When Elizabeth Bennet first knew Mr. Darcy, she despised him and was sure he felt the same. Angered by his pride and reserve, influenced by the lies of the charming Mr. Wickham, she never troubled herself to believe he was anything other than the worst of men--until, one day, he unexpectedly proposed. Mr. Darcy's passionate avowal of love causes Elizabeth to reevaluate everything she thought she knew about him. What she knows is that he is rich, handsome, clever, and very much in love with her. She, on the other hand, is poor, and can expect a future of increasing poverty if she does not marry. The incentives for her to accept him are strong, but she is honest enough to tell him that she does not return his affections. He says he can accept that--but will either of them ever be truly happy in a relationship of unequal affection? Diverging from Jane Austen's classic novel Pride and Prejudice at the proposal in the Hunsford parsonage, this story explores the kind of man Darcy is, even before his "proper humbling," and how such a man, so full of pride, so much in love, might have behaved had Elizabeth chosen to accept his original proposal.

When Elizabeth Bennet first knew Mr. Darcy, she despised him and was sure he felt the same. Angered by his pride and reserve, influenced by the lies of the charming Mr. Wickham, she never troubled herself to believe he was anything other than the worst of men--until, one day, he unexpectedly proposed. Mr. Darcy's passionate avowal of love causes Elizabeth to reevaluate everything she thought she knew about him. What she knows is that he is rich, handsome, clever, and very much in love with her. She, on the other hand, is poor, and can expect a future of increasing poverty if she does not marry. The incentives for her to accept him are strong, but she is honest enough to tell him that she does not return his affections. He says he can accept that--but will either of them ever be truly happy in a relationship of unequal affection? Diverging from Jane Austen's classic novel Pride and Prejudice at the proposal in the Hunsford parsonage, this story explores the kind of man Darcy is, even before his "proper humbling," and how such a man, so full of pride, so much in love, might have behaved had Elizabeth chosen to accept his original proposal.

A bold and unabashed novel about a young Palestinian woman's unraveling, far from home, as she gets caught up in a scheme reselling Birkin bags The Coin follows a Palestinian woman as she pursues a dream that generations of her family have failed at: to live and thrive in America. She teaches at a school for underprivileged boys in New York, where her eccentric methods cross conventional boundaries. She befriends a homeless swindler and the two participate in a pyramid scheme reselling Birkin bags, the value of which "increases, year by year, regardless of poverty, of war, of famine." The juxtaposition of luxury and the abject engulfs her as she is able to con her way to bag after bag, preoccupied by the suffering she knows of the world. Eventually, her body and mind go to war. America is stifling her—her willfulness, her sexuality, her ideology. In an attempt to regain control, she becomes preoccupied with purity, cleanliness and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her feelings of existential statelessness, and the narrator unravels spectacularly. Enthralling, sensory, and uncanny, The Coin explores materiality, nature and civilization, class, homelessness, sexuality, beauty—and how oppression and inherited trauma manifest in every area of our lives—all while resisting easy moralizing. Provocative and original, humorous and inviting, The Coin marks the arrival of a major new literary voice.

A bold and unabashed novel about a young Palestinian woman's unraveling, far from home, as she gets caught up in a scheme reselling Birkin bags The Coin follows a Palestinian woman as she pursues a dream that generations of her family have failed at: to live and thrive in America. She teaches at a school for underprivileged boys in New York, where her eccentric methods cross conventional boundaries. She befriends a homeless swindler and the two participate in a pyramid scheme reselling Birkin bags, the value of which "increases, year by year, regardless of poverty, of war, of famine." The juxtaposition of luxury and the abject engulfs her as she is able to con her way to bag after bag, preoccupied by the suffering she knows of the world. Eventually, her body and mind go to war. America is stifling her—her willfulness, her sexuality, her ideology. In an attempt to regain control, she becomes preoccupied with purity, cleanliness and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her feelings of existential statelessness, and the narrator unravels spectacularly. Enthralling, sensory, and uncanny, The Coin explores materiality, nature and civilization, class, homelessness, sexuality, beauty—and how oppression and inherited trauma manifest in every area of our lives—all while resisting easy moralizing. Provocative and original, humorous and inviting, The Coin marks the arrival of a major new literary voice.

Trans life past, present and future is explored in this kaleidoscopic follow-up to the Women's Prize-nominated Detransition, Baby Deep in the forest, a group of restless lumberjacks working an illegal logging outfit plan a winter dance that some will volunteer to attend as women; the broadest, strongest axeman finds himself caught in a rivalry with a pretty, young jack that culminates in jealousy, betrayal and an astonishing spectacle of transition. Meanwhile, in other times and places, the gender apocalypse is brought about by an unstable ex-girlfriend; an illicit boarding-school romance surfaces intrigue and cruelty; and a Las Vegas party weekend turns dark when a young crossdresser must choose between a thrilling mystery man or a veteran trans woman offering unglamorous sisterhood. In this quartet of tales, Torrey Peters' keen eye for the rough edges of desire reveals fresh possibilities. Acidly funny, boldly inventive and breathtaking in scope, Stag Dance provokes and unsettles, inspires and delights.

Trans life past, present and future is explored in this kaleidoscopic follow-up to the Women's Prize-nominated Detransition, Baby Deep in the forest, a group of restless lumberjacks working an illegal logging outfit plan a winter dance that some will volunteer to attend as women; the broadest, strongest axeman finds himself caught in a rivalry with a pretty, young jack that culminates in jealousy, betrayal and an astonishing spectacle of transition. Meanwhile, in other times and places, the gender apocalypse is brought about by an unstable ex-girlfriend; an illicit boarding-school romance surfaces intrigue and cruelty; and a Las Vegas party weekend turns dark when a young crossdresser must choose between a thrilling mystery man or a veteran trans woman offering unglamorous sisterhood. In this quartet of tales, Torrey Peters' keen eye for the rough edges of desire reveals fresh possibilities. Acidly funny, boldly inventive and breathtaking in scope, Stag Dance provokes and unsettles, inspires and delights.

In the luscious, dark sequel to One Dark Window, Elspeth must face the consequences of what she's wrought - perfect for readers of Hannah Whitten's For the Wolf and Alexis Henderson's The Year of the Witching. Elspeth and Ravyn have gathered most of the twelve Providence Cards, but the last, and most important one remains to be found: The Twin Alders. If they are going to find it before the Solstice and cure the kingdom of the dark magic infecting it, they will need to journey beyond the dangerous mist-cloaked forest that surrounds their kingdom. And the only one who can lead them there is the monster that shares Elspeth's head. The Nightmare. And he's not eager to share any longer.

In the luscious, dark sequel to One Dark Window, Elspeth must face the consequences of what she's wrought - perfect for readers of Hannah Whitten's For the Wolf and Alexis Henderson's The Year of the Witching. Elspeth and Ravyn have gathered most of the twelve Providence Cards, but the last, and most important one remains to be found: The Twin Alders. If they are going to find it before the Solstice and cure the kingdom of the dark magic infecting it, they will need to journey beyond the dangerous mist-cloaked forest that surrounds their kingdom. And the only one who can lead them there is the monster that shares Elspeth's head. The Nightmare. And he's not eager to share any longer.

Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom of Blunder—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure Blunder from the dark magic infecting it. And the highwayman? He just so happens to be the King’s nephew, Captain of the most dangerous men in Blunder…and guilty of high treason. Together they must gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly taking over her mind. And she might not be able to stop him.

Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom of Blunder—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure Blunder from the dark magic infecting it. And the highwayman? He just so happens to be the King’s nephew, Captain of the most dangerous men in Blunder…and guilty of high treason. Together they must gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly taking over her mind. And she might not be able to stop him.

A radiant new memoir from beloved artist and writer Patti Smith, author of the National Book Award winner Just KidsGod whispers through a crease in the wallpaper, writes Patti Smith in this indelible account of her life as an artist. A post–World War II childhood unfolds in a condemned housing complex described in Dickensian consumptive children, vanishing neighbors, an infested rat house, and a beguiling book of Irish fairy tales. We enter the child’s world of the imagination where Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises, and searches for sacred silver pennies.The most intimate of Smith’s memoirs, Bread of Angels takes us through her teenage years when the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative heroes and role models as Smith starts to write poetry, then lyrics, merging both into the iconic recordings and songs such as Horses and Easter, “Dancing Barefoot” and “Because the Night.”She leaves it all behind to marry her one true love, Fred “Sonic” Smith, with whom she creates a life of devotion and adventure on a canal in St. Clair Shores, Michigan, with ancient willows and fulsome pear trees. She builds a room of her own, furnished with a pillow of Moroccan silk, a Persian cup, inkwell and fountain pen. The couple spend nights in their landlocked Chris-Craft studying nautical maps and charting new adventures as they start their family.As Smith suffers profound losses, grief and gratitude are braided through years of caring for her children, rebuilding her life, and, finally, writing again—the one constant on a path driven by artistic freedom and the power of the imagination to transform the mundane into the beautiful, the commonplace into the magical, and pain into hope. In the final pages, we meet Patti Smith on the road again, the vagabond who travels to commune with herself, who lives to write and writes to live.

A radiant new memoir from beloved artist and writer Patti Smith, author of the National Book Award winner Just KidsGod whispers through a crease in the wallpaper, writes Patti Smith in this indelible account of her life as an artist. A post–World War II childhood unfolds in a condemned housing complex described in Dickensian consumptive children, vanishing neighbors, an infested rat house, and a beguiling book of Irish fairy tales. We enter the child’s world of the imagination where Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises, and searches for sacred silver pennies.The most intimate of Smith’s memoirs, Bread of Angels takes us through her teenage years when the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative heroes and role models as Smith starts to write poetry, then lyrics, merging both into the iconic recordings and songs such as Horses and Easter, “Dancing Barefoot” and “Because the Night.”She leaves it all behind to marry her one true love, Fred “Sonic” Smith, with whom she creates a life of devotion and adventure on a canal in St. Clair Shores, Michigan, with ancient willows and fulsome pear trees. She builds a room of her own, furnished with a pillow of Moroccan silk, a Persian cup, inkwell and fountain pen. The couple spend nights in their landlocked Chris-Craft studying nautical maps and charting new adventures as they start their family.As Smith suffers profound losses, grief and gratitude are braided through years of caring for her children, rebuilding her life, and, finally, writing again—the one constant on a path driven by artistic freedom and the power of the imagination to transform the mundane into the beautiful, the commonplace into the magical, and pain into hope. In the final pages, we meet Patti Smith on the road again, the vagabond who travels to commune with herself, who lives to write and writes to live.

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? Can they create their own traditions and rituals? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, spends her days gathering footage from the neighborhood park like an anthropologist observing local customs. “Forget about daily life,” chides her grandmother on the phone. “We named you for a whole continent and you're filming a park.” Life back in Asya and Manu's respective home countries continues-parents age, grandparents get sick, nieces and nephews grow up-all just slightly beyond their reach. But the world they're making in their new city is growing, too, they hope, into something that will be distinctly theirs. As they open up the horizons of their lives, what and whom will they hold onto, and what will they need to release? Hailed by Lauren Groff and Marina Abramovic, Savas's fine, precise craft turns The Anthropologist's simple apartment search into a soulful, often funny, examination of modern coupledom, home-building, and expat life in the universal modern city.