The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Trans life past, present and future is explored in this kaleidoscopic follow-up to the Women's Prize-nominated Detransition, Baby Deep in the forest, a group of restless lumberjacks working an illegal logging outfit plan a winter dance that some will volunteer to attend as women; the broadest, strongest axeman finds himself caught in a rivalry with a pretty, young jack that culminates in jealousy, betrayal and an astonishing spectacle of transition. Meanwhile, in other times and places, the gender apocalypse is brought about by an unstable ex-girlfriend; an illicit boarding-school romance surfaces intrigue and cruelty; and a Las Vegas party weekend turns dark when a young crossdresser must choose between a thrilling mystery man or a veteran trans woman offering unglamorous sisterhood. In this quartet of tales, Torrey Peters' keen eye for the rough edges of desire reveals fresh possibilities. Acidly funny, boldly inventive and breathtaking in scope, Stag Dance provokes and unsettles, inspires and delights.

Part photo book, part memoir, part oral history project, this volume paints a vivid portrait of queer and trans experiences in rural areas and small towns across the US.In 2013, Rae Garringer embarked on the Country Queers oral history project with a borrowed audio recorder, a flip phone, and a paper atlas in a Subaru Forester with over 160,000 miles on it. Raised on a sheep farm in southeastern West Virginia, they were motivated by an intense frustration with the lack of rural queer stories and the isolation that comes with that absence. “Queers, in all our forms, have always existed,” Garringer writes, “all across this continent since before it was colonized.” After years as a DIY, minimally funded, community-based oral history project, the work now takes a new form in Country A Love Story—a book of full-color photos and interviews with rural folks from Mississippi to New Mexico and beyond, with Garringer’s account as traveler and interviewer woven through the pages. In these intimate conversations, we see how queerness—shaped, as all things are, by race, class, gender, and more—moves in rural and small-town spaces, spotlighting how country queers make sense of their lives through reflections on land, home, community, and belonging. While media-driven myths suggest that big cities are the only places queer folks can find love and community, Country Queers resists that trope by centering rural queer and trans stories of the joys, challenges, monotony, and nuances of their lives, in their own words.

Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next. Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse. As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.

Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

Part photo book, part memoir, part oral history project, this volume paints a vivid portrait of queer and trans experiences in rural areas and small towns across the US.In 2013, Rae Garringer embarked on the Country Queers oral history project with a borrowed audio recorder, a flip phone, and a paper atlas in a Subaru Forester with over 160,000 miles on it. Raised on a sheep farm in southeastern West Virginia, they were motivated by an intense frustration with the lack of rural queer stories and the isolation that comes with that absence. “Queers, in all our forms, have always existed,” Garringer writes, “all across this continent since before it was colonized.” After years as a DIY, minimally funded, community-based oral history project, the work now takes a new form in Country A Love Story—a book of full-color photos and interviews with rural folks from Mississippi to New Mexico and beyond, with Garringer’s account as traveler and interviewer woven through the pages. In these intimate conversations, we see how queerness—shaped, as all things are, by race, class, gender, and more—moves in rural and small-town spaces, spotlighting how country queers make sense of their lives through reflections on land, home, community, and belonging. While media-driven myths suggest that big cities are the only places queer folks can find love and community, Country Queers resists that trope by centering rural queer and trans stories of the joys, challenges, monotony, and nuances of their lives, in their own words.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

This ground-breaking book traces the emergence and growth of a lesbian community in Buffalo, New York, from the mid-1930s to the early 1960s. Based on thirteen years of research and drawing upon the oral histories of forty-five women, authors Kennedy and Davis explore butch-femme roles, coming out, women who passed as men, motherhood, aging, racism, and the courage and pride of the working-class lesbians of Buffalo who, by confronting incredible oppression and violence, helped to pave the way for the gay and lesbian liberation movements of the 1970s and 1980s. Boots of Leather, Slippers of Gold captures the full complexity of lesbian culture; it is a compassionate history of real people fighting for respect and a place to love without fear of persecution.