have meaningful connections—or find any meaning at all—in her life. Too often she spends the day in bed, only drawn out from time to time by her best (and only) friend, Jen. That changes when a dating app leads her into a throuple with an artist and a labor organizer, who offer exactly the kind of love she needs. For some time, it’s perfect, but no one understands better than Vicky that all things must end. As doubts grow over the love in her life, her friendship with Jen, and her professional success, the oddly comforting abstraction of death starts becoming something else altogether. With everything beginning to feel hollow and temporary, Vicky must decide how to keep moving forward. To try and hold on to what she has, or to once again do what she does destroy.

A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms. Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act—one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. She enlists the aid of Caleb, the guests’ coachman, and their friendship soon becomes something more. Yet as long-held truths begin to crumble, she realizes Bellereine is harboring dark and horrifying secrets that can no longer be ignored. With time ticking down, Junie begins to push against the harsh current that has controlled her entire life. As she grapples with an increasingly unfamiliar world in which she has little control, she is forced to ask herself: When we choose love and liberation, what must we leave behind?

Dive into a lush, standalone fantasy, set in the same world as The Drowned Woods and The Bone Houses, about a deadly competition—perfect for fans of Holly Black and Erin A. Craig. Every five years, two kingdoms take part in a Wild Hunt. Joining is a bloody risk and even the most qualified hunters can suffer the deadliest fates. Still, hundreds gamble their lives to participate—all vying for the Hunt’s life-changing prize: a magical wish granted by the Otherking. BRANWEN possesses a gift no other human has: the ability to see and slay monsters. She’s desperate to cure her mother’s sickness, and the Wild Hunt is her only option. GWYDION is the least impressive of his magically-talented family, but with his ability to control plants and his sleight of hand, he’ll do whatever it takes to keep his cruel older brother from becoming a tyrant. PRYDERI is prince-born and monster-raised. Deep down, the royal crown doesn’t interest him—all he wants is to know is where he belongs. If they band together against the monstrous creatures within the woods, they have a chance to win. But, then again, nothing is guaranteed when all is fair in love and the Hunt.

The madness is a game between gods and kings. But it is not the gods and kings who are mad. So, we play their games. Ekara Amaare is the Crown Princess of the House of Blood. One of the four Crown Royals of Itakaa. She is set on marriage with no aspirations to the crown. But on the day she is preparing for the prancing Ceremony, the royal marriage ritual to find an eligible partner, The Oracle Asylum opens. A call from the gods to participate in the trials to choose a ruler for Itakaa. Kazani rises as the 19th Oracle of Itakaa. The first Oracle chosen by the gods in almost a century, to mediate the choosing trials. But he has a secret and so do the gods. He has a personal interest in the trials while harbouring secrets which could destroy Itakaa. Everything depends on the trials which the crown Royals of Itakaa must participate in. The Oracle Asylum is Open.

Everything is mine and is taken from me. That’s what it means to be a girl. Highly acclaimed in Denmark, Girlbeast is a fearless, unsettling, and poetic reimagining of the Lolita narrative, where power shifts unpredictably and desire and coercion become indistinguishable. In a world that fetishises girlhood, it asks whether a girl be blamed for internalising the roles imposed upon her? Can she wield her youth as power in a system designed to render her powerless? With sharp, fast-paced prose and an addictive plot, Cecilie Lind crafts a daring examination of female agency, sexuality and the complexities of consent. The novel evokes the idea of the girl as animal – a creature conditioned to be both docile pet and wild beast, torn between submission and rebellion, innocence and desire. Brave, provocative, and unflinching, Girlbeast is a gripping, vital novel for our times.

The Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by English writer Margaret Cavendish, the Duchess of Newcastle. It has been described as an early forerunner of science fiction.

A disaffected, true crime-obsessed bookseller develops a dangerous obsession with a colleague. Roach would rather be listening to the latest episode of her favorite true crime podcast than assisting the boring and predictable customers at her local branch of the bookstore Spines, where she’s worked her entire adult life. A serious true crime junkie, Roach looks down her nose at the pumpkin-spice-latte-drinking casual fans who only became interested in the genre once it got trendy. But when Laura, a pretty and charismatic children’s bookseller, arrives to help rejuvenate the struggling bookstore branch, Roach recognizes in her an unexpected kindred spirit. Despite their common interest in true crime, Laura keeps her distance from Roach, resisting the other woman’s overtures of friendship. Undeterred, Roach learns everything she can about her new colleague, eventually uncovering Laura’s traumatic family history. When Roach realizes that she may have come across her very own true crime story, interest swiftly blooms into a dangerous obsession. A darkly funny suspense novel, Death of a Bookseller raises ethical questions about the fervor for true crime and how we handle stories that don’t belong to us.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Thanks to an unrelenting cycle of cancer treatments, thirty-two-year-old Gabe is too weak to dance gracefully on stage or through NYC’s sparkling social scene like he once did. And although he and Josie have been in love for six years, lately Gabe’s been feeling more like Josie’s patient than his boyfriend. So one day, Gabe makes a choice: he’ll forgo treatment and live out his remaining days on his own terms. Then a harrowing announcement blasts over the news—TWENTY-FIVE DAYS UNTIL IMPACT—and as the world falls into chaos around him, something sparks inside Gabe for the first time in a long time: the chance for adventure. When his cousin, Lisi, shows up with a car and a plan, the three begin a journey none of them ever expected—a road trip through the end of the world. Profound, moving, and delicate, We Have Reached the End of Our Show is a crystalline depiction of the best of humanity and the love we’re all capable of, even in the bleakest of times. Gabe, Josie, and Lisi take turns at the wheel of this novel, steering readers along hauntingly empty highways and through the adventure that happens when we’re forced to put down the carefully drawn map of our lives and look around at what really matters: each other.

A bold, evocative new novel from the Sue Kaufman, Betty Trask and Plimpton Prize Award winner Isabella Hammad that follows actress Sonia as she returns to Palestine and takes a role in a West Bank production of Hamlet After years away from her family’s homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia stayed in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new. At Haneen’s, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertude’s lines in classical Arabic and spending more time in Ramallah than in Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home. A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad’s highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

In present day Appalachian Georgia, a high school class explores the seminal American classic, The Crucible. As scandal swirls in their community and old heroes are unmasked, the English assignment becomes uncomfortably relevant for the students. The line between witch and heroine blurs in this post-Me Too examination of power, love, and sex education.

ALL GODS MUST DIE in this searingly relevant YA from award-winning and New York Times bestselling author of The Wicked Bargain and Most Ardently. In a world bound by violence, a teen descended from the god of Death must keep their true identity a secret as they fight their way through a gladiator-style competition towards victory and rebellion against the gods who murdered their family.Years ago, the descendants of the god of Death were murdered. The few that remain are in hiding, including Crow, a teen who survived the genocide and hides their magic to stay alive. After fleeing their village, Crow now lives with their uncles in the lowest part of the the Shallows.Life in the Shallows is tough, but Crow’s even tougher. Hiding their magic has made Crow resourceful, cunning, and unbeatable -- which comes in handy as a fighter in the city's lucrative underground fighting ring.Then, Crow's uncles are arrested for harboring Deathchildren.  With fists tightly clenched, Crow vows to set their uncles free. But to do that, they’re going to need to enter a world that threatens Crow’s very existence. Carefully navigating the politics of the wealthy and powerful, they enter the Tournament of the Gods -- a gladiator-style competition where the winner is granted a favor. As they battle their way towards the winner’s circle, Crow plans to ask the gods for their uncles’ freedom as their reward.But in a city of gods and magic, you don’t ask for what you want.You take it.Action. Adventure. Romance. Find it all in Gabe Cole Novoa's The Wicked BargainThe Diablo's Curse