A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

My new next-door neighbor seems to have everything figured out. Small town golden boy? Check. Single dad extraordinaire? Check. Hot baker forearms? I didn’t notice them, I swear. I, on the other hand, don’t–at all–have anything figured out. Trust me, I didn’t think taking over my mom’s dream bed and breakfast in Copper Run Vermont was going to be easy. It should be a good place to heal after my divorce. But apparently my scones belong in the garbage with my small talk skills. As pointed out by none other than Cliff. Cliff is inescapable. He knows exactly what people need–always. His charm, the way he wears flannel, and even his pastries, make not wanting to be friends with Cliff and his daughters pretty hard. Friends? I can make friends. That’s safe. Except I’m leaving in three months to pass the inn off to my little sister and get the promotion in Seattle I’ve been working towards. So ask me why I’m thinking about kissing my hot neighbor.

What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home? This startling and irresistibly witty collection from the phenomenally talented Moïra Fowley is an exploration of all our darkest impulses and deepest fears.

A sarcastically funny, dark fantasy romance reimagining of Hercules from Amazon bestselling author Jasmine Mas.I'm just a girl. And it turns out, I'm Hercules. I'm struggling to survive in a Titan infested world where Spartans, immortals from twelve royal families who have god-like powers and obscene wealth, rule over all. A shy-stammering foster child with nothing, I keep my head down, cover my scars, and focus on excelling in school. At least, I try to. Then it happens.My blood test reveals I'm part of the powerful elite. I'm one of them. A Spartan.Forced to attend the Spartan War Academy, I undergo the most harrowing test of all time to see if I have what it takes to be an immortal. There's just a few problems. Achilles and Patro are my scary mentors. Kharon, the ferryman of death, and Augustus, the son of war, are my terrifying professors. Also, I'm pretty sure either someone's stalking me everywhere I go, or my sanity's slipping––I have a bad feeling both are true.I'm surrounded by Villains and they're smothering me with their hate, obsession, and dark possessiveness. Too bad for them, they have no clue just who they're messing with.

An enchanting novel about a witch who has a second chance to get her magical powers—and her life—back on track, from the national bestselling author of The Very Secret Society of Irregular Witches . Sera Swan was once one of the most powerful witches in Britain. Then she resurrected her great-aunt Jasmine from the (very recently) dead, lost most of her magic, befriended a semi-villainous talking fox, and was exiled from her magical Guild. Now she ( slightly reluctantly and just a bit grumpily) helps Aunt Jasmine run an inn in Lancashire, where she deals with her quirky guests' shenanigans, tries to keep the talking fox in check, and longs for the magical future she lost. When she learns about an old spellbook that holds the secret to restoring her power, she turns to Luke Larsen, a gorgeous historian who might just be able to help her unlock the book’s mysteries. Luke, who has his own reasons for staying at the inn, never planned on getting involved in the madcap goings-on around him and certainly had no intention of letting certain grumpy innkeepers past his icy walls, so no one is more surprised than he is when he not only agrees to help, but also finds himself thawing . Running an inn, reclaiming lost magic, and staying one step ahead of the watchful Guild is a lot for anyone, but Sera is about to discover that she doesn’t have to do it alone... and that the weird, wonderful family she’s made might be the best magic of all.

A dark retelling of the Brothers Grimm's Goose Girl, rife with secrets, murder, and forbidden magic Cordelia knows her mother is unusual. Their house doesn’t have any doors between rooms, and her mother doesn't allow Cordelia to have a single friend—unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers. After a suspicious death in their small town, Cordelia’s mother insists they leave in the middle of the night, riding away on Falada’s sturdy back, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia’s mother intends to lure the Squire into marriage, and Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister. Hester sees the way Cordelia shrinks away from her mother, how the young girl sits eerily still at dinner every night. Hester knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.

Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung. Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society. Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.