Three times the holiday magic. Three times the chaos.     As strangers and seatmates Maryam Aziz and Anna Gibson fly to Toronto over the holidays—Maryam to her sister’s impromptu wedding, and Anna to meet her boyfriend’s wealthy family for the first time—neither expect that severe turbulence will scare them into confessing their deepest hopes and fears to one another. At least they’ll never see each other again. And the love of Maryam’s life, Saif, wasn’t sitting two rows behind them hearing it all. Oops.     An emergency landing finds Anna, Saif, Maryam, and her sister’s entire bridal party snowbound at the quirky Snow Falls Inn in a picture-perfect town, where fate has Anna’s actor-crush filming a holiday romance. As Maryam finds the courage to open her heart to Saif, and Anna feels the magic of being snowbound with an unexpected new love—both women soon realize there’s no place they’d rather be for the holidays.

A diverse team of broken, diminished former criminals get back together to solve the mystery of their last, disastrous mission and to rescue a missing and much-changed comrade... but they’re not the only ones in pursuit of the secret at the heart of the planet Dimmuborgir. The highly-evolved AI of the universe have their own agenda and will do whatever it takes to keep humans from ever controlling the universe again. This band of dangerous women, half-clone and half-machine, must battle their own traumas and a universe of sapient ageships who want them dead, in order to settle their affairs once and for all.  Cassandra Khaw’s debut novel is a page-turning exploration of humans and machines that is perfect for readers of Ann Leckie, Ursula Le Guin, and Kameron Hurley.

Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures. The book is highly influenced by Henry Miller’s reckless and relentless search for truth in post-decadent Paris and Daisetz Teitaro Suzuki’s modal teachings on Zen Buddhism. Cortázar's employment of interior monologue, punning, slang, and his use of different languages is reminiscent of Modernist writers like Joyce, although his main influences were Surrealism and the French New Novel, as well as the "riffing" aesthetic of jazz and New Wave Cinema. In 1966, Gregory Rabassa won the first National Book Award to recognize the work of a translator, for his English-language edition of Hopscotch. Julio Cortázar was so pleased with Rabassa's translation of Hopscotch that he recommended the translator to Gabriel García Márquez when García Márquez was looking for someone to translate his novel One Hundred Years of Solitude into English. "Rabassa's One Hundred Years of Solitude improved the original," according to García Márquez.