Früher war Ogami Itto der offizielle Henker des Shoguns, was ihn zu einem der wichtigsten Männer des Landes machte. Aber nach einer hinterhältigen Verschwörung fiel er in Ungnade. Auf der Suche nach Rache beschließt er, zum Söldner zu werden, und reist mit seinem kleinen Sohn Daigoro durch das mittelalterliche Japan. Schon bald schreiben die beiden ihre Legende als einsamer Wolf mit Jungem – Lone Wolf & Cub. Geschrieben von Kazuo Koike und illustriert von Gôseki Kojima, markiert LONE WOLF & CUB einen Wendepunkt in der Comic-Geschichte. Dieser zeitlose Klassiker ist ein Muss für alle Fans von Comics und Mangas. Von Frank Miller bis Quentin Tarantino und bis hin zur Fernsehserie The Mandalorian, die Arbeit von Kazuo Koike und Gôseki Kojima inspiriert nachhaltig Künstler und Produktionen auf der ganzen Welt. Nach über fünfzig Jahren seit der Erstveröffentlichung gilt dieser Manga zu Recht als absolutes Meisterwerk.

Showa 1953-1989: A History of Japan concludes award-winning author Shigeru Mizuki’s stunning historical and autobiographical series about Japanese life in the twentieth century. The final volume picks up in the wake of utter defeat in World War II, covering the United States’ shift from enemy to ally. Jobs, money, and opportunity are funneled along in a bid to establish the country as a bulwark against Communist expansion. Japan thus reinvents itself, emerging as an economic powerhouse. Events like the Tokyo Olympiad and the World’s Fair reintroduce the world to a much friendlier Japan, but this period of peace and plenty conceals a populace still struggling to come to terms with the devastation of their all-too-recent past. Mizuki’s own struggles mirror those of the nation during this period of recovery and reconciliation. He fights his way back from poverty, rising to the rank of cartoon celebrity beloved by millions of manga-reading children. However, prosperity cannot bring the happiness Mizuki craves, as he struggles to find meaning in the sacrifices made during the war. This visionary series, told by a true man of his time, is a magnum opus fully representative of the graphic novel as world literature.

Showa 1953-1989: A History of Japan concludes award-winning author Shigeru Mizuki’s stunning historical and autobiographical series about Japanese life in the twentieth century. The final volume picks up in the wake of utter defeat in World War II, covering the United States’ shift from enemy to ally. Jobs, money, and opportunity are funneled along in a bid to establish the country as a bulwark against Communist expansion. Japan thus reinvents itself, emerging as an economic powerhouse. Events like the Tokyo Olympiad and the World’s Fair reintroduce the world to a much friendlier Japan, but this period of peace and plenty conceals a populace still struggling to come to terms with the devastation of their all-too-recent past. Mizuki’s own struggles mirror those of the nation during this period of recovery and reconciliation. He fights his way back from poverty, rising to the rank of cartoon celebrity beloved by millions of manga-reading children. However, prosperity cannot bring the happiness Mizuki craves, as he struggles to find meaning in the sacrifices made during the war. This visionary series, told by a true man of his time, is a magnum opus fully representative of the graphic novel as world literature.

A sweeping yet intimate portrait of the legacy of World War II in Japan Showa 1944–1953: A History of Japan continues the award-winning author Shigeru Mizuki’s autobiographical and historical account of the Showa period in Japan. This volume recounts the events of the final years of the Pacific War, and the consequences of the war's devastation for Mizuki and the Japanese populace at large. After the surprise attack at Pearl Harbor, Japan and the United States are officially at war. The two rival navies engage in a deadly game of feint and thrust, waging a series of microwars across the tiny Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. Finally, the United States unleashes the deathblow with a new and terrible weapon—the atomic bomb. The fallout from the bombs is beyond imagining. On another front, Showa 1944–1953 traces Mizuki’s own life story across history’s sweeping changes during this period, charting the impact of the war’s end on his life choices. After losing his arm during the brutal fighting, Mizuki struggles to decide where to go: whether to remain on the island as an honored friend of the local Tolai people or return to the rubble of Japan and take up his dream of becoming a cartoonist. Showa 1944–1953 is a searing condemnation of the personal toll of war from one of Japan’s most famous cartoonists.

A master cartoonist and war vet details Japan’s involvement in World War IIShowa 1939–1944: A History of Japan continues the award-winning author Shigeru Mizuki’s autobiographical and historical account of Showa-era Japan. This volume covers the final moments of the lead-up to World War II and the first few years of the Pacific War, and is a chilling reminder of the harshness of life in Japan during this highly militarized epoch.Mizuki writes affectingly about the impact on the Japanese populace of world-changing moments, including the devastating Second Sino-Japanese War, the attack on Pearl Harbor, and the first half of the Pacific War. On a personal level, these years mark a dramatic transformation in Mizuki’s life, too. His idyllic childhood in the countryside comes to a definitive end when he’s drafted into the army and shipped off to the tiny island of Rabaul in Papua New Guinea. His life becomes a constant struggle for survival, not only against the constant Allied attacks but against the harsh discipline of the Japanese army officers. During his time in Rabaul, Mizuki comes to understand the misery and beauty of the island itself, a place that will permanently mark him and haunt him for the rest of his life.

Yokai-Junge Kitaro wurde von einem gemeinen Wissenschaftler in ein Seeungeheuer verwandelt. Können ihm seine Geisterkräfte helfen, sich aus dieser brenzligen Situation zu befreien? In einer anderen Geschichte hilft er den Menschen, denen von den Bewohnern eines Yokai-Schlosses übel mitgespielt wird. Und so stellt er sich mutig den mysteriösen Wesen der Berge: Tantanbo, Sichelwind und Fräulein Doppelmaul. In Japan ist Shigeru Mizukis “Kitaro” bekannt und beliebt – kaum ein Kind wächst auf, ohne seine Abenteuer zu verschlingen. Vergleichbar mit dem Witz der “Addams Family” begeistern Kitaros Abenteuer durch ihre Verbindung von schwarzem Humor, Slapstickelementen und Shigeru Mizukis einzigartiger Leichtigkeit des Geschichtenerzählens.

A master cartoonist and war vet details Japan’s involvement in World War IIShowa 1939–1944: A History of Japan continues the award-winning author Shigeru Mizuki’s autobiographical and historical account of Showa-era Japan. This volume covers the final moments of the lead-up to World War II and the first few years of the Pacific War, and is a chilling reminder of the harshness of life in Japan during this highly militarized epoch.Mizuki writes affectingly about the impact on the Japanese populace of world-changing moments, including the devastating Second Sino-Japanese War, the attack on Pearl Harbor, and the first half of the Pacific War. On a personal level, these years mark a dramatic transformation in Mizuki’s life, too. His idyllic childhood in the countryside comes to a definitive end when he’s drafted into the army and shipped off to the tiny island of Rabaul in Papua New Guinea. His life becomes a constant struggle for survival, not only against the constant Allied attacks but against the harsh discipline of the Japanese army officers. During his time in Rabaul, Mizuki comes to understand the misery and beauty of the island itself, a place that will permanently mark him and haunt him for the rest of his life.

Kitaro tras la senda de Godzilla. Inmensamente popular en Japón, donde no hay niño que crezca sin devorar sus aventuras, Kitaro es el héroe emblemático de una obra que se fija en los monstruos para hablar de los hombres. Pero Kitaro es, también, una serie rebosante de chispa. Las tribulaciones de este pilluelo que debe resolver los conflictos que enfrentan a humanos y yokais constituyen un auténtico placer que aúna, de forma sutil, la negrura y la ligereza. En esta segunda incursión en el universo de Kitaro, encontramos cinco nuevas historias de todo un referente del manga japonés en las que el maestro Mizuki rinde homenaje a los monstruos del cine como Godzilla. Una creación que oscila constantemente entre lo fantástico, el humor y la poesía.

Kitaro tras la senda de Godzilla. Inmensamente popular en Japón, donde no hay niño que crezca sin devorar sus aventuras, Kitaro es el héroe emblemático de una obra que se fija en los monstruos para hablar de los hombres. Pero Kitaro es, también, una serie rebosante de chispa. Las tribulaciones de este pilluelo que debe resolver los conflictos que enfrentan a humanos y yokais constituyen un auténtico placer que aúna, de forma sutil, la negrura y la ligereza. En esta segunda incursión en el universo de Kitaro, encontramos cinco nuevas historias de todo un referente del manga japonés en las que el maestro Mizuki rinde homenaje a los monstruos del cine como Godzilla. Una creación que oscila constantemente entre lo fantástico, el humor y la poesía.

Früher war Ogami Itto der offizielle Henker des Shoguns, was ihn zu einem der wichtigsten Männer des Landes machte. Aber nach einer hinterhältigen Verschwörung fiel er in Ungnade. Auf der Suche nach Rache beschließt er, zum Söldner zu werden, und reist mit seinem kleinen Sohn Daigoro durch das mittelalterliche Japan. Schon bald schreiben die beiden ihre Legende als einsamer Wolf mit Jungem – Lone Wolf & Cub. Geschrieben von Kazuo Koike und illustriert von Gôseki Kojima, markiert LONE WOLF & CUB einen Wendepunkt in der Comic-Geschichte. Dieser zeitlose Klassiker ist ein Muss für alle Fans von Comics und Mangas. Von Frank Miller bis Quentin Tarantino und bis hin zur Fernsehserie The Mandalorian, die Arbeit von Kazuo Koike und Gôseki Kojima inspiriert nachhaltig Künstler und Produktionen auf der ganzen Welt. Nach über fünfzig Jahren seit der Erstveröffentlichung gilt dieser Manga zu Recht als absolutes Meisterwerk.

Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

Showa 1953-1989: A History of Japan concludes award-winning author Shigeru Mizuki’s stunning historical and autobiographical series about Japanese life in the twentieth century. The final volume picks up in the wake of utter defeat in World War II, covering the United States’ shift from enemy to ally. Jobs, money, and opportunity are funneled along in a bid to establish the country as a bulwark against Communist expansion. Japan thus reinvents itself, emerging as an economic powerhouse. Events like the Tokyo Olympiad and the World’s Fair reintroduce the world to a much friendlier Japan, but this period of peace and plenty conceals a populace still struggling to come to terms with the devastation of their all-too-recent past. Mizuki’s own struggles mirror those of the nation during this period of recovery and reconciliation. He fights his way back from poverty, rising to the rank of cartoon celebrity beloved by millions of manga-reading children. However, prosperity cannot bring the happiness Mizuki craves, as he struggles to find meaning in the sacrifices made during the war. This visionary series, told by a true man of his time, is a magnum opus fully representative of the graphic novel as world literature.