Love is a complicated thing... Lottie Carlyle is happy enough. Living in a beautiful cottage with her two adorable-sometimes-kids in an idyllic village, on good terms with her ex-husband, and with friends all around, everything is going just fine. But when she meets her new boss, her peaceful world is thrown into delightful, exciting, and frustrating chaos. Tyler is perfect for Lottie, but her kids do not agree. To make matters worse, the handsome and mysterious Seb appears on the scene, intriguing-and distracting-Lottie and charming her children, making it more and more difficult for her to make up her mind... "Very nicely done... Jill Mansell's chorus of sharp-witted youth, shaking sticks at the foibles of their elders, is delightful." -Daily Express"A smashing read that both delights and surprises the reader." --The Sun Praise for Thinking of "Mansell is like a Michelin-rated She may use common ingredients, but under her sure hand the results are deliciously superior." -Kirkus"Humorous, sometimes poignant... Her breezy style resembles that of Sophie Kinsella or Helen Fielding... readers will be delighted." -Booklist"Jill Mansell combines, humor, friendship, romance and betrayal... keeps you wanting more." -Fresh Fiction"Beyond the fun, faulted characters, Mansell has a gift for humorous and witty dialogue that will leave readers in stitches... Mansell excels at creating relationships that are dynamic and complicated." -Savvy Verse and Wit

A coming-of-age tale of fanfiction, family, and first love. Cath is a Simon Snow fan. Okay, the whole world is a Simon Snow fan.... But for Cath, being a fan is her life—and she's really good at it. She and her twin, Wren, ensconced themselves in the Simon Snow series when they were just kids; it's what got them through their mother leaving. Reading. Rereading. Hanging out in Simon Snow forums, writing Simon Snow fanfiction, dressing up like the characters for every movie premiere. Cath's sister has mostly grown away from fandom, but Cath can't let go. She doesn't want to. Now that they're going to college, Wren has told Cath she doesn't want to be roommates. Cath is on her own, completely outside of her comfort zone. She's got a surly roommate with a charming, always-around boyfriend; a fiction-writing professor who thinks fanfiction is the end of the civilized world; a handsome classmate who only wants to talk about words... and she can't stop worrying about her dad, who's loving and fragile and has never really been alone. For Cath, the question is: Can she do this? Can she make it without Wren holding her hand? Is she ready to start living her own life? And does she even want to move on if it means leaving Simon Snow behind?

The many lives of theoretical physicist Elsie Hannaway have finally caught up with her. By day, she’s an adjunct professor, toiling away at grading labs and teaching thermodynamics in the hopes of landing tenure. By other day, Elsie makes up for her non-existent paycheck by offering her services as a fake girlfriend, tapping into her expertly honed people pleasing skills to embody whichever version of herself the client needs. Honestly, it’s a pretty sweet gig—until her carefully constructed Elsie-verse comes crashing down. Because Jack Smith, the annoyingly attractive and broody older brother of her favorite client, turns out to be the cold-hearted experimental physicist who ruined her mentor’s career and undermined the reputation of theorists everywhere. And that same Jack who now sits on the hiring committee at MIT, right between Elsie and her dream job. Elsie is prepared for an all-out war of scholarly sabotage but…those long, penetrating looks? Not having to be anything other than her true self when she’s with him? Will falling into an experimentalist’s orbit finally tempt her to put her most guarded theories on love into practice?

One summer. Two rivals. A plot twist they didn't see coming.... Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

A hitmaking songwriter and a bitter musician share a startling and inexplicable connection that they’ll do anything to shake, in the next sparkling, magical book from Ashley Poston. Joni Lark is living the dream. She’s one of the most coveted songwriters in LA…and she can’t seem to write. There’s an emptiness inside her, and nothing seems to fill it. When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark her inspiration. But when she gets there, nothing is how she left it. Her best friend is avoiding her, her mother’s memories are fading fast, and The Revelry is closing. How can she think about writing her next song when everything is changing without her? Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it—belonging, apparently, to a wry musician with hangups of his own. Surely, he’s a figment of her overworked imagination. But then the very real man attached to the voice shows up in Vienna Shores. He’s aggravating and gruff on the outside—nothing like the sweet, funny voice in Joni’s head—and he has a plan: They’ll finish the song haunting them both, break their connection, and hope they don’t risk their hearts in the process. Because that song stuck in their heads? Maybe it’s there for a reason.

When it comes to relationships, Colin Singleton’s type is girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact. On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy–loving best friend riding shotgun—but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl. Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.