A revelatory new history of the Irish Great Famine, showing how the British Empire caused Ireland’s most infamous disaster In 1845, European potato fields from Spain to Scandinavia were attacked by a novel pathogen. But it was only in Ireland, then part of the United Kingdom, that the blight’s devastation reached apocalyptic levels, leaving more than a million people dead and forcing millions more to emigrate. In Rot, historian Padraic X. Scanlan offers the definitive account of the Great Famine, showing how Ireland’s place in the United Kingdom and the British Empire made it uniquely vulnerable to starvation. Ireland’s overreliance on the potato was a desperate adaptation to an unstable and unequal marketplace created by British colonialism. The empire’s laissez-faire economic policies saw Ireland exporting livestock and grain even as its people starved. When famine struck, relief efforts were premised on the idea that only free markets and wage labor could save the Irish. Ireland’s wretchedness, before and during the Great Famine, was often blamed on Irish backwardness, but in fact, it resulted from the British Empire’s embrace of modern capitalism. Uncovering the disaster’s roots in Britain’s deep imperial faith in markets, commerce, and capitalism, Rot reshapes our understanding of the Great Famine and its tragic legacy.

A quarter-century after Frank McCourt’s extraordinary bestseller, Angela’s Ashes, Fintan O’Toole, one of the Anglophone world’s most consummate stylists, continues the narrative of modern Ireland into our own time. O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment. So began a decades-long, ongoing experiment with Irish national identity. Weaving his own experiences into this account of Irish social, cultural, and economic change, O’Toole shows how Ireland, in just one lifetime, has gone from a Catholic “backwater” to an almost totally open society. A sympathetic-yet-exacting observer, O’Toole shrewdly weighs more than sixty years of globalization, delving into the violence of the Troubles and depicting, in biting detail, the astonishing collapse of the once-supreme Irish Catholic Church. The result is a stunning work of memoir and national history that reveals how the two modes are inextricable for all of us.

A quarter-century after Frank McCourt’s extraordinary bestseller, Angela’s Ashes, Fintan O’Toole, one of the Anglophone world’s most consummate stylists, continues the narrative of modern Ireland into our own time. O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment. So began a decades-long, ongoing experiment with Irish national identity. Weaving his own experiences into this account of Irish social, cultural, and economic change, O’Toole shows how Ireland, in just one lifetime, has gone from a Catholic “backwater” to an almost totally open society. A sympathetic-yet-exacting observer, O’Toole shrewdly weighs more than sixty years of globalization, delving into the violence of the Troubles and depicting, in biting detail, the astonishing collapse of the once-supreme Irish Catholic Church. The result is a stunning work of memoir and national history that reveals how the two modes are inextricable for all of us.

An archaeologist’s wife is murdered on the shores of the River Tigris in Iraq. It was clear to nurse Amy Leatheran that something sinister was going on at the Hassanieh dig, something associated with the presence of ‘Lovely Louise’, the wife of the celebrated archaeologist Dr. Leidner. But she couldn't pinpoint it. In a few days’ time Hercule Poirot was due to drop in at the excavation site. With Louise suffering terrifying hallucinations, and tension within the group becoming almost unbearable, Poirot might just be too late…

An archaeologist’s wife is murdered on the shores of the River Tigris in Iraq. It was clear to nurse Amy Leatheran that something sinister was going on at the Hassanieh dig, something associated with the presence of ‘Lovely Louise’, the wife of the celebrated archaeologist Dr. Leidner. But she couldn't pinpoint it. In a few days’ time Hercule Poirot was due to drop in at the excavation site. With Louise suffering terrifying hallucinations, and tension within the group becoming almost unbearable, Poirot might just be too late…

It's true; Hercule Poirot had been present when the famous actress Jane Wilkinson bragged of her plan to ‘get rid of’ her estranged husband, Lord Edgware. Now the man was dead. And yet the great Belgian detective couldn’t help feeling that he was being taken for a ride. After all, how could Jane have stabbed her thoroughly detestable husband to death in his library at exactly the same time she was seen dining with friends? And what could be her motive now that the aristocrat had finally agreed to grant her a divorce?

It's true; Hercule Poirot had been present when the famous actress Jane Wilkinson bragged of her plan to ‘get rid of’ her estranged husband, Lord Edgware. Now the man was dead. And yet the great Belgian detective couldn’t help feeling that he was being taken for a ride. After all, how could Jane have stabbed her thoroughly detestable husband to death in his library at exactly the same time she was seen dining with friends? And what could be her motive now that the aristocrat had finally agreed to grant her a divorce?

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s. Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.