A follow-up to the wildly successful What My Mother and I Don’t Talk About, this collection of essays from sixteen notable writers breaks the silence on the complex—and sometimes contentious—relationships we have with our fathers.What My Mother and I Don’t Talk About has become a rare gem in the literary world. Both a viral sensation online and chosen by Oprah Daily as one of the best nonfiction books of the past two decades, it is an essential collection that dives into the personal and poignant topics we often struggle to discuss with those who are meant to know and love us best. This captivating follow-up, edited by Michele Filgate, tackles the intricate and challenging relationships we have with our dads, breaking the silence around these vital connections. Andrew Altschul reflects on the life-altering experience of becoming a father and how it reshaped his view of his own dad’s parenting. Isle McElroy shares memories of Saturdays spent tagging along as their father fixed up the homes of their wealthier neighbors. Jaquira Díaz delves into her father’s history in 1970s Williamsburg, uncovering the roots of their shared restlessness. Tomás Q. Morín paints a raw portrait of an absentee father, while Kelly McMasters portrays a loving and dedicated one. Maurice Carlos Ruffin insightfully captures a father who communicated through his integrity rather than words. Jiordan Castle reveals how we can love our fathers from a distance and Susan Muaddi Darraj explores the particular challenges of “eldest daughter syndrome” as a daughter of Palestinian immigrants. With moments that are both humorous and deeply moving, this anthology is the second act that many have been eagerly waiting for. Contributions by Michele Filgate, Andrew Altschul, Alez Marzano-Lesnevich, Maurice Carlos Ruffin, Dylan Landis, Jaquira Díaz, Kelly McMasters, Isle McElroy, Susan Muaddi Darraj, Tomás Q. Morín, Robin Reif, Heather Sellers, Jiordan Castle, Nayomi Munaweera, Joanna Rakoff, and Julie Buntin.

When Baek Sehee started recording her sessions with her psychiatrist, her hope was to create a reference for herself. She never imagined she would reach so many people, especially young people, with her reflections. I Want to Die but I Want to Eat Tteokbokki became a runaway bestseller in South Korea, Indonesia, and the U.S., and reached a community of readers who appreciated depression and anxiety being discussed with such intimacy. Baek's struggle with dysthymia continues in I Want to Die but I Still Want to Eat Tteokbokki. And healing is a difficult process; the inner conflict she experiences in treatment becomes more complex, more challenging. With this second book, Baek Sehee reaches out to hold the hands of all those for whom grappling with everyday despair is part of a lifelong project, part of the journey.

The South Korean runaway bestseller, debut author Baek Se-Hee’s intimate therapy memoir—think Crying in H Mart meets Maybe You Should Talk to Someone. PSYCHIATRIST: So how can I help you? ME: I don’t know, I’m—what’s the word—depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgmental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness. It will appeal to anyone who has ever felt alone or unjustified in their everyday despair.

ONE OF NPR’S BEST BOOKS OF 2019 *Most Anticipated Reads of 2019 by Publishers Weekly, BuzzFeed, The Rumpus, Lit Hub, The Week, and Elle.com* Fifteen brilliant writers explore what we don’t talk to our mothers about, and how it affects us, for better or for worse.As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize what she was actually trying to write: how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. The outpouring of responses gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. While some of the writers in this book are estranged from their mothers, others are extremely close. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in breaking the silence. Acknowledging what we couldn’t say for so long is one way to heal our relationships with others and, perhaps most important, with ourselves. Contributors include Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.