One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm. While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women-all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in-have very little time to make a choice. Should they stay in the only world they've ever known or should they dare to escape? Based on real events and told through the “minutes” of the women's all-female symposium, Toews's masterful novel uses wry, politically engaged humor to relate this tale of women claiming their own power to decide.

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s. Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.

Within every woman, there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society's attempt to "civilize" us into rigid roles has muffled the deep, life-giving messages of our own souls. In "Women Who Run With the Wolves," Dr Estes unfolds rich intercultural myths, fairytales and stories, many from her own family, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

Feminist tales from Japan that blend humor, surrealism, and sharp societal critique, by the acclaimed author of Where the Wild Ladies Are. A collection of fifty-two short stories and pieces of flash fiction, The Woman Dies takes as its impetus the various forms of discrimination entrenched within Japanese society, particularly the long, stubborn roots of sexism.    Matsuda approaches often-thorny subjects such as the normalizing effect of violence against women on screen, or the aesthetics associated with technology, with an inventiveness and quirky humor that keep the narrative on the cusp between seriousness and levity.     Wordplay evolves into something much more complex, inanimate objects are endowed with their own point of view, and hard-hitting feminist stances are conveyed with a dry, detached humor that makes them all the more uncompromising.   Not so much a rollercoaster ride, rather an entire theme park, The Woman Dies is an out-of-the ordinary space readers will step into with feelings of wonder and discombobulation in equal parts.  

Carolyn's not so different from the other human beings around her. She's sure of it. She likes guacamole and cigarettes and steak. She knows how to use a phone. She even remembers what clothes are for. After all, she was a normal American herself, once. That was a long time ago, of course—before the time she calls “adoption day,” when she and a dozen other children found themselves being raised by a man they learned to call Father. Father could do strange things. He could call light from darkness. Sometimes he raised the dead. And when he was disobeyed, the consequences were terrible. In the years since Father took her in, Carolyn hasn't gotten out much. Instead, she and her adopted siblings have been raised according to Father's ancient Pelapi customs. They've studied the books in his library and learned some of the secrets behind his equally ancient power. Sometimes, they've wondered if their cruel tutor might secretly be God. Now, Father is missing. And if God truly is dead, the only thing that matters is who will inherit his library—and with it, power over all of creation. As Carolyn gathers the tools she needs for the battle to come, fierce competitors for this prize align against her. But Carolyn can win. She's sure of it. What she doesn't realize is that her victory may come at an unacceptable price—because in becoming a God, she's forgotten a great deal about being human.

EVERY ACT OF TRANSLATION REQUIRES SACRIFICE Welcome to Bletchley Park… with dragons. London, 1923. Dragons soar through the skies and protests erupt on the streets, but Vivien Featherswallow isn’t worried. She’s going to follow the rules, get an internship studying dragon languages, and make sure her little sister never has to risk growing up Third Class. By midnight, Viv has started a civil war. With her parents arrested and her sister missing, all the safety Viv has worked for is collapsing around her. So when a lifeline is offered in the form of a mysterious ‘job’, she grabs it. Arriving at Bletchley Park, Viv discovers that she has been recruited as a codebreaker helping the war effort – if she succeeds, she and her family can all go home again. If she doesn’t, they’ll all die. At first Viv believes that her challenge, of discovering the secrets of a hidden dragon language, is doable. But the more she learns, the more she realises that the bubble she’s grown up in isn’t as safe as she thought, and eventually Viv must decide: What war is she really fighting? An epic, sweeping fantasy with an incredible Dark Academia setting, a clandestine, slow-burn enemies-to-lovers romance, and an unputdownable story, filled with twists and turns, betrayals and secret identities, A Language of Dragons is the unmissable debut of 2025, from an extraordinary new voice.