The sexual assault that stunned the world. A courageous woman’s rallying call for shame to "change sides." For the very first time, Gisèle Pelicot tells her story. In 2024, Gisèle Pelicot waived her right to anonymity in her legal fight against her ex-husband and the fifty men accused of sexually assaulting her, a courageous decision that inspired millions of people around the world. Only four years prior, Gisèle had made the shattering discovery that her partner, Dominique Pelicot, had been secretly drugging and raping her, and inviting strangers to also abuse her in their home for nearly a decade. “Shame must change sides,” Gisèle bravely declared at the opening of the trial in Avignon, France, and the dictum soon became an international rallying cry to radically transform public sentiment and legislation surrounding cases of sexual violence. By the time Dominique and the dozens of men accused were found guilty three and a half months later, Gisèle had become a global figure, and her message—that she and other victims of sexual abuse have no reason to feel ashamed—galvanized a movement that triggered protests and demonstrations around the world. In A Hymn to Life, Gisèle tells her story for the very first time, not as victim, but as witness. Beginning in 2020, when she received the first phone call from a local police station, Gisèle recounts the fateful investigation that turned her life inside out. With unwavering honesty and devastating grace, she retraces the steps of a life built over the course of five decades, the final decade of her marriage and its hidden abuse, and the long path of emotional healing that ensues. As Gisèle transcends the unfathomable traumas of her past, against all odds, she emerges with a renewed sense of passion and reverence for her life. Part memoir, part act of defiance, A Hymn to Life is a moving story of survival, testimony, and courage, and an unforgettable portrait of a woman who broke her silence, reclaimed her voice, and forced a reckoning.

In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's 'Berlin Stories' and Bertolt Brecht's 'Three Penny Opera'. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933, and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was ever published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and featuring a new introduction by Harvard professor Maria Tatar.

Set in a corrupt surveillance state ruled by the masked elite, this true enemies-to-lovers dystopian romance that’s Conform meets V For Vendetta follows a mercenary who botches the assassination of the president’s son and ends up forced to marry him. The first thing you’ll learn in New Found Haven is that mercy doesn’t exist. The second thing is that, from the highest glass atrium in the Heart to the windowless slums of the Boundary, the Veyra are always watching. The last lesson is the hardest, but you must remember it: Love outside of your ring is a death sentence. The city is carved into rings of privilege and poverty, ruled by the masked elite who will do whatever it takes to hold onto power. Obedience is demanded. Rebellion is crushed. Greyson Serel has spent his life caught between two worlds. Publicly, he’s the flawless heir to the presidency. Privately, he’s entangled in secrets that could topple the regime. But when he’s forced into a political marriage meant to bind him tighter to the government’s brutal laws, he finds himself shackled to a bride as lethal as she is unwilling. Shadera Kael is a mercenary raised to kill, not to wed. Yet when her bullet misses its mark, survival leaves her tied to the very man she was sent to eliminate. Trapped inside the corrupt heart of the city, she becomes both prisoner and wife, her every step watched, her every move tested. Their union is no love story—it’s a battlefield. As secrets come to light and betrayals fester within the walls of power, Greyson and Shadera must decide between annihilating each other or burning the city to the ground together. In a world where passion has consequences and loyalty is paid for in blood, their forced bond may be the spark that ignites a revolution. Or the fire that consumes them both.

‘A stimulating, elegant yet pugnacious essay’—Observer In this highly acclaimed seminal work, Edward Said surveys the history and nature of Western attitudes towards the East, considering Orientalism as a powerful European ideological creation—a way for writers, philosophers and colonial administrators to deal with the ‘otherness’ of Eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West’s romantic and exotic picture of the Orient. In the Afterword, Said examines the effect of continuing Western imperialism.

What do you want, when no one is watching? What do you want, when the lights are off? What do you want, when you are anonymous? When we talk about sex, we talk about womanhood and motherhood, infidelity and exploitation, consent and respect, fairness and egalitarianism, love and hate, pleasure and pain. And yet for many reasons – some complicated, some not – so many of us don't talk about it. Our deepest, most intimate fears and fantasies remain locked away inside of us, until someone comes along with the key. Here's the key. In this generation-defining book, Gillian Anderson collects and introduces the anonymous letters of hundreds of women from around the world (along with her own anonymous letter). Want reveals how women feel about sex when they have the freedom to be totally anonymous.

Step out of the box and into the unexpected in this high-stakes, fantasy-infused Barbie young adult novel, from the premier voice in teen fiction. Out of the box. Into the unexpected. Barbie’s life is perfect. She lives in a pink-hued paradise called Heartland where everything is in order and everyone has a role to play, thanks to the mysterious and all-powerful beings who will soon assign her a Fate at graduation from the enchanted Swancrest Academy. She’s worked hard to earn a good one. Her years of endless studying and acing every challenge are about to pay off. But when the unthinkable happens and Barbie is left Fateless—the first in Heartland’s history—her carefully ordered world shatters. Shaken and uncertain, Barbie must confront a future she never one with no clear path forward at all. Yet when a mysterious necklace begins to pulse with hidden power, she is drawn beyond Heartland’s protective mists into a daring journey across extraordinary lands. From sun-drenched shores to treacherous, ever-shifting landscapes, to shadowed forests steeped in secrets and magic, each realm will test Barbie’s courage, sharpen her wits, and awaken strengths she never knew she possessed—all while drawing her ever closer to a buried truth that could change her world forever. A richly imagined coming-of-age tale from the premier voice in teen fiction, this is a story about defying expectations, rewriting the rules, and discovering that the greatest possibilities lie in stepping out of the box…and into the unexpected.

Juni 1952, die kleine Annie ist 12 Jahre alt. Eines Sonntagnachmittags geschieht etwas Entsetzliches – ohnmächtig muss sie miterleben, wie der Vater die Mutter umzubringen versucht. Nach kurzer Zeit beruhigt sich der Vater, und Annie versucht, den Eklat zu vergessen. Bis sie, nahezu ein halbes Jahrhundert später, auf ein altes Foto stößt, das eine Flut von Erinnerungen auslöst. Aber was genau ist damals geschehen? Und wie ist es dazu gekommen? Je tiefer Annie in dieses entscheidende Jahr eintaucht, umso deutlicher wird ihr die Spannung, in der die Eltern lebten, zwischen dem Wunsch nach sozialem Aufstieg und dem demütigenden Rückfall in die alten Verhältnisse. Und auch Annies Zerrissenheit gewinnt an Kontur, ihr immer wieder schmerzhaftes Bemühen, dem Einfluss einer religiösen Erziehung zu entrinnen und der bohrenden Sehnsucht nach Aufbruch und einem besseren Leben zu folgen. Scham ist das beharrliche Gefühl der eigenen Unwürdigkeit. Annie Ernaux seziert es an sich selbst, indem sie weit zurückschwingt in eine eigentlich unfassbare Episode ihrer Kindheit und in eine Vergangenheit, die nicht vergehen will.

As 'PLAYBACK', Chandler's last novel opens, Philip Marlowe meets Eleanor King (a.k.a. Betty Mayfield), a well-endowed redhead as she disembarks from the Super Chief and leads him to the California coast to solve a tale of big money and, of course, murder. RUNNING TIME => 57mins. ©1958 Raymond Chandler Limited (a Chorion company) (P)2011 AudioGo Ltd

An astounding insight into how white feminism is intertwined with Islamophobia, and why Muslim women are so often left out of the conversation. Growing up, journalist Shahed Ezaydi was asked how she could possibly call herself a feminist if she also practised her faith. By treating Muslim women as invisible and excluding them from feminist spaces, or hyper-visible with an obsession of ‘saving’ them, we are perpetuating gendered Islamophobia and white feminism. But Muslim women don’t need to be saved, and religion is not the only form of oppression. The Othered Woman is the book Ezaydi wishes her younger self could have turned to, to dispel the myths of how Muslim women are oppressed and who by. It shows that these myths translate into very real harm at state level in the UK and globally, and showcases the many intersectional feminists fighting for liberation in their own way. Accessible and compelling, this is urgent reading for anyone who considers themselves a feminist.

Introduced by Jeff VanderMeer, welcome to a luxury hotel at the end of the world in this post-apocalyptic 1967 dystopia ... The day we came up from the shelters four people were found dead on the steps of the hotel. Welcome to Termush: a luxury coastal resort like no other. All the wealthy guests are survivors: preppers who reserved rooms long before the Disaster. Inside, they embrace exclusive radiation shelters, ambient music and lavish provisions; outside, radioactive dust falls on the sculpture park, security men step over dead birds, and a reconnaissance party embarks. Despite weathering a nuclear apocalypse, their problems are only just beginning. Soon, the Management begins censoring news; disruptive guests are sedated; initial generosity towards Strangers ceases as fears of contamination and limited resources grow. But as the numbers - and desperation - of external survivors increase, they must decide what it means to forge a new moral code at the end (or beginning?) of the world ...

An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he’ll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life. In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity, taking the reader on a journey through the afterlife of a world where everything everyone believed in turns out to be wrong.

Monsters are real.But so are heroes. Sparks are champions of weird science. Boasting capes and costumes and amazing super-powers that only make sense if you don't think about them too hard, they fight an eternal battle for truth and justice . . . mostly. Darklings are creatures of myth and ghosts, vampires, were-beasts, and the like. Their very presence warps reality. Doors creak at their approach. Cobwebs gather where they linger. Kim Lam is an ordinary college student until a freak scientific accident (what else?) transforms Kim and three housemates into Sparks--and drafts them into the never-ending war between the Light and Dark. They struggle to master their new abilities--and (of course) to design cool costumes and come up with great hero-names. Turns out that -accident- was just the first salvo in a Mad Genius's latest diabolical scheme. Now it's up to four newbie heroes to save the day, before they even have a chance to figure out what their team's name should be!

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.