One might not expect a woman of Edith Wharton's literary stature to be a believer of ghost stories, much less be frightened by them, but as she admits in her postscript to this spine-tingling collection, "...till I was twenty-seven or -eight, I could not sleep in the room with a book containing a ghost story." Once her fear was overcome, however, she took to writing tales of the supernatural for publication in the magazines of the day. These eleven finely wrought pieces showcase her mastery of the traditional New England ghost story and her fascination with spirits, hauntings, and other supernatural phenomena. Called "flawlessly eerie" by Ms. magazine, this collection includes "Pomegranate Seed," "The Eyes," "All Souls'," "The Looking Glass," and "The Triumph of Night."

With The Mysteries of Udolpho, Ann Radcliffe raised the Gothic romance to a new level and inspired a long line of imitators. Portraying her heroine's inner life, creating a thick atmosphere of fear, and providing a gripping plot that continues to thrill readers today, The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni. Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her. This new edition includes an introduction that discusses the publication and early reception of the novel, the genre of Gothic romance, and Radcliffe's use of history, exotic settings, the supernatural, and poetry.

Hangsaman is Miss Jackson's second novel. The story is a simple one but the overtones are immediately present. "Natalie Waite who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen lived in an odd corner of a world of sound and sight, past the daily voices of her father and mother and their incomprehensible actions." In a few graphic pages, the family is before us—Arnold Waite, a writer, egotistical and embittered; his wife, the complaining martyr; Bud, the younger brother who has not yet felt the need to establish his independence; and Natalie, in the nightmare of being seventeen. The Sunday afternoon cocktail party, to which Arnold Waite has invited his literary friends and neighbors, serves to etch in the details of this family's life, and to draw Natalie into the vortex. The story concentrates on the next few critical months in Natalie's life, away at college, where each experience reproduces on a larger scale the crucial failure of her emotional life at home. With a mounting tension rising from character and situation as well as the particular magic of which Miss Jackson is master, the novel proceeds inexorably to the stinging melodrama of its conclusion. The bitter cruelty of the passage from adolescence to womanhood, of a sensitive and lonely girl caught in a world not of her own devising, is a theme well suited to Miss Jackson's brilliant talent.

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue--Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is--she can't have both. So she makes a choice that surprises everyone, including herself. During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are--and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.

Here lies Ophelia Finnegan, Hopeless Romantic. Not to be dramatic, but I'm pretty sure that's what my tombstone is going to say. During my thirty years on this planet, I've made a lot of poor decisions pursuing my ideal man. It may have something to do with my slight obsession with romantic comedies, especially those of the British variety. I mean, if Bridget Jones could find her Mr. Darcy, surely I can too, right? And if I can't live it, I can at least write a steamy romance novel about it. Except I'm too scared to do that. It's so much safer to stay in my not-at-all fulfilling job and live vicariously through the ClikClak video app. It's all well and good, until my surprise visit to my boyfriend doesn't go as planned, and the video of my humiliation ends up going viral. In a surprise twist (like any good romantic comedy should have), the guy I'd handed off my phone to film my unexpected humiliation turns out to be hotter than hell British soccer player Xavier Henry. And he's looking to get traded up here to Boston. The quickest way to make that happen is if he becomes an American citizen … by marrying an American woman. I volunteer as tribute! OMG, marriage of convenience is my favorite romantic trope of all time, and now I get to live it. If nothing else, I'll have great material for that book I swear I'm going to write. All I have to do is remember that this is pretend and that those rock-hard abs aren't really mine to stroke and lick. Put me in, coach! I'm ready to take one for the team. Kisses and hugs, Ophelia #XOXO

Ever since Emma read Pride and Prejudice, she's been in love with Mr. Darcy and has regarded Jane Austen as the expert on all things romantic. So naturally when Emma falls for Blake Hampton and he invites her home to meet his parents, she is positive an engagement is in her future. After all, Blake is a single man in possession of a good fortune, and thus must be in want of a wife.But when it turns out that what Blake actually wants is more of a hook-up than a honeymoon, Emma is hurt, betrayed, and furious. She throws herself deeper into her work as CMO of Kinetics, the fastest growing gym franchise in the nation. She loves her work, and she's good at it, which is why she bristles when her boss brings in a consultant to help her spearhead the new facilities on the East Coast. Her frustration turns to shock when that consultant turns out to be Blake's younger brother, Lucas.Emma is determined not to fall for Lucas, but as she gets to know him, she realizes that Lucas is nothing like his brother. He is kind and attentive and spends his time and money caring for the less fortunate.What she can't understand is why Lucas continues to try to push her back into Blake's arms when he so clearly has fallen as hard for her as she has fallen for him. Realizing that her love life is as complicated as anything Jane Austen could have dreamed up, Emma must find a way to let Blake know that it's time for him to let her go and to let Lucas know it's time for him to love her back.