A deeply moving and mind-expanding collection of personal essays in the first ever work of non-fiction from #1 internationally bestselling author John Green The Anthropocene is the current geological age, in which human activity has profoundly shaped the planet and its biodiversity. In this remarkable symphony of essays adapted and expanded from his ground-breaking, critically acclaimed podcast, John Green reviews different facets of the human-centered planet - from the QWERTY keyboard and Halley's Comet to Penguins of Madagascar - on a five-star scale. Complex and rich with detail, the Anthropocene's reviews have been praised as 'observations that double as exercises in memoiristic empathy', with over 10 million lifetime downloads. John Green's gift for storytelling shines throughout this artfully curated collection about the shared human experience; it includes beloved essays along with six all-new pieces exclusive to the book.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

This novel is about a woman called Martha. She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going. Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it. By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

A provocative, razor-sharp, and timely debut novel about a beloved English professor facing a slew of accusations against her professor husband by former students—a situation that becomes more complicated when she herself develops an obsession of her own... “When I was a child, I loved old men, and I could tell that they also loved me.” And so we are introduced to our deliciously incisive narrator: a popular English professor whose charismatic husband at the same small liberal arts college is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extra-marital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder box world comes dangerously close to exploding. With this bold, edgy, and uncommonly assured debut, author Julia May Jonas takes us into charged territory, where the boundaries of morality bump up against the impulses of the human heart. Propulsive, darkly funny, and wildly entertaining, Vladimir perfectly captures the personal and political minefield of our current moment, exposing the nuances and the grey area between power and desire.

Honestly, sometimes I think it’s the only recourse. Killing men in times like these.Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.

A haunting coming-of-age tale following the daughter of Vietnamese immigrants, Ronny Nyugen, as she grapples with the weight of generational trauma while navigating the violent power of teenage girlhood, for fans of Jennifer’s Body and Little Fires Everywhere. It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba. Their parents rarely speak of their past in Vietnam, except through the lens of food. The family’s meals are a tapestry of cultural thick spring rolls with slim and salty nem nuong, and steaming bowls of pho tai with thin, delicate slices of blood-red beef. In the aftermath of the war, Me and Ba taught Ronny and Tommy that meat was a dangerous luxury, a symbol of survival that should never be taken for granted. But when tragedy strikes, Ronny’s world is upended. Her sense of self and her understanding of her family are shattered. A few nights later, at her first high school party, a boy crosses the line, and Ronny is overtaken by a force larger than herself. This newfound power comes with an insatiable hunger for raw meat, a craving that is both a saving grace and a potential destroyer. What Hunger is a visceral, emotional journey through the bursts and pitfalls of female rage. Ronny’s Vietnamese lineage and her mother’s emotional memory play a crucial role in this tender ode to generational trauma and mother-daughter bonding.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

Old Songs fuses short stories, histories, lyrics and illustrations in an enthralling reimagining of traditional folk ballads. Sunday Times Bestselling historian Amy Jeffs and Illustrator Gwen Burns combine forces to create a rich compendium, singing of travel, mystery, magic and the essential urges of humanity. Featuring iterations of fairy tales and sinister descendants of Greek myths and bible stories, as well as a cast of lesser-known characters with names like Tam Lim, Child Wynd and Maisery, Old Songs threads a tapestry of Britain's landscape, history and cultures. At the base of hills we can visit to this day, elf queens kidnap hapless poets and carry them through rivers of blood; and at the foot of a tree whose offspring still stand in the forests of Northumberland, a girl mimes combing the hairless head of a dragon who was once her brother. In spellbinding tales of brown-skinned girls who danced on their lovers' graves, of golden-masted ships captained by the Devil, of fiddles that cried "Murder!", of men kidnapped by fairies and boys married at fourteen, we find narrative motifs as ancient as humanity itself. In the histories interconnecting the stories, we find the fantastical rooted in the everyday, bringing to light the real experiences of great swathes of people to whom such story-songs were not only familiar, but a way of escaping into the extraordinary and returning gratefully home. Bringing enchantment to familiar landscapes, ballads were created anew by each singer and passed down from fireside to fireside, at the knees of childhood nurses, in manuscripts and in early printed pamphlets. Now, ten stories are gathered here, beautifully recreated and illustrated for modern readers.

From V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue: a new genre-defying novel about immortality and hunger. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life— how it ends, and how it starts.

Based on a real-life seventeenth century Danish witch trial, The Wax Child tells in vivid prose the story of Christenze Kruckow, a noblewoman long pursued by a scandal of sorcery. People whisper that in her wake one finds illness, death, and unsettling behaviour by pigs and cats. Some even say she once fashioned out of wax a child, an instrument of the most sinister magic. Christenze will flee the rumours to Aalborg, that great city of seawater and mist. But even there suspicion and fear rule, and once a rumour of witchcraft has taken hold, it can prove hard to shake…