A charming slow-burn romantasy featuring a duty-bound noblewoman with a chronic illness, a prince who would rather be in a library than on a throne, and a magical ride through a world of cozy enchantment*This beautiful paperback edition features sprayed edges.*Bianca knows her duty comes before her heart. So when the threat of war looms, she agrees to marry the neighboring kingdom’s heir. But not all royal weddings are a fairytale, and Prince Aric, Bianca’s betrothed, is cold, aloof, and seems to hate her on sight.To make matters worse, on their wedding night, an assassination attempt goes awry―leaving Aric magically transformed into a horse. Bianca does what any bride in this situation would do: she mounts her new husband and rides away to safety.Sunset returns Aric to human form, but they soon discover the assassination attempt is part of a larger plot against the throne. Worse, Bianca has been framed for Aric’s murder, and she’s now saddled with a husband who is a horse by day and a frustratingly attractive man by night.As an unexpected romance begins galloping away with their hearts, Bianca and Aric must rely on each other to unravel the curse and save the throne.

His dark destiny awaits, and nothing will stand in his way. Except her. Dark lord Demon spawn Prophesied realm destroyer With a demon for a father, Damien Maleficus Bloodthorne’s destiny could be nothing but nefarious, and with the completion of his most vicious spell, Damien is on the cusp of fulfilling the evil inevitability all of his dark machinations have led to. And then, her. Bubbly Obnoxious Blonde Harboring secrets of her own, a tiny yet troublesome thief calling herself Amma completely upsets Damien’s malevolent plans when she mistakenly gets chained to his side through magic, forcing him to drag her across the realm. Killing her would fix things, of course, but the nauseatingly sweet Amma proves herself useful on Damien's unholy crusade and then proves herself the source of something even more sinister: feelings. Will Damien be forced to abandon his villainous birthright to help the tender thorn in his side? Or will he manage to overcome the virtue Amma insists on inspiring and instead cut it out at the heart?

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home. Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp. Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

February, 1929. The Regent Hotel in Birmingham is a place of deception and glamour. Behind its six-storeyed façade, guests sip absinthe cocktails on velvet banquettes, while the staff navigate the hotel's labyrinthine 'below stairs' to ensure the finest service is always at hand. In the early evening, psychoanalyst Nora Dickinson checks in under a false name. It's unlike Nora to deceive – her aversion to lying borders on the pathological – but she's travelling with an agenda. Having shadowed the famous opera singer, Berenice Oxbow, from Zurich, she's determined not to lose sight of her now. But when a terrible snow storm isolates the hotel – and its guests – from the outside world, reality appears to shift. Nora's grip loosens, and the nightmares she's worked hard to control begin to bare their teeth.

Starts with the birth and ends with the first birthday celebrations of the heir to the grand, tradition-bound castle of Gormenghast. A grand miasma of doom and foreboding weaves over the sterile rituals of the castle. Villainous Steerpike seeks to exploit the gaps between the formal rituals and the emotional needs of the ruling family for his own profit.

The first volume in a new graphic novel horror trilogy from Marjorie Liu and Sana Takeda—the creative team behind the New York Times bestselling series Monstress Chinese American twins, Milly and Billy, are having a tough time. On top of the multiple failures in their personal and professional lives, they’re struggling to keep their restaurant afloat. Luckily their parents, Ipo and Keon, are in town for their annual visit. Having immigrated from Hong Kong before the twins were born, Ipo and Keon have supported their children through thick and thin and are ready to lend a hand—but they're starting to wonder, has their support made Milly and Billy incapable of standing on their own?       When Ipo forces them to help her clean up the house next door—a hellish and run-down ruin that was the scene of a grisly murder—the twins are in for a nasty surprise. A night of terror, gore, and supernatural mayhem reveals that there is much more to Ipo and her children than meets the eye. Eisner Award–winning and bestselling author Marjorie Liu and illustrator Sana Takeda have crafted a wild and wicked tale that will leave readers hungry for more. She Eats the Night is the perfect start to The Night Eaters trilogy, which is a combination of Monsters by Barry Windsor-Smith and Crazy Rich Asians by Kevin Kwan.

The first book in the Between Earth and Sky trilogy, inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic. A god will return When the earth and sky converge Under the black sun In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world. Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a sizzling noir about desire, danger, and greed, in which seduction is the ultimate con. Handsome con artist Ulises has long charmed lonely women via letters to steal their money, but money is hard to come by in 1940s Mexico. Ulises knows his looks won't last forever, and he's desperate to get his hands on a real fortune. He thinks he's found it when he captivates his newest correspondent, Perla, the owner of a small-town boardinghouse in picturesque Veracruz. But when he meets her, he finds something he didn't expect. The woman has a niece, Inés, who is as observant as she is desperate to escape her aunt’s household. When Inés discovers Ulises' true intentions, she wants in on the scheme. They’ll convince her aunt that Ulises is a great catch, Perla will marry him, and her money will vanish. Easy, fast and clean. But Perla is not the desperate, silly spinster Ulises imagines. She harbors secrets. And although Ulises does not believe in true romance, Inés is more alluring than he bargained on. Suddenly, a simple plan may become perilously complicated. Venture into the streets of a small town where the patina of convention and good manners conceals a cauldron of avarice and lust.

In a land of lost wonders, the past is stirring once more . . . Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy. The city beyond contains glowing glass relics from a lost civilization. They call to her, but she wants freedom not mysteries. So, reinvented as 'Micah Grey', Gene joins the circus. As an aerialist, she discovers the joy of flight - but the circus has a dark side. She's also plagued by visions foretelling danger. A storm is howling in from the past, but will she heed its roar?

In 2024, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others. When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions — until its divine protectors were killed. Now, Bulikov’s history has been censored and erased, its citizens subjugated. But the surreal landscape of the city itself, forever altered by the thousands of miracles its guardians once worked upon it, stands as a haunting reminder of its former supremacy. Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov’s oppressors. Unofficially, she is one of her country’s most accomplished spies, dispatched — along with her terrifying “secretary”, Sigrud — to solve a murder. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem, and that Bulikov’s cruel reign may not yet be over. A tale of vast conspiracies, dead gods, and buried histories, City of Stairs is at once a gripping spy novel and a stunningly original work of fantasy.

Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys’s return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction’s most fascinating characters: the madwoman in the attic from Charlotte Brontë’s Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind. A new introduction by the award-winning Edwidge Danticat, author most recently of Claire of the Sea Light, expresses the enduring importance of this work. Drawing on her own Caribbean background, she illuminates the setting’s impact on Rhys and her astonishing work.

From the USA Today bestselling author of The Book Eaters comes The Girl with a Thousand Faces, a Gothic tale set in a historical Hong Kong that meshes ancient myths and local legends into a haunting story of ghosts, grief, and women who will not forgive. When Mercy Chan washed up on the shores of Hong Kong with no family, no money, and no memories, she was thrust into the horrors of World War II. She only survived by hiding in Kowloon Walled City, an infamous, ghost-infested slum full of lost and traumatized civilians. Since the end of the war, she has rebuilt her life and found work with the local triad as a ghost-talker, dealing with the angry and bitter spirits who haunt this place. These days, the filthy gutters and cramped alleyways of Kowloon feel like home. But the past she can’t remember won’t let her go. An unusually powerful ghost has infested Kowloon’s waterways, drowning innocents and threatening the district. Unnervingly, it claims to know Mercy―and her forgotten childhood. As Mercy is drawn into a deadly cat-and-mouse game with this malignant spirit, she begins to realize that the monster she fights within these walls may well be one of her own making. 33 years before, mere days ahead of the Japanese invasion, Sung Siu Yin and her mother flee Hong Kong, intending to hide out on her mother's ancestral island home. It’s beautiful, tranquil, and remote. . . but also inhabited by ghosts ever since the entire village drowned in a storm many years ago. Still, it’s better than living under occupation. But as the war drags on and isolation sets in, Siu Yin is increasingly drawn into the island's grim past―a past that may still have a hold on the present. There is a darkness lurking beneath that idyllic ocean, and it has been waiting many years for someone to return. "The Girl With a Thousand Faces confirms Sunyi Dean as one of the most interesting voices in genre fiction.”―Gareth Brown, USA Today bestselling author of The Book of Doors

From bestselling author Maddie Martinez comes a deliciously dark sapphic retelling of The Phantom of the Opera drenched in Polish folklore–perfect for fans of Ava Reid, Catherynne M. Valente, and S.T. Gibson. A tale of obsession and desire… The city of Larzég glitters as bright as its famous Nectar Performance House, where violinist Kasia has worked her fingers to the bone to chase one dream: becoming Perła, the theater’s prestigious concertmaster. When the current Perła mysteriously dies during a performance, Kasia refuses to be distracted by whispers of a phantom in the theater’s wings. All she sees is her chance to replace the fallen star—until the orchestra director refuses her an audition because of her Azjarian heritage. Devastated, Kasia is desperate enough to strike a bargain with the phantom of the theater—revealed to be Death herself. Behind her dark veil, Lady Death is prepared to help Kasia in her quest to become Perła, if Kasia becomes her companion. But one cannot be companion to Lady Death without bearing her mark, and soon Kasia discovers that her music is entrancing, capable of bending the audience to her will. This alluring new gift thrusts Kasia into the spotlight, but also into the city’s highest circles of power, where influential men seek to control her, Lady Death’s demands grow increasingly dangerous, and Kasia finds herself falling further into the thrall of a master who promises her everything… as long as Death can call Kasia hers.

All strays are welcome here.From Sunday Times and New York Times bestselling author Heather Fawcett comes a healing and heart-warming fantasy with magic shops, rescue cats and a second chance at love.Agnes Aubert is very fond of making lists. These lists kept her afloat when she lost her husband two years ago. And now, as the founder of a cat rescue charity, her meticulous organization skills feel like the only thing standing between her beloved cats - His Majesty, Banshee and sweet elderly Thoreau, to name a few - and utter disaster.But when Agnes is forced to move the charity, she soon discovers that her new shop is being used as a front; right under her feet is the lair of the decidedly disorganised - not to mention self-absorbed and infuriatingly handsome - Havelock Renard.Havelock is everything Agnes doesn't want in her chaos, mischief, and a little too much adventure. But as she gets to know him, she discovers he's more than the dark magician of legend, and that she may be ready for a little intrigue, perhaps even romance. After all, second chances aren't just for rescue cats. . . Praise for the Emily Wilde 'Forget dark give me instead this kind of winter-sunshined, sharp-tongued and footnoted academia, full of field trips and grumpy romance' Freya Marske, author of A Marvellous Light'Enchanting in every sense of the word. . . This book is real magic' H. G. Parry, author of The Unlikely Escape of Uriah Heep'A book so vividly, endlessly enchanting, so crisply assured, so rich and complete and wise and far-reaching in its worldbuilding that you'll walk away half ensorcelled, sure Fawcett found Emily Wilde's journal in some sea-stained trunk' Melissa Albert'The ideal book to curl up with on a chilly winter's evening. . . this book is an absolute delight.' Megan Bannen, author of The Undertaking of Hart and Mercy'A charmingly whimsical delight. . . Five dazzling, gladdening stars' India Holton, author of The Wisteria Society of Lady Scoundrels'I enjoyed every word of this gorgeously written fairy tale featuring a grumpy heroine and an utterly charming love interest' Isabel Ibañez, author of Woven In Moonlight

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.