This volume offers a comprehensive historical, political, and analytical account of the Palestinian question, spanning from the critical years preceding the 1948 Nakba to the contemporary period. Covering nearly eight decades, the book examines the intersecting dynamics of colonialism, settler-colonial expansion, Arab regional politics, international intervention, and Palestinian resistance. Drawing on a wide range of archival materials, memoirs, internal Arab League documents, Zionist strategic writings, and extensive primary and secondary sources, the study advances the argument that the Palestinian tragedy its origins, evolution, and persistence can only be fully understood through an examination of structural deficiencies in Arab coordination, the geopolitical manoeuvring of global powers, and the long-term strategic planning of the Zionist movement. Palestine between Storm and Strife will be of particular interest to scholars and graduate students in Middle Eastern studies, history, and international relations.

In recent years, queer theory appears to have made a materialist turn away from questions of representation and performativity to those of dispossession, precarity, and the differential distribution of life chances. Despite this shift, queer theory finds itself constantly reabsorbed into the liberal project of diversity management. This theoretical and political weakness, Petrus Liu argues, stems from an incomplete understanding of capitalism’s contemporary transformations, of which China has been at the center. In The Specter of Materialism Liu challenges key premises of classic queer theory and Marxism, turning to an analysis of the Beijing Consensus—global capitalism’s latest mutation—to develop a new theory of the political economy of sexuality. Liu explores how relations of gender and sexuality get reconfigured to meet the needs of capital in new regimes of accumulation and dispossession, demonstrating that evolving US-Asian economic relations shape the emergence of new queer identities and academic theories. In so doing, he offers a new history of collective struggles that provides a transnational framework for understanding the nexus between queerness and material life.

Against the backdrop of an English country hotel in a languid pre-war summer, Denton Welch's alter ego, Orvil Pym, examines his early life and formative experiences with a Proustian intensity. An adolescent voyeur, Orvil takes pleasure in the microscopic observation of his relatives and fellow guests, charting their eccentricities and love affairs as faithfully as he exposes his own obsessions. In a highly perceptive Afterword, Jeremy Reed relates the novel to Welch's life and work, praising it for writing that 'oscillates between moments of lyrical serenity and outbreaks of psychological disorder.' Flagrantly controversial on its first publication in 1945, In Youth Is Pleasure will impress new readers with its arresting visual descriptions and its defiance of convention.

This famous story of man's progress through life in search of salvation remains one of the most entertaining allegories of faith ever written. Set against realistic backdrops of town and country, the powerful drama of the pilgrim's trials and temptations follows him in his harrowing journey to the Celestial City.Along a road filled with monsters and spiritual terrors, Christian confronts such emblematic characters as Worldly Wiseman, Giant Despair, Talkative, Ignorance, and the demons of the Valley of the Shadow of Death. But he is also joined by Hopeful and Faithful.An enormously influential 17th-century classic, universally known for its simplicity, vigor, and beauty of language, The Pilgrim's Progress remains one of the most widely read books in the English language.

The greatest English version of the stories of King Arthur, Le Morte D'Arthur was completed in 1469-70 by Sir Thomas Malory, knight prisoner. This edition is the first designed for the general reader to be based on the Winchester manuscript which represents what Malory wrote more closelythan the version printed by William Caxton. Extensively annotated, this edition is highly user-friendly.

How trauma became a weapon, by highly-acclaimed author of Virtue HoardersTraumatized traces the emergence and triumph of the concept of trauma in public life. From shell-shock and PTSD to the power of Oprah Winfrey and the authentic personal brand, Liu weaves together the history of this now ubiquitous idea and explains what it all means for our society.Trauma culture speaks to our current moment - the demise of liberalism, the expansion of social media, and the rise of surveillance capitalism. Trauma culture promised liberation from repression and oppression but has never delivered. Instead, it has been made into a weapon to individualise suffering, promoting a politics of false consensus. It undermines solidarity and eviscerated the foundations of liberal politics by demanding submission to a regime of vulnerability and accommodation. When suffering is all we have in common, what are we to do when we are all too traumatised to resist?

Everyone is Watching meets Twelve Angry Men in a tense and twisty locked-room thriller where, sequestered together until the Hollywood trial is closed, a jury must decide the fate of an actor accused of attempted murder, but this jury has explosive secrets, and one of them is about to get away with murder. No one here is innocent. Hollywood's biggest movie star, Danny Scott, stands accused of trying to murder his wife, starlet Hope Harrison, in a case that has taken the world by storm. Everyone is What led to the events of that night, and what darker truths simmer beneath the surface of Danny and Hope's marriage? As the world watches, twelve sequestered jurors must decide Danny's fate – and the world is gripped by their every deliberation. But even a jury has its secrets… Juror 6 is risking everything for this trial. Even her life.  Juror 2 is playing games. But can he keep one step ahead of his own lies?  Juror 13, the alternate, will do anything to be on that jury. Anything.  And Juror 7 is hardly noticed by anyone. Just as she planned.  As each juror vies for the verdict they want, secrets, obsessions, and plots for revenge will come to light in the stands. Because everyone is lying. Everyone is guilty. And one of them might be planning a murder of their own. With shocking twists and propulsive pacing, This Jury Is Guilty is a thought-provoking, locked-room thriller exploring our obsessions with true crime, the blurry lines between fact and fiction, and the lengths we might be willing to go to seek justice. For fans of Amy Tintera, Steve Cavanagh, and Ellery Lloyd

A cozy debut science fiction novel by National Book Award–winning writer William Alexander, this story of found family follows a planetary courier training adolescent androids in a solar system grappling with interplanetary conflict after a devastating explosion on Earth’s moon. Captain Tova Lir chose a life as a courier rather than get involved in her family’s illustrious business in politics. Set in humanity’s far future, hiring a planetary courier is essential for delivering private messages across the stars. Encouraged by friends, Tova begins mentoring baby bots, juvenile AI who are developmentally in their teens, and trains them how to interact within society essentially becoming their foster mom. Her latest charge, Agatha Panza von Sparkles, named herself on their first run from Luna to Phoebe station. But on their return, they encounter a derelict spaceship and a lurking assassin, igniting a thrilling chase across the solar system. Tova and Agatha’s daring actions leave Agatha’s mind vulnerable, relying on Tova’s former AI pupils for help. As Tova starts gathering her scattered family around her, she is chased through the solar system by forces who want her captured and her family erased. This debut science fiction novel by National Book Award–winning author William Alexander is a must-read for fans of Becky Chambers and Ursula K. Le Guin. Lovers of poignant science fiction, where the bonds of found family, the evolution of AI, and the building distrust of centuries of bias, come together in this visionary look at humanity’s future.

In these deftly written stories of the fantastic, Christopher Caldwell unravels the complicities of personhood and gender, slavery and war. Saints and sailors, scoundrels and surfers. Caldwell's characters appear in contrasting duets-first notes during the initial half, and then again in counterpoint, when the dominoes fall in the second half. In addition to collecting incredible stories previously published in venues like FIYAH, Strange Horizons, and Uncanny, Call and Response also features the original short story "The Lonesome Sea." advance praise for CALL AND RESPONSE "Throughout, Caldwell brings his all-Black, mostly queer protagonists to vivid life while exploring the collision of the natural and the supernatural. This stuns." -Publishers Weekly (starred review) "Call and Response is a great showcase for Christopher's particular his sophisticated prose, so changeable from story to story, but always distinctive in voice, playful and masterful in style!" -Kai Ashante Wilson, author of A Taste of Milk and Honey "I am so glad I get to live in the time-space where Christopher Caldwell is creating. And so happy to see these horny, heartbreaking, world-changing stories gathered together in one truly staggering collection." -Sam J. Miller, author of Boys, Beasts & Men "Christopher Caldwell's stories are lyrical and wondrous, his gaze unflinching and kind. Here are visions of doomed whaling voyages, bank robbers on the run from arcane enforcers, desperate characters confronting the world's evils, gods and saints, betrayals and joys. Caldwell calls us to witness the world as it is and as it could be. The tales in Call and Response are they'll transform you." -Izzy Wasserstein, author of These Fragile Graces, This Fugitive Heart "Call and Response is one of the most honest, brutal and beautiful collections of short work I've ever read. It is full of love and pain and a will to not just endure, but thrive. Caldwell's rich characterization and voice infuses every story with a flesh and blood heart-a heart that will leap from the page and beat in time with your own. I am in awe of this collection. Thank you for writing it." -Suzan Palumbo, author of Skin Stories and Countess.

Near a village high in the Pyrenees, Domènec wanders across a ridge, fancying himself more a poet than a farmer, to “reel off his verses over on this side of the mountain.” He gathers black chanterelles, attends to a troubled cow. And then storm clouds swell, full of electrifying power. Reckless, gleeful, they release their bolts of lightning, one of which strikes Domènec. He dies. The ghosts of seventeenth-century witches gather around him, taking up the chanterelles he’d harvested before going on their merry ways. So begins this novel that is as much about the mountains and the mushrooms as it is about the human dramas that unfold in their midst. When I Sing, Mountains Dance, winner of the European Union Prize, is a giddy paean to the land in all its interconnectedness, and in it Sola finds a distinct voice for each extraordinary consciousness: the lightning bolts, roe deer, mountains, the ghosts of the civil war, the widow Sió and later her grown children, Hilari and Mia, as well as Mia’s lovers with their long-buried secrets and their hidden pain. Irene Solà animates the polyphonic world around us, the fierce music of the seasons, as well as the stories we tell to comprehend loss and love on a personal, historical, and even geological scale. Lyrical, elemental, and mythic, hers is a fearlessly imaginative new voice that brilliantly renders both our tragedies and our triumphs.

An eighty-year-old woman slips into a deep depression at the death of her husband, then resurfaces to gain a new lease on life. Her determination to fly in the face of convention – including striking up a friendship with a hijra (trans) woman – confuses her bohemian daughter, who is used to thinking of herself as the more 'modern' of the two. At the older woman's insistence they travel back to Pakistan, simultaneously confronting the unresolved trauma of her teenage experiences of Partition, and re-evaluating what it means to be a mother, a daughter, a woman, a feminist. Rather than respond to tragedy with seriousness, Geetanjali Shree's playful tone and exuberant wordplay results in a book that is engaging, funny, and utterly original, at the same time as being an urgent and timely protest against the destructive impact of borders and boundaries, whether between religions, countries, or genders.

From global phenomenon C. S. Pacat comes the first in her critically acclaimed trilogy—with a bonus story. Damen is a warrior hero to his people, and the rightful heir to the throne of Akielos. But when his half brother seizes power, Damen is captured, stripped of his identity, and sent to serve the prince of an enemy nation as a pleasure slave. Beautiful, manipulative, and deadly, his new master, Prince Laurent, epitomizes the worst of the court at Vere. But in the lethal political web of the Veretian court, nothing is as it seems, and when Damen finds himself caught up in a play for the throne, he must work together with Laurent to survive and save his country. For Damen, there is just one rule: never, ever reveal his true identity. Because the one man Damen needs is the one man who has more reason to hate him than anyone else… Includes an exclusive extra story!

On the day Chareeya is born, her mother discovers her father having an affair with a traditional Thai dancer. From then on, Chareey's life is fated to carry the weight of her parents' disappointments. She and her sister grow up in a lush riverside town near the Thai capital, Bangkok, captivated by trashy romance novels, classical music and games of make-believe. When the laconic orphan, Pran, enters their world, he unwittingly lures the sisters into a labyrinth of their own making as they each try to escape their intertwined fates. The original Thai langaue edition of The Blind Earthworm in the Labyrinth won the prestigious South East Asian Writers ("S.E.A. Write") Award for fiction and was best-seller in Thailand. It is translated into English by Thai film critic and recipient of France's Chevalier dans I'Ordre des Arts et des Lettres, Kong Rithdee. Attuned to the addictive rhythms of a Thai soap opera and written with the consuming intensity of a fever dream, this novel opens an insightful and truly compelling window onto the Thai heart.

After everything that the citizens of Beartown have gone through, they are struck yet another blow when they hear that their beloved local hockey team will soon be disbanded. What makes it worse is the obvious satisfaction that all the former Beartown players, who now play for a rival team in Hed, take in that fact. Amidst the mounting tension between the two rivals, a surprising newcomer is handpicked to be Beartown’s new hockey coach.Soon a new team starts to take shape around Amat, the fastest player you’ll ever see; Benji, the intense lone wolf; and Vidar, a born-to-be-bad troublemaker. But bringing this team together proves to be a challenge as old bonds are broken, new ones are formed, and the enmity with Hed grows more and more acute.As the big match approaches, the not-so-innocent pranks and incidents between the communities pile up and their mutual contempt grows deeper. By the time the last game is finally played, a resident of Beartown will be dead, and the people of both towns will be forced to wonder if, after all they’ve been through, the game they love can ever return to something simple and innocent.

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever-encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded town. And that rink is the reason people in Beartown believe tomorrow will be better than today. Their junior hockey team is about to compete in the national championships, and they actually have a shot at winning. All the hopes and dreams of the town now rest on the shoulders of a handful of teenage boys. A victory would send star player Kevin onto a brilliant professional future in the NHL. It would mean everything to Amat, a scrawny fifteen-year-old treated like an outcast everywhere but on the ice. And it would justify the choice that Peter, the team's general manager, and his wife, Kira, made to return to his hometown and raise their children in this beautiful but isolated place. Being responsible for the hopes of an entire town is a heavy burden, and the semifinal match is the catalyst for a violent act that leaves a young girl traumatized and a town in turmoil. Hers is a story no one wants to believe since the truth would mean the end of the dream. Accusations are made, and like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.

In this debut novel, a new mother—a scholar steeped in fairy lore—wrestles with the legacies and madness of motherhood.There is a changeling in this story—but who is it?Madeleine is young for motherhood, a promising grad student in Victorian and modernist literature, twenty-three and not long married. Even her mother worries about the timing. But Madeleine’s ambivalence is pushed aside by Tom’s elation and her own desire to bring new life into a world marked by loss.Then comes Maud, perfect and fresh, despite a traumatic labor. But just a few nights into their life, something seems amiss. Maud is changed. The child never stops crying. Her hunger is insatiable. Her eyes glint with some kind of ancient mischief. Could Maud be a fairy child, swapped when Madeleine wasn’t paying attention? Is the real Maud dancing in the half-light, with the fairies and the foxes? Did the gray cat hide her behind the hedge?Tom goes about the day-to-day, working toward a promotion and urging Madeleine to connect with other moms. Her parents come to clean out her grandmother’s house, her father newly obsessed with genealogy and DNA tests. Madeleine, interrupted by violent visions, panicked at her lack of maternal love, shut out from her old life, frantically searches for answers. The old stories end in sorrow and bloodshed, and the fairies don’t just kidnap babies—they’re also partial to young women. Is Maud the changeling, or is Madeleine? And if she’s been swapped, how will she find her way back?Emily McBride’s Queen Mab is a riveting portrait of madness, motherhood, the myths that haunt us, and the families who keep us tethered.