An astonishing coming-of-middle-age debut about an Ahkwesáhsne man’s reluctant return home, Old School Indian is a striking exploration of the resonance of love and family, culture and history.Forty-three-year-old Abe Jacobs has been told by his doctors that he’s dying—and fast. Having exhausted his doctors’ regimens, he begins to contemplate the one path he thought he’d never a healing at the hands of his great uncle Budge Billings. His uncle still lives on the Ahkwesáhsne reservation where Abe was raised, so more than two decades after leaving, Abe reluctantly returns home.Budge, a wry, unceremonious, recovered alcoholic, is not the least bit sentimental about his gift. Which is good, because Abe’s last-ditch attempt to be healed is just that—a fragile hope, one of which he is thoroughly skeptical. But no healing is possible without hope or knowing oneself. To find both faith and himself again, Abe must confront how leaving the reservation at eighteen has affected him, and the loves and fears that have kept him far from home ever since.Delivered with crackling wit and wildly inventive linguistic turns by Abe’s wise-cracking, would-be-poet alter-ego, Dominick Deer Woods,Old School Indian possesses the insight into the contemporary indigenous experience of Tommy Orange’s There There and Louise Erdrich’s The Sentence, and a singularity of voice that evokes other unforgettable protagonists like Ocean Vuong’s Little Dog and Barbara Kingsolver’s Demon Copperhead.

Winner of the Dayton Literary Peace Prize A San Francisco Chronicle Best Book of the Year, A New York Times Editors’ Choice and a finalist for the International Latino Book Award “Engel has an eye for detail. She knows how to drown the reader in a sense of enchantment... She writes exquisite moments.”—Roxane Gay, The Nation Reina Castillo is the alluring young woman whose beloved brother is serving a death sentence for a crime that shocked the community, throwing a baby off a bridge—a crime for which Reina secretly blames herself. With her brother's death, though devastated and in mourning, Reina is finally released from her prison vigil. Seeking anonymity, she moves to a sleepy town in the Florida Keys where she meets Nesto Cadena, a recently exiled Cuban awaiting with hope the arrival of the children he left behind in Havana. Through Nesto’s love of the sea and capacity for faith, Reina comes to understand her own connections to the life-giving and destructive forces of the ocean that surrounds her as well as its role in her family's troubled history, and in their companionship, begins to find freedom from the burden of guilt she carries for her brother’s crime. Set in the vibrant coastal and Caribbean communities of Miami, the Florida Keys, Havana, Cuba, and Cartagena, Colombia, with The Veins of the Ocean Patricia Engel delivers a profound and riveting Pan-American story of fractured lives finding solace and redemption in the beauty and power of the natural world, and in one another.

An exuberant debut, The Husbands delights in how do we navigate life, love, and choice in a world of never-ending options? When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?

An exuberant debut, The Husbands delights in how do we navigate life, love, and choice in a world of never-ending options? When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?

It’s off to the races in the explosive eighth book in the Dungeon Crawler Carl series. As chaos and mass panic spread outside the dungeon in the wake of Faction Wars, Carl and Donut find themselves on the tenth floor, where they’re forced to compete in a surprisingly normal set of tasks. Well, normal for the dungeon. Races. Get from point A to point B, and don’t come in last. After each race, they pick an upgrade for their vehicle and the track gets more challenging. It all seems a little too normal, a little too simple. Ignore those strange glitches that are occurring with increasing frequency. Don’t listen to those whispers about what’s happening on the mysterious eleventh floor, something the system AI calls A Parade of Horribles. Nobody, not even the showrunners, knows what that means. Just that the AI has ominously dubbed it “a coming-out party for the ages.” Everything is fine, Crawler. I repeat, everything is fine. Carl hates that it’s business as usual. The rules of this floor have taken away his agency. That just will not do. So Carl is planning a party of his own. It’s a plan so dangerous, so insane, he can’t even consult his friends lest the AI put a stop to it. Because if it goes wrong, it’s not just the end of Carl and Donut. No. The stakes are higher than they’ve ever been.

Winner of the Dayton Literary Peace Prize A San Francisco Chronicle Best Book of the Year, A New York Times Editors’ Choice and a finalist for the International Latino Book Award “Engel has an eye for detail. She knows how to drown the reader in a sense of enchantment... She writes exquisite moments.”—Roxane Gay, The Nation Reina Castillo is the alluring young woman whose beloved brother is serving a death sentence for a crime that shocked the community, throwing a baby off a bridge—a crime for which Reina secretly blames herself. With her brother's death, though devastated and in mourning, Reina is finally released from her prison vigil. Seeking anonymity, she moves to a sleepy town in the Florida Keys where she meets Nesto Cadena, a recently exiled Cuban awaiting with hope the arrival of the children he left behind in Havana. Through Nesto’s love of the sea and capacity for faith, Reina comes to understand her own connections to the life-giving and destructive forces of the ocean that surrounds her as well as its role in her family's troubled history, and in their companionship, begins to find freedom from the burden of guilt she carries for her brother’s crime. Set in the vibrant coastal and Caribbean communities of Miami, the Florida Keys, Havana, Cuba, and Cartagena, Colombia, with The Veins of the Ocean Patricia Engel delivers a profound and riveting Pan-American story of fractured lives finding solace and redemption in the beauty and power of the natural world, and in one another.

When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

Rachel Gillig, the queen of gothic romantasy, returns with higher stakes, darker mysteries, and deeper longings in this gorgeous sequel to the #1 New York Times bestselling sensation The Knight and the Moth. Aisling Cathedral is in ruins. Rodrick Myndacious, Bartholomew, and Maude Bauer are rumored to be dead—and the king has taken Sybil Delling as his bride. To show off their union and solidify his power over Traum, Benji proposes a series of tournaments throughout the hamlets. Captive and drugged, Sybil remains determined to vanquish him as she once did the Omens, even if she destroys the kingdom’s faith—and herself—in the process. But then a mysterious knave rises to the top of the tournament lists, a man with no name and no memory who may just be Sybil’s ticket to undoing Benji’s power. For in a land where stories repeat themselves, where a king can prove as cruel as a god, the only way to truly destroy the Stonewater Kingdom’s faith is to save it.