Malavika Kannan establishes herself as the literary voice of Gen Z in this piercing coming-of-age narrative Which comes experience or narrative? Rishi thinks she knows the answer as she arrives on campus for her first year at Stanford. Her narrative is set—she’s going to leave behind the strict trappings of her Indian-American childhood in Florida, embrace her queer identity, experiment with love, and write all about it. Within a few months, she gets a new tattoo, makes her first real best friend, falls in love with her un-labeled situationship, and even gets her heart broken. Rishi’s first semester Asian American Autofiction final practically writes itself.What is not a part of Rishi’s plan, however, is the onset of the COVID pandemic. As the outside world becomes a terrifying place, she finds more and more solace in the friendships she’s made. In lieu of virtual college, Rishi and her classmates join a farm collective and grapple with America’s political situation and growing disillusionment…along with sexual tension and responsibility. It’s only when those relationships, too, start fracturing under the stress of careless decisions, unrequited crushes, jealousies, and, yes, the unprecedented times, that Rishi begins to question her own story.Unprecedented Times captures the beauty, frustration, love, and pain that exists in relationships between best friends, between lovers, between mothers and daughters, and between storytellers and themselves. Malavika Kannan’s fresh, arresting novel captures the excitement and the terror of modern young adulthood through the eyes of an unforgettable, flawed, and lovable narrator.

First the flood Next the sickness Last the change Visionary Korean author Kim Bo-young unleashes a Lovecraftian nightmare of infection, transformation, and abomination. “[Kim Bo-young's] fiction is a breathtaking piece of a cinematic art.” ―Bong Joon-ho, Academy Award-winning director of Parasite While waiting for a train to Haewon, an isolated Korean seaside village, bodyguard Mu-young gets a disaster alert on her phone. TVs throughout the station report breaking news of a massive earthquake on the eastern coast. Despite the danger, Mu-young boards the train with her niece: she’d rather face the earthquake than leave the girl in her mother’s care. That choice haunts her for the rest of her life. Three years later, Haewon Village is home to horrors. The earthquake unleashed an ancient plague that transforms its victims into fishy monsters, and the government’s lockdown has cut off any hope for help. Mu-young’s niece is dead, and all that’s left for her is to hunt villagers who break isolation. When an officious bureaucrat from Seoul arrives in the village, he stirs up even deeper trouble. Will Mu-young survive? Does she even deserve to?

A marine biologist makes the discovery of a lifetime when called to rescue the inhabitants of a small Maine island being menaced by a giant, glowing jellyfish in this richly imagined, wholly original debut.Dr. Jo Ness prefers jellyfish to people. Her best friend, Aldo, was the exception, but he died seven months ago. So she spends her days hidden away at an underfunded aquarium with her specimens and a draft of the jellyfish guide she and Aldo had been working on together. His voice is alive in the notes in the margins, and it’s enough. Almost.Until she receives a call from Nadia, one of the few other humans she’s loved but whom she hasn’t heard from in years, asking for her help. Nadia tells her a grand tale of a giant jellyfish terrorizing her tiny island off the coast of Maine and sends a grainy video of the creature. Frankly, the footage looks fake, but Jo drops everything to fly across the country to see Nadia again, and to find this supposed sea beast. She couldn’t save Aldo, but perhaps she can help Nadia.But when Jo arrives on Shattering Point, Nadia is nowhere to be found, and the islanders she meets each have something different to say about the creature they’ve dubbed Clementine . . . a jellyfish who changes all who see it.At turns an ode to classic sea monster stories and a vibrant tale of human connection, The Jellyfish Problem is an unforgettable debut that announces a new talent.

An electrifying first collection from one of the most exciting short story writers of our time Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick. Bettering myself -- Mr. Wu -- Malibu -- The weirdos -- A dark and winding road -- No place for good people -- Slumming -- An honest woman -- The beach boy -- Nothing ever happens here -- Dancing in the moonlight -- The surrogate -- The locked room -- A better place

A magical, groundbreaking reimagining of an iconic queen, from the #1 Sunday Times bestselling author. 'Enchanting, smart, and subversive – this is El-Arifi’s masterpiece' R. F. Kuang 'Lush world-building and lyrical prose burn brightly on every page' JENNIFER SAINT 'An extraordinary achievement’ SAMANTHA SHANNON YOU KNOW MY NAME. BUT YOU DO NOT KNOW ME. Your historians call me seductress, but I was ever in love's thrall. Your playwrights speak of witchcraft, but my talents came from the gods themselves. Your poets sing of my bloodlust, but I was always protecting my children. How wilfully they refuse to concede that a woman could be powerful, strategic, divinely blessed to rule. Death will silence me no longer. This is not the story of how I died. But how I lived. From one of the most remarkable and acclaimed storytellers of her generation, the #1 bestselling author of FAEBOUND and THE FINAL STRIFE, this epic and groundbreaking new novel shows us Cleopatra on her own terms.

In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.

A beautiful, arresting short story by Toni Morrison—the only one she ever wrote—about race and the relationships that shape us through life, with an introduction by Zadie Smith. Twyla and Roberta have known each other since they were eight years old and spent four months together as roommates in the St. Bonaventure shelter. Inseparable at the time, they lose touch as they grow older, only to find each other later at a diner, then at a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and in disagreement each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them. Written in 1980 and anthologized in a number of collections, this is the first time Recitatif is being published as a stand-alone hardcover. In the story, Twyla's and Roberta's races remain ambiguous. We know that one is white and one is black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? Morrison herself described this story as "an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial." Recitatif is a remarkable look into what keeps us together and what keeps us apart, and about how perceptions are made tangible by reality.

From a rising voice in progressive politics, a combination of memoir, science, and public policy, diagnosing the challenges facing America and laying out a way forward A child of immigrants, Abdul El-Sayed grew up feeling a responsibility to help others. He threw himself into the study of medicine and excelled—winning a Rhodes Scholarship, earning two advanced degrees, and landing a tenure-track position at Columbia University. At 30, he became the youngest city health official in America, tasked with rebuilding Detroit's health department after years of austerity policies.    But El-Sayed found himself disillusioned. He could heal the sick—even build healthier and safer communities—but that wouldn’t address the social and economic conditions causing illness in the first place. So he left health for politics, running for Governor of Michigan and earning the support of progressive champions like Congresswoman Alexandria Ocasio-Cortez-Cortez and Senator Bernie Sanders.    In Healing Politics, El-Sayed traces the life of a young idealist, weaving together powerful personal stories and fascinating forays into history and science. Marrying his unique perspective with the science of epidemiology, El-Sayed diagnoses an underlying epidemic afflicting our country, an epidemic of insecurity. And to heal the rifts this epidemic has created, he lays out a new direction for the progressive movement. This is a bold, personal, and compellingly original book from a prominent young leader.

In Confidence Culture , Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of feminism that go beyond the confidence imperative.

A young woman undertakes a terrifying journey—and a terrifying transformation—in this genre-blending speculative suspense novel set in South Korea and the US which mixes fantasy, gothic vibes and queer longing, with a shot of feminist body horror.Fairytales are for children. Until the day we awaken in a place full of monsters, being softly enveloped by the dark.Nineteen-year-old undocumented immigrant Hee-Jin lies on the floor of her cramped Seoul apartment, listening for footsteps.But the knock on the door isn’t the police finally coming to deport her to North Korea. Instead, sprawled on the doorstep is a disfigured, bird-like corpse—and it has her eyes. Her younger sister, artist Hee-Young, is meant to be on an art program in America, not dead of a strange overdose.But in Hee-Young’s pocket is a plane ticket and US passport. Seeing her chance for freedom, Hee-Jin steals her sister’s identity and takes her place, determined to uncover what really happened to her.But the deeper she dives into the program’s strange workings, the closer she gets to the monstrous secret at its heart.A page-turner of a mystery filled with gorgeous, creepy Korean folklore and imagery, Aviary, written by critically acclaimed Korean American author Maria Dong, is also a story about power, violence, exploitation—and transformation. And, above all, it's about the choices women make from within a system where all the available options are bad ones.

In this seductive, provocative debut, two Afghan men—cast out of their respective countries of birth by circumstances beyond their control—collide in Istanbul, a city that will test their willingness to sacrifice everything for the ones they love.When Delbar—a hapless twenty-something with dreams of becoming a drag queen—is spectacularly outed, he flees the insular immigrant-dense suburbs of Washington, DC to seek refuge with his sympathetic aunt in Istanbul. There, he discovers a vibrant community of dissidents, sex workers, activists, poets, and heretics. Among them are Leif and his boyfriend, Mansur, with whom Delbar quickly develops a blazing fascination. But Mansur also nurses a wounded heart, having left his own family, and his first love, behind in Iran. This time, Mansur’s learned not to dream bigger than his own survival. He’ll keep a low profile, work hard to send money back, and remain faithful to Leif—at least until his refugee status is granted. When riot police descend on attendees of the annual Istanbul Pride march, Mansur and Delbar are thrust into dangerous proximity. With the country surging into authoritarianism, each person must ask  what constitutes a life well-lived, and how high is the price of freedom? Told through the alternating viewpoints of Delbar and Mansur, Bobuq Sayed’s debut is a story of borders and boundaries transgressed, and a deeply engrossing exploration of what it means to make a home at the margins of society. At once an immigrant family saga, a thwarted love story, and a searing portrait of politics made intimately personal, No God but Us is an ambitious introduction to a bold new voice.

An epic novel set in mid-nineteenth-century America about the spiritual costs of a freedom that demands fierce protection In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

From USA Today bestselling author Mazey Eddings comes a dazzling sapphic romance about fame, friendship, and falling for the one person you were never meant to. Lost. Reckless. In love. Cubby Clark is the heart of her band—loyal, earnest, and determined to make music that matters. But just as they’re about to break out, Connor, her on-again, off-again boyfriend walks away . . . and rockets to solo fame with a hit song tearing her down. Left with a fractured band, a publicly adored and toxic ex, and relentless writer’s block, Cubby is barely holding it together. The only thing keeping her steady are her friends and bandmates Darcy and Harry. Especially Darcy—bright, magnetic, and more guarded than she lets on. But, when a seemingly romantic photo of Cubby and Harry goes viral the same night Cubby and Darcy hook-up, the inseparable pair begin to fracture. Thrust into a whirlwind tour, Cubby and Darcy are forced into close quarters. Now Cubby has one summer to decide what she’s willing to risk. Walking away would be easier. But staying might mean everything.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season. Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.

Hades and Persephone reimagined on a tidally locked planet, for fans of queer romance, mutant superpowers, eccentric robots, and speculative tech—featuring fun and stylish case art beneath the hardcover dust jacket! Sixteen-year-old Kori struggles to be a dutiful heiress to the Daylands, a post-cataclysmic society reliant on chip implants to retain memory. With a strict routine and an overly cautious mother, Kori has only one friend, Aspect—an industrial robot she’s repurposed. Determined to awaken sentience in her metal companion, Kori crash-lands in enemy territory while hunting for a memory that might do the trick. Ravaged by radiation from a meteorite, the citizens of the Shadowlands have evolved into beast-like creatures with supernatural abilities. Adria, a winged mutant, has wrested control of the Shadowlands from her bloodthirsty parents—but not everyone is so willing to embrace her leadership. What better way to instill confidence in her court than by capturing a foreign princess and demanding ransom? However, what began as a political maneuver transforms into a potent attraction as Kori’s longing for relationship echoes Adria’s own. Granted free rein of Adria’s fortress, Kori stumbles upon a startling revelation that could upend the Daylands entirely. As rebellion grows and Adria’s precarious hold on her throne wavers, Adria and Kori must join forces to avert all-out war. Does a queen of shadows really stand a chance with a princess of sunlight? Or has the chasm between their nations grown too wide? A science fantasy "Beauty and the Beast," this action-packed adventure is written in dual point of view and layered with a charming robot, a cuddly three-headed dog, mind-bending twists, and sapphic yearning.

June 12, 2025.