In the realm of Faerie, the time has come for Roiben's coronation. Uneasy in the midst of the malevolent Unseelie Court, pixie Kaye is sure of only one thing -- her love for Roiben. But when Kaye, drunk on faerie wine, declares herself to Roiben, he sends her on a seemingly impossible quest. Now Kaye can't see or speak to Roiben unless she can find the one thing she knows doesn't exist: a faerie who can tell a lie. Miserable and convinced she belongs nowhere, Kaye decides to tell her mother the truth -- that she is a changeling left in place of the human daughter stolen long ago. Her mother's shock and horror sends Kaye back to the world of Faerie to find her human counterpart and return her to Ironside. But once back in the faerie courts, Kaye finds herself a pawn in the games of Silarial, queen of the Seelie Court. Silarial wants Roiben's throne, and she will use Kaye, and any means necessary, to get it. In this game of wits and weapons, can a pixie outplay a queen? Holly Black spins a seductive tale at once achingly real and chillingly enchanted, set in a dangerous world where pleasure mingles with pain and nothing is exactly as it appears.

When seventeen-year-old Valerie runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system. But there's something eerily beguiling about Val's new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends are becoming.

When seventeen-year-old Valerie runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system. But there's something eerily beguiling about Val's new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends are becoming.

Welcome to the realm of very scary faeries! Sixteen-year-old Kaye is a modern nomad. Fierce and independent, she travels from city to city with her mother's rock band until an ominous attack forces Kaye back to her childhood home. There, amid the industrial, blue-collar New Jersey backdrop, Kaye soon finds herself an unwilling pawn in an ancient power struggle between two rival faerie kingdoms - a struggle that could very well mean her death.

Welcome to the realm of very scary faeries! Sixteen-year-old Kaye is a modern nomad. Fierce and independent, she travels from city to city with her mother's rock band until an ominous attack forces Kaye back to her childhood home. There, amid the industrial, blue-collar New Jersey backdrop, Kaye soon finds herself an unwilling pawn in an ancient power struggle between two rival faerie kingdoms - a struggle that could very well mean her death.

1968 New York City News about the war might be keeping Patrick up at night--news in general might be keeping Patrick up at night--but he's doing fine. He's sure of it. He gets to spend his days selling books in the gayest neighborhood on the East Coast and his nights merrily sleeping his way through the rare book community. But when he takes in a drifter who seems to be hiding something, and his best friend and her newborn move into the apartment upstairs, his life gets turned on its head. A sleepy little bookstore should be the perfect place for Nathaniel to lie low, waiting for his past to catch up with him, but it turns out Dooryard Books is full of political radicals and anti-war agitators. If the FBI isn't actively surveilling this place, it will be. Nathaniel should go anywhere else. The last thing he expects is to like these subversives. There's a grieving folk musician and her baby--a demon of a child who will only sleep if Nathaniel, of all people, holds her. There's a pair of rabble-rousing teenagers who, upsettingly, seem to be right about everything. And then there's Patrick, who can't walk past anyone who needs his help--and who is perplexingly determined to help Nathaniel. As the world balances on the precipice of something new and scary and maybe even hopeful, Patrick needs to decide what he's willing to risk for this chaotic new community he's accidentally created. And Nathaniel needs to figure out whether he has a place in this messy, flawed world--and whether he can believe he deserves it.

For fans of Dolly Alderton and HBO’s Hacks, a whip-smart, laugh-out-loud funny debut novel about faking it (and “making it”) as a writer in Hollywood. TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children. When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it—and unbeknownst to Harry—Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher. Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.

Being kidnapped by aliens is only the start of Jade's problems. Thankfully, her rescuers, an alien race known as the Clecanians, are willing to protect her, but she has to stay on their planet for one year and respect the rules of their culture--including choosing a husband. Jade refuses at first but decides to play along until she can find a way back to Earth. Theo, a scarred mercenary who prefers a life of solitude, is stunned when Jade selects him as her husband. After years of being passed over, he never imagined he would be chosen and neither did anyone else. Only one explanation makes sense…the curvy enticing female must be a spy, and Theo’s determined to break her cover using any means necessary. As Jade and Theo are forced to spend time together, their chemistry becomes undeniable. But neither can afford to bring love into the equation, especially since Jade seems determined to go home. After all, she can't possibly stay here, right?

Being kidnapped by aliens is only the start of Jade's problems. Thankfully, her rescuers, an alien race known as the Clecanians, are willing to protect her, but she has to stay on their planet for one year and respect the rules of their culture--including choosing a husband. Jade refuses at first but decides to play along until she can find a way back to Earth. Theo, a scarred mercenary who prefers a life of solitude, is stunned when Jade selects him as her husband. After years of being passed over, he never imagined he would be chosen and neither did anyone else. Only one explanation makes sense…the curvy enticing female must be a spy, and Theo’s determined to break her cover using any means necessary. As Jade and Theo are forced to spend time together, their chemistry becomes undeniable. But neither can afford to bring love into the equation, especially since Jade seems determined to go home. After all, she can't possibly stay here, right?

For fans of Dolly Alderton and HBO’s Hacks, a whip-smart, laugh-out-loud funny debut novel about faking it (and “making it”) as a writer in Hollywood. TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children. When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it—and unbeknownst to Harry—Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher. Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.