From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

From the New York Times bestselling author of THE HENNA ARTIST, this sweeping novel follows a young Anglo-Indian nurse who embarks on a journey from her home in Bombay, through Prague, Florence, Paris, and London, to uncover a mystery and prove her innocence after a famous painter dies in her care. When renouned painter Mira Novak arrives at Wadia hospital in Bombay after a miscarriage, she's expected to make a quick recovery, and Sona is excited to spend time with the worldly woman who shares her half-Indian identity, even if that's where their similarities end. Sona is enraptured by Mira's stories of her travels, and shocked by accounts of the many lovers she's left scattered through Europe. Over the course of a week, Mira befriends Sona, seeing in her something bigger than the small life she's living with her mother. Mira is released from the hospital just in time to attend a lavish engagement party where all of Bombay society. But the next day, Mira is readmitted to the hospital in worse condition than before, and when she dies under mysterious circumstances, Sona immediately falls under suspicion. Before leaving the hospital in disgrace, Sona is given a note Mira left for her, along with her four favorite paintings. But how could she have known to leave a note if she didn't know she was going to die? The note sends Sona on a mission to deliver three of the paintings—the first to Petra, Mira's childhood friend and first love in Prague; the second to her art dealer Josephine in Paris; the third to her first painting tutor, Paolo, with whom both Mira and her mother had affairs. As Sona uncovers Mira's history, she learns that the charming facade she'd come to know was only one part of a complicated and sometimes cruel woman. But can she discover what really happened to Mira and exonerate herself? Along the way, Sona also comes to terms with her own complex history and the English father who deserted her and her mother in India so many years ago. In the end, she'll discover that we are all made up of pieces, and only by seeing the world do we learn to see ourselves.

My Friends, the brilliant new novel from Fredrik Backman, New York Times bestselling author of A Man Called Ove and Anxious People, is coming in June 2025!

From the #1 New York Times bestselling author of Just for the Summer comes a new playful yet deeply emotional contemporary romance. 

'A modern-day Mrs. Caliban, BLOB is a book that looks at identity and desire in profoundly interesting ways'Kevin Wilson, author of Nothing to See HereA hilarious and moving debut novel about a young woman who decides to turn a sentient blob into her perfect boyfriend... The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Now at twenty-three, after getting dumped and dropping out of college, Vi works as a front desk attendant at a hotel where she refills cucumber water samovars and fends off overtures of friendship from her bubbly blond coworker, Rachel. But when Vi decides to accompany Rachel to a local drag show, her life changes forever. In the alley outside the bar, next to a trash can, is a blob with beady black eyes. Unable to leave it behind, Vi picks up the creature and, in a moment of drunken desperation, takes it home with her. As her pet blob becomes sentient, Vi realizes it obeys her commands and she decides to mold the blob into her ideal partner. She feeds it sugary cereal and a stream of pop culture, and soon the creature transforms into a movie-star handsome white man. But as Vi's desire to be loved unconditionally threatens to spiral out of control, she is forced to confront her lonely childhood, the ex-boyfriend who has unfriended her, and the racial marginalization that has defined her relationships. Ultimately, Vi embarks on a journey of self-discovery and learns that it's impossible to control those you love. Blending the familiar with the fantastical, BLOB tells a witty, heartfelt story of what it means to be human.'An inventive, utterly unique debut'Kimberly King Parsons, author of Black Light

Lifelong best friends say 'I do' to a marriage of convenience, trading vows for a financial safety net and benefits. Perfect for fans of Emily Henry and Katherine Center.Evie Bloom pays attention to the details. Her very job depends on it—as an aspiring Foley artist, she’s responsible for every crisp footstep, smacking kiss, and distinct sound in film and television. So when she’s selected for a fellowship opportunity that would make all her career dreams come true, she’s quick to spot the there are no health benefits, and for someone with a chronic illness, that’s a non-starter.Theo Cohen is an elementary school teacher who can't afford to live on his own in LA, and is facing eviction after his roommates couple up and move out of their dream of a rent-controlled apartment. But there is one loophole in his each tenant must meet an income threshold, unless the tenants are married.For Theo, the answer is obvious. Marry Evie, his best friend since forever. It’s not as if they don’t spend all their free time together anyways. Not only will Theo be able to keep his apartment, but Evie can be added to his insurance plan so she can accept her dream fellowship. It’s such a logical, practical solution. Never mind that Evie doesn’t really want to be married—not to Theo, not to anyone—ever. Or the small, complicating fact that Theo has always been a little bit in love with Evie.But it doesn’t have to be a big deal. Marriage. It will just give them space to breathe, and much-needed relief from the daily financial stress. It won’t change anything.It’s . . . going to change everything.

Two sisters travel the same streets, though their lives couldn't be more different. Then, one of them goes missing. In a Philadelphia neighborhood rocked by the opioid crisis, two once-inseparable sisters find themselves at odds. One, Kacey, lives on the streets in the vise of addiction. The other, Mickey, walks those same blocks on her police beat. They don't speak anymore, but Mickey never stops worrying about her sibling. Then Kacey disappears, suddenly, at the same time that a mysterious string of murders begins in Mickey's district, and Mickey becomes dangerously obsessed with finding the culprit--and her sister--before it's too late. Alternating its present-day mystery with the story of the sisters' childhood and adolescence, Long Bright River is at once heart-pounding and heart-wrenching: a gripping suspense novel that is also a moving story of sisters, addiction, and the formidable ties that persist between place, family, and fate.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bites marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

Lifelong best friends say 'I do' to a marriage of convenience, trading vows for a financial safety net and benefits. Perfect for fans of Emily Henry and Katherine Center.Evie Bloom pays attention to the details. Her very job depends on it—as an aspiring Foley artist, she’s responsible for every crisp footstep, smacking kiss, and distinct sound in film and television. So when she’s selected for a fellowship opportunity that would make all her career dreams come true, she’s quick to spot the there are no health benefits, and for someone with a chronic illness, that’s a non-starter.Theo Cohen is an elementary school teacher who can't afford to live on his own in LA, and is facing eviction after his roommates couple up and move out of their dream of a rent-controlled apartment. But there is one loophole in his each tenant must meet an income threshold, unless the tenants are married.For Theo, the answer is obvious. Marry Evie, his best friend since forever. It’s not as if they don’t spend all their free time together anyways. Not only will Theo be able to keep his apartment, but Evie can be added to his insurance plan so she can accept her dream fellowship. It’s such a logical, practical solution. Never mind that Evie doesn’t really want to be married—not to Theo, not to anyone—ever. Or the small, complicating fact that Theo has always been a little bit in love with Evie.But it doesn’t have to be a big deal. Marriage. It will just give them space to breathe, and much-needed relief from the daily financial stress. It won’t change anything.It’s . . . going to change everything.