“A scorchingly brilliant, wildly funny, and deeply moving epic.” —John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

"A terrific fresh, original, and surprising." -George SaundersFor fans of Homesick for Another World and HBO's Girls, a magnetic debut story collection following ten ambitious women and one male superstar as they pursue their desires-however deluded-for more.A listless woman befriends an influencer at a rooftop party, only to discover her lifestyle is not as glamorous as it seems. A college freshman gives the world's longest blow job to a boy whose name she's forgotten. A fan-favorite reality TV star joins a dating app after an explosive breakup, ready to move on, but finds she's only in control when cameras are rolling. While working in a hot tub showroom, a struggling actress goes method so she can nail an audition for the role of High School Junkie Girlfriend. Threaded throughout these explorations of neuroses and aspirations is one Arlo Banks, a hotshot actor, who faces his own downfall when he's accused of cannibalism. From the dazzling to the mundane, Rende's brilliant, unnerving, cynical stories hold a mirror to our obsession with how we're perceived and our ache to be adored. Above all else, I Could Be Famous is a love letter to big ambitions and bigger dissatisfactions, belief in ourselves, and the fascination we hold with the idea that we could-somehow, someday-be famous.

How does Shakespeare remain Shakespeare when every word is changed? In this playful, meditative exploration of translating the world’s most beloved playwright, Daniel Hahn guides us through the magic of bringing the Bard to a global audience.Shakespeare may have breathed the air of sixteenth-century England, but today, all the world is his stage. Every year, millions of people, from Bogotá to Borneo, read Hamlet for the first time, thanks to the tireless work of translators. Drawing on the work of the very best of them, Hahn dives into the infinitesimally complicated ways the great playwright is reinvented and yet sounds, somehow, like himself—in Chinese, Dutch, Turkish, and more than a hundred other languages.From word order, puns, and punctuation to metaphor, accent, and song, Shake­speare’s variety of genius presents an endless set of conundrums, among How does Romeo and Juliet’s love story unfold if their dialogue cannot form a son­net (nor rhyme), as it does in the original? How can you form wordplay around the letter “I” and its sound if its meanings are not shared in other languages? These are just two out of millions of issues facing translators tasked with bringing Shakespeare to non-English languages, non-Shakespearean eras and cultures. To attempt such a feat, they must cut and add beats, maintain rhymes, adapt names and locations, and preserve meaning while not unilaterally prioritizing it, all while knowing that for each word, line, or scene they construct, another option is yet to be discovered.Traveling the world, Hahn speaks to writers and actors engaging with Shake­speare’s work, sharing stories of his own. Hahn, whose great-grandfather produced one of Brazil’s earliest Shakespeare translations, emerges as a wise and enthusiastic guide, teacher, and sleuth. If This Be Magic does not require knowledge of any other language or more than a passing acquaintance with the Bard’s canon, but it draws out fascinating insights on both. As nerdy as they come (there is a chapter on commas), supremely readable, and funny throughout, this is a book for everyone and a fitting tribute to the Globe’s Bard.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Veil est plus un rêve que vous avez fait qu'une histoire que vous lisez, et elle persiste de la même manière, des détails flous mais des émotions qui flottent définitivement dans votre cœur. Entre livre d'illustrations et manga, cette histoire en deux volume est construite comme une représentation de petits moments de vie entre les deux protagonistes, interrompus par de sublimes illustrations offrant comme un sentiment de rêverie. L’homme est un officier de police, la femme est aveugle ou du moins n’ouvre jamais les yeux. Les noms, les lieux, l’époque n’ont pas d’importance, car notre plaisir consiste à simplement les regarder se rapprocher l’un de l’autre à travers les chapitres.

From the "strikingly smart and daringly feminist" (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. “Luminous” (The Guardian) and “brilliantly odd” (The Irish Independent), Danielle Dutton's writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other, Dutton imagines new models for how literature might work in our fractured times. “Prairie” is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. “Dresses" offers a surprisingly moving portrait of literary fashions. “Art” turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the book, while the final section, “Other,” includes pieces of irregular (“other”) forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking by turns. Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty.

Carla, Sharon and Duey have worked in fashion for longer than they care to remember, for them, there’s nothing new under the sun. They’re Generation X: tired, cynical and sick of being used. Tommy, Cal and Kurt are Millenials, they’ve come from nowhere, but with their monied families behind them they’re ready to remake fashion. They represent the new sincere, the anti-irony. Both generations are searching for a way out, an alternative to their messed-up reality. Pip Adam’s new novel walks the streets of Auckland city now, examining the fashion scene, intergenerational tension and modern life with an unflinching eye. From the the wreckage and waste of the 21st century, new animals must emerge. Cover by Kerry Ann Lee.

The long-awaited memoir by the superstar of stage, screen, recordings, and television. Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl (musical and film) to the long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she’s found in her marriage to James Brolin. No entertainer’s memoir has been more anticipated than Barbra Streisand’s, and this engrossing and delightful book will be eagerly welcomed by her millions of fans. Barbra Streisand is an American singer, actress, director and producer and one of the most iconic figures in music and film, the only recording artist in history to have earned #1 albums over six consecutive decades. She has received the American Film Institute’s Lifetime Achievement Award, the Kennedy Center Honor, the National Medal of Arts, France’s Légion d’Honneur, and America’s highest civilian honor, the Presidential Medal of Freedom. She founded The Barbra Streisand Women’s Heart Center at Cedars-Sinai, helping to raise awareness and push for more research into women’s heart disease, the leading cause of death among women. Through the Streisand Foundation, which she established in 1986, she has supported national organizations working on preservation of the environment, voter education, the protection of civil liberties and civil rights, women’s issues, and nuclear disarmament. In 2021 she launched the Barbra Streisand Institute at UCLA, a forward-thinking institution dedicated to finding solutions to the most vital social issues.

Veil est plus un rêve que vous avez fait qu'une histoire que vous lisez, et elle persiste de la même manière, des détails flous mais des émotions qui flottent définitivement dans votre cœur. Entre livre d'illustrations et manga, cette histoire en deux volume est construite comme une représentation de petits moments de vie entre les deux protagonistes, interrompus par de sublimes illustrations offrant comme un sentiment de rêverie. L’homme est un officier de police, la femme est aveugle ou du moins n’ouvre jamais les yeux. Les noms, les lieux, l’époque n’ont pas d’importance, car notre plaisir consiste à simplement les regarder se rapprocher l’un de l’autre à travers les chapitres.

An exuberant novel about a young woman’s quest to carve her own path—even if she needs to step over a few dead bodies along the way It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be married to Drew, a man who says he loves her. But Celia’s contentment with her little life is shattered when a woman she knows is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die—or kill—for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her final breath? Before Celia knows it her musings about love-and-death happenings are bleeding into daily life. She’s practicing her marksmanship at a local gun range. She's searching for a love tryst of her very own. She's thinking about how good it would feel to bury something sharp inside her domineering husband’s ear. It’s all pretend, though, until the night comes when Celia finally goes too far, and she and Drew are set on a deadly collision course. Exhilarating, surreal, and bitingly clever, Evil Genius is a comic noir about obsession and desire—and what happens when a sweetly seditious young woman dares to imagine a better life for herself. Claire Oshetsky is also the author of the novels Poor Deer and Chouette, which was longlisted for the PEN/Faulkner Award.

Veil est plus un rêve que vous avez fait qu'une histoire que vous lisez, et elle persiste de la même manière, des détails flous mais des émotions qui flottent définitivement dans votre cœur. Entre livre d'illustrations et manga, cette histoire en deux volume est construite comme une représentation de petits moments de vie entre les deux protagonistes, interrompus par de sublimes illustrations offrant comme un sentiment de rêverie. L’homme est un officier de police, la femme est aveugle ou du moins n’ouvre jamais les yeux. Les noms, les lieux, l’époque n’ont pas d’importance, car notre plaisir consiste à simplement les regarder se rapprocher l’un de l’autre à travers les chapitres.

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubenstein family, it could go either way.When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible.With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” (The Boston Globe)—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

Veil est plus un rêve que vous avez fait qu'une histoire que vous lisez, et elle persiste de la même manière, des détails flous mais des émotions qui flottent définitivement dans votre cœur. Entre livre d'illustrations et manga, cette histoire en deux volume est construite comme une représentation de petits moments de vie entre les deux protagonistes, interrompus par de sublimes illustrations offrant comme un sentiment de rêverie. L’homme est un officier de police, la femme est aveugle ou du moins n’ouvre jamais les yeux. Les noms, les lieux, l’époque n’ont pas d’importance, car notre plaisir consiste à simplement les regarder se rapprocher l’un de l’autre à travers les chapitres.

Bestselling author Donna Tartt returns with a grandly ambitious and utterly riveting novel of childhood, innocence and evil. The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.