Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey. Inspired by a rich blend of Arabic, Christian, and pre-Islamic traditions, Pilgrim delivers a pulse-pounding story of action, adventure, and bone-chilling horror.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

A story for seekers of small comforts. It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered. But the answer to that question depends on who you ask, and how. They’re going to need to ask it a lot. Becky Chambers’ new series asks: in a world where people have what they want, does having more matter?

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

'So I will write in English, pressing new words from this beautiful plain language spoken by all. Not courtly French to introduce God politely. Not church Latin to construct arguments. English to show it as it is. Even though it is not safe to do so.' From the author of Miles to Go before I Sleep comes I, Julian, the account of a medieval woman who dares to tell her own story, battling grief, plague, the church and societal expectations to do so. Compelled by the powerful visions she had when close to death, Julian finds a way to live a life of freedom - as an anchoress, bricked up in a small room on the side of a church - and to write of what she has seen. The result, passed from hand to hand, is the first book to be written by a woman in English. Tender, luminous, meditative and powerful, Julian writes of her love for God, and God's love for the whole of creation. 'All shall be well, and all shall be well, and all manner of thing shall be well.' 'Written with profound insight, spiritual and psychological, and a rare sensitivity to the everyday world of the fourteenth century, I, Julian is a brilliantly illuminating companion to one of the greatest works of spiritual writing in English.' Rowan Williams, Magdalene College, Cambridge University

Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods’ priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king’s youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world—of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next—that can seem uncanny, even supernatural, to those around her. She establishes herself as the king’s seer. And she is indispensable—until she should ever lead the king astray. The stakes are life and death: for Hild, her family, her loved ones, and the increasing numbers who seek the protection of the strange girl who can read the world and see the future. Hild is a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age—all of it brilliantly and accurately evoked by Nicola Griffith’s luminous prose. Recalling such feats of historical fiction as Hilary Mantel’s Wolf Hall and Sigrid Undset’s Kristin Lavransdatter, Hild brings a beautiful, brutal world—and one of its most fascinating, pivotal figures, the girl who would become St. Hilda of Whitby—to vivid, absorbing life.

From New York Times bestselling author Rachel Gillig comes a sensational romantasy, a gothic, mist-cloaked tale of a young prophetess forced on an impossible quest with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum’s windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil’s visions. But when Sybil’s fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral’s cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she’d rather avoid Rodrick’s dark eyes and sharp tongue, only a heretic can defeat a god.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

As one of the unavoidable realities of human existence, death is also one of the oldest and most common themes in the history of art. From Egyptian tomb paintings and battle scenes on Greek vases by anonymous artists, to depictions of the Crucifixion and Resurrection of Jesus by the great Renaissance masters, to contemporary encounters with these subjects by such artists as Damien Hirst and Andres Serrano, the contents of this book highlight three thousand years of the iconography of death and resurrection. While focusing on the Western artistic tradition, the book also includes many artworks from Asia, Africa, and Oceania. De Pascale explores depictions of these two subjects thematically, through chapters on violent death, ceremonial tributes to the departed, allegorical depictions of death, and the journey to the afterlife. The book concludes with an examination of symbolic representations of the victory of life over death.

In the tradition of Madeline Miller and Claire North, Lilith is the story of the first woman, who was expelled from Paradise for disobedience. In this retelling of the Hebrew myth [NM1] that justified and explained woman's subjection to man, Lilith will have her revenge - however long it takes. In the Garden of Eden, at the beginning of time, an outrageous lie is born: that women are inferior. Lilith and Adam are equal and happy in the Garden of Eden. Until Adam decides Lilith should submit to his will and lie beneath him. She refuses - and is banished forever from Paradise. Demonized and sidelined, Lilith watches in fury as God creates Eve, the woman who accepts her submission. But Lilith has a secret: she has already tasted the fruit of the Tree of Knowledge. Endowed with Wisdom, she knows why Asherah - God's wife and equal, the Queen of Heaven - is missing. Lilith has a plan: she will rescue Eve, find Asherah, restore balance to the world and regain her rightful place in Paradise. Lilith's quest for justice drives her throughout history, from the ziggurats of Ancient Sumer to the court of Israel's Queen Jezebel, and to the side of a radical preacher in Roman Judea. In the modern age, as she observes the catastrophic consequences of a world built on inequality, Lilith finally understands what must be done to correct the wrong done to women - and all humankind - at the beginning of time. Inspired by ancient myths and suppressed scriptures, Lilith is a thought-provoking and ambitious novel with an evocative literary voice and a triumphantly engaging heroine.

A sharp-tongued folklorist must pair up with her academic rival to solve their mentor's murder in this lush and enthralling sapphic fantasy romance from the New York Times bestselling author of A Far Wilder Magic. Lorelei Kaskel, a folklorist with a quick temper and an even quicker wit, is on an expedition with six eccentric nobles in search of a fabled spring. The magical spring promises untold power, which the king wants to harness to secure his reign of the embattled country of Brunnestaad. Lorelei is determined to use this opportunity to prove herself and make her wildest, most impossible dream come to become a naturalist, able to travel freely to lands she’s only ever read about. The expedition gets off to a harrowing start when its leader—Lorelei’s beloved mentor—is murdered in her quarters aboard their ship. The suspects are her five remaining expedition mates, each with their own motive. The only person Lorelei knows must be innocent is her longtime academic rival, the insufferably gallant and maddeningly beautiful Sylvia von Wolff. Now in charge of the expedition, Lorelei must find the spring before the murderer strikes again—and a coup begins in earnest. But there are other dangers lurking in the forests that rearrange themselves at night, rivers with slumbering dragons waiting beneath the water, and shapeshifting beasts out for blood. As Lorelei and Sylvia grudgingly work together to uncover the truth—and resist their growing feelings for one another—they discover that their professor had secrets of her own. Secrets that make Lorelei question whether justice is worth pursuing, or if this kingdom is worth saving at all.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

Roe Damarcus has never been afraid of the dead. Her power to summon spirits has awed the guests of her esteemed family’s galas for as long as she can remember. Her future is certain, and her gift will be another shining jewel in the Damarcus legacy. But when she fails her realm’s trial to keep her magic and is deemed too dangerous for society, she faces a harrowing choice: give up her gift or serve a punishment sentence aboard the Celestial, a luxurious magical cruise ship where staff members compete for guest votes to earn a coveted retrial. As a concierge, Roe juggles the demands of affluent guests, cruel bosses, and the suspicion that an infuriatingly handsome silks performer, Ivander, is determined to keep her from a retrial. But the true dangers surface after her shift ends when the Celestial transforms into halls of nightmares that kill staff members after dark. Faced with the reality of serving aboard, Roe begins to question the ship, trials, and the system that put her there. But the moment Roe sinks into the ship's dark history, she's wrongly framed for a guest's murder. Vowing to conjure her own second chance, Roe will use whatever power she has to uncover the secrets of the ship, her family, and their entwined bloody past... before she becomes the Celestial’s next victim.

There once was a village so far north that most considered it the top of the world... and in that village, the Sun fell in love with her Starmaker. From the New York Times bestselling author of The Nature of Witches comes a whimsical and sweeping romantic fantasy. Nestled deep in the snowy mountains of the Lost Range, the small village of Reverie endures on a miracle. Beyond the reach of the Sun, Reverie is dependent upon the magic of the mysterious Starmaker: every morning, he trudges across a vast glacier and pulls in sunlight over the peaks, providing the village with the light it needs to survive. Aurora Finch grew up on tales of the Starmaker’s magic, never imagining she’d one day meet him. But on the morning of her wedding, a fateful encounter in the frostbitten woods changes everything. The Starmaker senses a powerful magic within her and demands she come study under his guidance. With her newfound abilities tied to the survival of the village, Aurora is swept away to his ice-covered castle at the mountain’s peak. The Starmaker is as cold and distant as the dark woods, leaving Aurora to explore his enchanted castle with only an immortal rabbit for company. Yet the more she discovers about the sorcerer, the stronger their ruinous attraction grows, pulling her closer to the secrets he refuses to share. A deadly frost approaches, and Aurora must uncover what the Starmaker is hiding before she is left in an endless winter that even the Sun cannot touch.

From New York Times bestselling author Rachel Gillig comes a sensational romantasy, a gothic, mist-cloaked tale of a young prophetess forced on an impossible quest with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum’s windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil’s visions. But when Sybil’s fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral’s cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she’d rather avoid Rodrick’s dark eyes and sharp tongue, only a heretic can defeat a god.

A national bestseller, Dictionary of the Khazars was cited by The New York Times Book Review as one of the best books of the year. Written in two versions, male and female (both available in Vintage International), which are identical save for seventeen crucial lines, Dictionary is the imaginary book of knowledge of the Khazars, a people who flourished somewhere beyond Transylvania between the seventh and ninth centuries. Eschewing conventional narrative and plot, this lexicon novel combines the dictionaries of the world's three major religions with entries that leap between past and future, featuring three unruly wise men, a book printed in poison ink, suicide by mirrors, a chimerical princess, a sect of priests who can infiltrate one's dreams, romances between the living and the dead, and much more.

Jeanette Winterson’s novels have established her as one of the most important young writers in world literature. The Passion is perhaps her most highly acclaimed work, a modern classic that confirms her special claim on the novel. Set during the tumultuous years of the Napoleonic Wars, The Passion intertwines the destinies of two remarkable Henri, a simple French soldier, who follows Napoleon from glory to Russian ruin; and Villanelle, the red-haired, web-footed daughter of a Venetian boatman, whose husband has gambled away her heart. In Venice’s compound of carnival, chance, and darkness, the pair meet their singular destiny. In her unique and mesmerizing voice, Winterson blends reality with fantasy, dream, and imagination to weave a hypnotic tale with stunning effects.

The Nonexistent Knight (Italian: Il cavaliere inesistente) is an allegorical fantasy novella by Italo Calvino, first published in Italian 1959 and in English translation in 1962. The tale explores questions of identity, integration with society, and virtue through the adventures of Agilulf, a medieval knight who exemplifies chivalry, piety, and faithfulness but exists only as an empty suit of armour.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

An enchanting short story from Madeline Miller that boldly reimagines the myth of Galatea and Pygmalion. In ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece — the most beautiful woman the town has ever seen — the gift of life. Now his wife, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own and yearns for independence. In a desperate bid by her obsessive husband to keep her under control, Galatea is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...