“What an audacious, breathtaking, and inspiring debut. The power of this formally innovative and deeply funny book is that everything exists to serve the compassionate heart at its core. Myriam Lacroix’s work is a cause for celebration.” — George Saunders, #1 New York Times bestselling author of Lincoln in the Bardo and Liberation Day Surreal, darkly comic, and achingly tender, Myriam Lacroix’s exuberant debut How It Works Out sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? How It Works Out follows the arc of Myriam and Allison’s relationship by running the couple through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker—or sexier—would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love’s many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a formally inventive, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.

From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon. Whether it’s our reality-television-star President or our expertly curated Instagram feeds, the line between fact and fiction—between what’s real and what’s fabricated for entertainment—has never been more blurred. Plot Twist explores what happens when we cede our reality to spectacle. Megan Garber explains how today’s internet-inflected culture conditions us to see one another not as people but as characters in an ongoing show, and how some of our most chronic and harmful social conditions—loneliness, depression, mistrust, misinformation, cynicism—stem from our demand for diversion. In ten chapters, each themed around an element of stagecraft—from “The Producers,” who edit our reality, to “The Props,” the strangers we turn into objects of our amusement, to “the Haters,” the worshipful Qanon-types who expect the prophecies of their anonymous leader to play out on live television—Garber argues that this comedy of our daily lives is quickly becoming tragedy. And we can’t understand our politics without first understanding our culture. Like The Anxious Generation but about our media diet, Plot Twist shows why Megan Garber is one of the most respected and widely-read journalists of our day. It is an urgent, page-turning, and dazzling look at how we entertained ourselves into our current predicament, and how we might find our way out of the maze of misinformation and chaos.

Two roommates. One secret. A lot of love letters. When Charlie joins Valentine Academy for Boys, love is the last thing on his mind. His only plan is to survive the school year with perfect grades and no one discovering that he's trans. Especially his roommate, Jasper; a famous poet and Charlie's ex-camp romance who doesn't seem to recognise him. Yet. The boys make a deal; Jasper will request a new room if Charlie helps him deliver secret love letters between the boys at Valentine and the girls at its sister academy. But as Jasper tutors him in the art of romance, will Charlie be able to keep from falling in love himself?

Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany’s. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, “The war made my mother who she was.” Audrey Hepburn’s war included participation in the Dutch Resistance, working as a doctor’s assistant during the “Bridge Too Far” battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem’s most famous young ballerina. Audrey’s own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II.

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

New York Admirals goalie Eric never thought his friends-with-benefits arrangement with much-younger Kyle would leave them both wanting more… Veteran goaltender Eric Bennett has faced down some of the toughest shooters on the ice, but nothing prepared him for his latest challenge—life after hockey. It’s time to make some big changes, starting with finally dating men for the first time. Graduate student Kyle Swift moved to New York nursing a broken heart. He’d sworn to find someone his own age to crush on (for once). Until he meets a gorgeous, distinguished silver fox hockey player. Despite their intense physical attraction, Kyle has no intention of getting emotionally involved. He’ll teach Eric a few tricks, have some mutually consensual fun, then walk away. Eric is more than happy to learn anything Kyle brings to the table. And Kyle never expected their friends-with-benefits arrangement to leave him wanting more. Happily-ever-after might be staring them in the face, but it won’t happen if they’re too stubborn to come clean about their feelings. Everything they both want is within reach… They just have to be brave enough to grab it.

The Professor and the Madman, masterfully researched and eloquently written, is an extraordinary tale of madness, genius, and the incredible obsessions of two remarkable men that led to the making of the Oxford English Dictionary -- and literary history. The compilation of the OED, begun in 1857, was one of the most ambitious projects ever undertaken. As definitions were collected, the overseeing committee, led by Professor James Murray, discovered that one man, Dr. W. C. Minor, had submitted more than ten thousand. When the committee insisted on honoring him, a shocking truth came to light: Dr. Minor, an American Civil War veteran, was also an inmate at an asylum for the criminally insane.

The enthralling debut from bestselling novelist Michael Chabon is a penetrating narrative of complex friendships, father-son conflicts, and the awakening of a young man’s sexual identity. Chabon masterfully renders the funny, tender, and captivating first-person narrative of Art Bechstein, whose confusion and heartache echo the tones of literary forebears like The Catcher in the Rye’s Holden Caulfield and The Great Gatsby’s Nick Carraway. The Mysteries of Pittsburgh incontrovertibly established Chabon as a powerful force in contemporary fiction, even before his Pulitzer Prize-winning novel The Amazing Adventures of Kavalier & Clay set the literary world spinning. An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

A fearless and urgent chronicle of the tech-authoritarian movement from its early days in San Francisco politics to its current moment on the international stage, exploring the wild and dystopian ambition of the technocrats at its center, and offering a road map to resistance.When Silicon Valley says it is ‘‘moving fast and breaking things,’’ the world interprets the chaos as a necessary cost of innovation. Gil Durán reveals something far more a decades-long campaign to replace elected governments with corporate rule. Drawing on insider political experience and new investigations, Durán traces this ideology from its philosophical roots in The Sovereign Individual by James Dale Davidson and Lord William Rees-Mogg. He introduces its modern apostles—some of Silicon Valley’s biggest names—and shows how the promise of technological liberation has transformed into a global movement for digital feudalism, powered by cryptocurrency, artificial intelligence, and the algorithmic propaganda of social media. The Nerd Reich explains the origins, strategies, and ambitions of Silicon Valley’s war on democracy for the first time. From San Francisco’s weaponized elections and secret billionaire projects to the White House, Durán exposes how the world’s richest men are building a new political order. The Nerd Reich is more than a hidden history, it’s an urgent democracy is being dismantled not by coups or tanks, but by code, capital, and the illusion of innovation. Durán insists there is still time to fight back—if we act now.

From the bestselling author of The Death of Jane Lawrence comes a new, genre-bending supernatural horror about a vampire broodmother fighting against her own monstrous descent. Beatrice is a a vampire responsible for nursing newly made fledglings through the first years of their unlife. She nests in an abandoned, isolated warren of office space beneath her patron's skyscraper, raising two fractious Gorgeous—once a heartthrob, now to all appearances a living corpse—who longs for the return of the lover who made him immortal with all the fervor of a rebellious teen, and Fortunata, the scion of Beatrice's mistress, alien and ambitious in her desires. But when Beatrice decides to take on a third fledgling, the product of an attempted siring gone wrong, teetering between vampiric purity and ghoulish depravity, Beatrice finds herself strained to breaking between the societal and physical demands of her position, her own ravenous hunger, and an obsessive need to discover what’s happening to her—because her body is changing too, transforming her into something even more monstrous. She begins to crave the taste of flesh, something anathema to all vampires, and to swing between desperate hunger and vicious power. Desperate to master herself once more, Beatrice courts a mortal OBGYN who might be able to unravel the secrets of her unnatural anatomy. But soon their connection threatens the secrecy of her vampiric coven as well as the safety and development of her dependent nurslings… and the humans they stand to slaughter if left to their own devices.

New York Admirals goalie Eric never thought his friends-with-benefits arrangement with much-younger Kyle would leave them both wanting more… Veteran goaltender Eric Bennett has faced down some of the toughest shooters on the ice, but nothing prepared him for his latest challenge—life after hockey. It’s time to make some big changes, starting with finally dating men for the first time. Graduate student Kyle Swift moved to New York nursing a broken heart. He’d sworn to find someone his own age to crush on (for once). Until he meets a gorgeous, distinguished silver fox hockey player. Despite their intense physical attraction, Kyle has no intention of getting emotionally involved. He’ll teach Eric a few tricks, have some mutually consensual fun, then walk away. Eric is more than happy to learn anything Kyle brings to the table. And Kyle never expected their friends-with-benefits arrangement to leave him wanting more. Happily-ever-after might be staring them in the face, but it won’t happen if they’re too stubborn to come clean about their feelings. Everything they both want is within reach… They just have to be brave enough to grab it.

Peter Bogdanovich, known primarily as a director, film historian and critic, has been working with professional actors all his life. He started out as an actor (he debuted on the stage in his sixth-grade production of Finian’s Rainbow ); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director). Now, in his new book, Who the Hell’s in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart. Bogdanovich captures—in their words and his—their work, their individual styles, what made them who they were, what gave them their appeal and why they’ve continued to be America’s iconic actors. On Lillian “the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress.” On Marlon “He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon—the recognizable human commodity each new film was built around . . . The funny thing is that Brando’s charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. ” Jerry Lewis to Bogdanovich on the first laugh Lewis ever got “I was five years old. My mom and dad had a tux made—I worked in the borscht circuit with them—and I came out and I sang, ‘Brother, Can You Spare a Dime?’ the big hit at the time . . . It was 1931, and I stopped the show—naturally—a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed—they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning.” John Wayne to Bogdanovich, on the early years of Wayne’s career when he was working as a prop “Well, I’ve naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I’d been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford’s need for a goose-herder just seemed to fit my pistol.” These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich’s book is a celebration and a farewell.