The first book in I. A. Takerian’s high-fantasy series is a slow-burn romance that surpasses the bounds of time. After living her entire life behind the white walls of the illustrious kingdom of Delinval, Princess Mara, niece of the great King Grathiel, understands what is expected of her. As her uncle’s only heir to the throne, she was raised to be a noble woman with a full understanding of the history of the lands of Zenafrost and the fallen kingdoms that lay beyond Delinval’s protected borders. But the political intrigue and endless theatrics that come with her birth-right have never suited her. Though she loves her people, Mara loathes the future her uncle has planned for her, and the approach of her twenty-first birthday brings with it a whole new horror: the expectation that she will marry a man of the king’s choosing. Mara believes this is the worst thing that could ever happen to her. She’s wrong. In the early morning hours before her birthday, she’s awakened by a living nightmare. A group of Dreads, the immortal dark magick users vanquished by King Grathiel twenty years before, have infiltrated the castle, and Mara is kidnapped from her own bed by a tall, dark stranger with dire motives. For the first time in her life, the princess finds herself outside the guarded walls of Delinval and witnessing, firsthand, the destruction the Dread’s corruptive magicks have wrought upon the land. The world is dying. Horrifying creatures stalk the barren plains and tainted forests. Foul rulers, defiled by diabolical magicks, vie for control. A mysterious ritual involving Mara herself seems to be Zenafrost’s only hope for survival. But when hidden truths about the past burns Mara’s life to the ground, can she somehow find victory in the ashes?

Mithila’s world is bound by a Wall enclosing the city of Sumer—nobody goes out, nothing comes in. The days pass as they have for two thousand years: just enough to eat for just enough people, living by the rules. Within the city, everyone knows their place. But when Mithila tries to cross the Wall, every power in Sumer comes together to stop her. To break the rules is to risk all of civilization collapsing. But to follow them is to never know: who built the Wall? Why? And what would the world look like if it didn’t exist? As Mithila and her friends search for the truth, they must risk losing their families, the ones they love, and even their lives. Is a world they can’t imagine worth the only world they have? For fans of Isaac Asimov’s Nightfall and Ursula Le Guin’s The Dispossessed comes an astonishingly powerful voice in speculative fiction that explores what it means to truly be free.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer. 2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed? Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

A genre-defying novel about immortality and hunger from V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life—how it ends, and how it starts.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.

Mithila’s world is bound by a Wall enclosing the city of Sumer—nobody goes out, nothing comes in. The days pass as they have for two thousand years: just enough to eat for just enough people, living by the rules. Within the city, everyone knows their place. But when Mithila tries to cross the Wall, every power in Sumer comes together to stop her. To break the rules is to risk all of civilization collapsing. But to follow them is to never know: who built the Wall? Why? And what would the world look like if it didn’t exist? As Mithila and her friends search for the truth, they must risk losing their families, the ones they love, and even their lives. Is a world they can’t imagine worth the only world they have? For fans of Isaac Asimov’s Nightfall and Ursula Le Guin’s The Dispossessed comes an astonishingly powerful voice in speculative fiction that explores what it means to truly be free.

It's difficult to find a husband in Regency England when you're a young lady with only half a soul. Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment - a condition which makes her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season - but when the strange, handsome and utterly uncouth Lord Sorcier discovers her condition, she is instead drawn into dangerous and peculiar faerie affairs. If Dora's reputation can survive both her curse and her sudden connection with the least-liked man in all of high society, then she may yet reclaim her normal place in the world. . . but the longer Dora spends with Elias Wilder, the more she begins to suspect that one may indeed fall in love, even with only half a soul. Bridgerton meets Howl's Moving Castle in this enchanting historical fantasy, where the only thing more meddlesome than faeries is a marriage-minded mother. Pick up HALF A SOUL, and be stolen away into Olivia Atwater's charming, magical version of Regency England!

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now. Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.