In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

A stunning debut novel from the Northern Irish poet Eoghan Walls, The Gospel of Orla is the coming-of-age story of a young girl, Orla, and the man she meets who has an astonishing and unique ability. It is also a road novel that takes us across the north of England after the two flee Orla’s village together. Here the mysteries of faith charge full bore into the vagaries of contemporary mores. A humorous, wise, deeply human and sometimes breathtaking work of lyrical fiction. “A melancholic, funny, and magical coming-of-age story, The Gospel of Orla is glorious, wise, and totally weird. I loved it.” —Annie Hartnett, author of Unlikely Animals “The Gospel of Orla is an astonishing feat of characterisation and storytelling. The prose is both earthy and sparkling and the story—equal parts bravado and vulnerability—is told with both wit and tenderness. Everyone should read this.” —Jenn Ashworth, author of Ghosted “The Gospel of Orla is written with immense control and precision so that the voice of the protagonist emerges as alive, individual and memorable. Eoghan Walls manages to make every single emotion Orla feels — every thought, response and action—utterly convincing and fresh and original.” —Colm Tóibín, author of The Magician “In his debut novel, poet Eoghan Walls imagines the intersection of the material and the mystic when a grieving adolescent stumbles upon a struggling savior. Walls provides an authentic and page-turning narrative from the perspective of his restless and ever-beguiling protagonist. As the troubled teenager ricochets between circus illusion and divine touch, she and the reader are beckoned to ponder where magic ends and miracles begin.” —Kia Corthron, author of Moon and the Mars

A stunning debut novel from the Northern Irish poet Eoghan Walls, The Gospel of Orla is the coming-of-age story of a young girl, Orla, and the man she meets who has an astonishing and unique ability. It is also a road novel that takes us across the north of England after the two flee Orla’s village together. Here the mysteries of faith charge full bore into the vagaries of contemporary mores. A humorous, wise, deeply human and sometimes breathtaking work of lyrical fiction. “A melancholic, funny, and magical coming-of-age story, The Gospel of Orla is glorious, wise, and totally weird. I loved it.” —Annie Hartnett, author of Unlikely Animals “The Gospel of Orla is an astonishing feat of characterisation and storytelling. The prose is both earthy and sparkling and the story—equal parts bravado and vulnerability—is told with both wit and tenderness. Everyone should read this.” —Jenn Ashworth, author of Ghosted “The Gospel of Orla is written with immense control and precision so that the voice of the protagonist emerges as alive, individual and memorable. Eoghan Walls manages to make every single emotion Orla feels — every thought, response and action—utterly convincing and fresh and original.” —Colm Tóibín, author of The Magician “In his debut novel, poet Eoghan Walls imagines the intersection of the material and the mystic when a grieving adolescent stumbles upon a struggling savior. Walls provides an authentic and page-turning narrative from the perspective of his restless and ever-beguiling protagonist. As the troubled teenager ricochets between circus illusion and divine touch, she and the reader are beckoned to ponder where magic ends and miracles begin.” —Kia Corthron, author of Moon and the Mars

In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms. Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood. As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

Synopsis THE TINY ALICE begins with a venomous exchange between a lawyer and a cardinal whose contempt for each other careens back to their school days. Eventually, the lawyer offers the cardinal $100 million a year at the request of Miss Alice, the world's richest woman. Julian, the cardinal's secretary, is to come to Miss Alice's castle to complete the details, but while there, Julian falls prey to Miss Alice as she contrives to make him her lover. Through the related transmutations of religious ecstasy and orgasmic pleasure, Julian's true feelings are terrifyingly revealed, and the stage is set for the electrifying climax of this eloquent, compelling play. Product Identifiers ISBN-10 0822211548 ISBN-13 9780822211549 Key Details Author Edward Albee Publication Date 1965-10-01 Target Audience Group Trade

In this black comedy a young couple who are madly in love with each other, have a child - the perfect family - that is, until an older couple steal the baby. Through a series of mind games and manipulations, they call into question both couples' sense of reality and fiction, joy and sorrow.

Synopsis THE TINY ALICE begins with a venomous exchange between a lawyer and a cardinal whose contempt for each other careens back to their school days. Eventually, the lawyer offers the cardinal $100 million a year at the request of Miss Alice, the world's richest woman. Julian, the cardinal's secretary, is to come to Miss Alice's castle to complete the details, but while there, Julian falls prey to Miss Alice as she contrives to make him her lover. Through the related transmutations of religious ecstasy and orgasmic pleasure, Julian's true feelings are terrifyingly revealed, and the stage is set for the electrifying climax of this eloquent, compelling play. Product Identifiers ISBN-10 0822211548 ISBN-13 9780822211549 Key Details Author Edward Albee Publication Date 1965-10-01 Target Audience Group Trade

also includes "Fam and Yam: An Imaginary Interview".

Carson McCullers--novelist, dramatist, poet--was at the peak of her powers as a writer of short fiction. Here are nineteen stories that explore her signature themes: wounded adolescence, loneliness in marriage, and the tragicomedy of life in the South. Here too are The Member of the Wedding and The Ballad of the Sad Café, novellas that Tennessee Williams judged to be "assuredly among the masterpieces of our language."

In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms. Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood. As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.

also includes "Fam and Yam: An Imaginary Interview".

Ballad of the Sad Cafe and Other Stories includes six stories that accompany the novella about shattered dreams in a small Southern town.Amelia, the proprietor of the Sad Cafe, throws her new husband out of their bedroom on their wedding night. Torn between anger and desire the husband finally leaves town only to return some years later to find Amelia showering all her affection on a dwarf cousin who has come to live with her. The day of reckoning soon arrives and the husband and wife meet to settle their differences with their bare hands.

A spiky, edgy collection of five wickedly funny stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time. The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs. In “Naked,” a woman who’s simultaneously lost her business and her husband finds that it is surprisingly comfortable to stay at home sewing stuffed animals, even if it makes her a “loser” in the eyes of society. In “Planarian,” a young woman recovering from breast cancer tells her friends and boyfriend that she would prefer to be the titular worm to organically regenerate her body. Each of these spiky women—as well as the three other protagonists in this groundbreaking work—chafes against social expectations that equate work with worth and demand women squeeze into the confining and sometimes dehumanizing role of employee in a world built by and for men. First published in Japan in 2000, The Dilemmas of Working Women struck a nerve with Japanese readers and became a bestselling literary sensation, selling nearly half a million copies and winning the prestigious Naoki Prize in Literature. A quarter of a century later, this brilliant modern classic—available for the first time outside Asia and in English—remains deliciously funny and astonishingly relevant.

Carson McCullers' extraordinary American Gothic tale of love and betrayal in the deep South tells the story of Miss Amelia, a very unconventional woman. A six-foot-two giantess, strong and self-reliant, she married Marvin Macy, the meanest and most handsome man in town, and then threw him out after ten days. Now she runs the local store alone, until Cousin Lymon, a strutting, hunchbacked dwarf, comes to town, steals her heart and transforms the store into a buzzing café. But when her rejected husband returns, a bizarre love triangle ensues and the battle of the sexes begins.

Carson McCullers' extraordinary American Gothic tale of love and betrayal in the deep South tells the story of Miss Amelia, a very unconventional woman. A six-foot-two giantess, strong and self-reliant, she married Marvin Macy, the meanest and most handsome man in town, and then threw him out after ten days. Now she runs the local store alone, until Cousin Lymon, a strutting, hunchbacked dwarf, comes to town, steals her heart and transforms the store into a buzzing café. But when her rejected husband returns, a bizarre love triangle ensues and the battle of the sexes begins.

A spiky, edgy collection of five wickedly funny stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time. The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs. In “Naked,” a woman who’s simultaneously lost her business and her husband finds that it is surprisingly comfortable to stay at home sewing stuffed animals, even if it makes her a “loser” in the eyes of society. In “Planarian,” a young woman recovering from breast cancer tells her friends and boyfriend that she would prefer to be the titular worm to organically regenerate her body. Each of these spiky women—as well as the three other protagonists in this groundbreaking work—chafes against social expectations that equate work with worth and demand women squeeze into the confining and sometimes dehumanizing role of employee in a world built by and for men. First published in Japan in 2000, The Dilemmas of Working Women struck a nerve with Japanese readers and became a bestselling literary sensation, selling nearly half a million copies and winning the prestigious Naoki Prize in Literature. A quarter of a century later, this brilliant modern classic—available for the first time outside Asia and in English—remains deliciously funny and astonishingly relevant.

"I'm in your blood, and you are in mine…" The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too. Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry.  Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

From the author of the extraordinary Vampire Chronicles comes a huge, hypnotic novel of witchcraft and the occult through four centuries. Demonstrating, once again, her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches—a family given to poetry and to incest, to murder and to philosophy; a family that, over the ages, is itself haunted by a powerful, dangerous, and seductive being. On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking... and The Witching Hour begins. It begins in our time with a rescue at sea.  Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life.  He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, the novel moves backward and forward in time from today's New Orleans and San Francisco to long-ago Amsterdam and a château in the France of Louis XIV.  An intricate tale of evil unfolds—an evil unleashed in seventeenth-century Scotland, where the first "witch," Suzanne of the Mayfair, conjures up the spirit she names Lasher... a creation that spells her own destruction and torments each of her descendants in turn. From the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, as Julien—the clan's only male to be endowed with occult powers—provides for the dynasty its foothold in America, the dark, luminous story encompasses dramas of seduction and death, episodes of tenderness and healing.  And always—through peril and escape, tension and release—there swirl around us the echoes of eternal war: innocence versus the corruption of the spirit, sanity against madness, life against death.  With a dreamlike power, the novel draws us, through circuitous, twilight paths, to the present and Rowan's increasingly inspired and risky moves in the merciless game that binds her to her heritage. And in New Orleans, on Christmas Eve, this strangest of family sagas is brought to its startling climax.