In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bites marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

Lifelong best friends say 'I do' to a marriage of convenience, trading vows for a financial safety net and benefits. Perfect for fans of Emily Henry and Katherine Center.Evie Bloom pays attention to the details. Her very job depends on it—as an aspiring Foley artist, she’s responsible for every crisp footstep, smacking kiss, and distinct sound in film and television. So when she’s selected for a fellowship opportunity that would make all her career dreams come true, she’s quick to spot the there are no health benefits, and for someone with a chronic illness, that’s a non-starter.Theo Cohen is an elementary school teacher who can't afford to live on his own in LA, and is facing eviction after his roommates couple up and move out of their dream of a rent-controlled apartment. But there is one loophole in his each tenant must meet an income threshold, unless the tenants are married.For Theo, the answer is obvious. Marry Evie, his best friend since forever. It’s not as if they don’t spend all their free time together anyways. Not only will Theo be able to keep his apartment, but Evie can be added to his insurance plan so she can accept her dream fellowship. It’s such a logical, practical solution. Never mind that Evie doesn’t really want to be married—not to Theo, not to anyone—ever. Or the small, complicating fact that Theo has always been a little bit in love with Evie.But it doesn’t have to be a big deal. Marriage. It will just give them space to breathe, and much-needed relief from the daily financial stress. It won’t change anything.It’s . . . going to change everything.