What is wrong meets what feels right in this romance set in Italy by the New York Times bestselling author of Deep End. Maya Killgore is twenty-three and still in the process of figuring out her life. Conor Harkness is thirty-eight, and Maya cannot stop thinking about him. It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. As Conor loves to remind her, the power dynamic is too imbalanced. Any relationship between them would be problematic in too many ways to count, and Maya should just get over him. After all, he has made it clear that he wants her gone from his life. But not everything is as it seems—and clichés sometimes become plot twists. When Maya’s brother decides to get married in Taormina, she and Conor end up stuck together in a romantic Sicilian villa for over a week. There, on the beautiful Ionian coast, between ancient ruins, delicious foods, and natural caves, Maya realizes that Conor might be hiding something from her. And as the destination wedding begins to erupt out of control, she decides that a summer fling might be just what she needs—even if it’s a problematic one.

Two great loves. A world in chaos. And a life that never lands in order. Discover the highly anticipated new novel from Audrey Niffenegger, which can be read on its own or as a companion to her multi-million copy bestseller The Time Traveler's Wife. Alba DeTamble has never lived a life in order. Born with the same rare Chrono-Displacement Disorder as her father, Henry DeTamble, Alba is an involuntary time traveler: she slips unpredictably through decades, carrying the weight of a future she can witness but cannot change. Yet she strives to maintain a normal life: as a gifted violinist, Alba finds refuge in her music, as well as her tight-knit community of artists and activists who fight to take care of each other in an increasingly unstable world.  As she dips in and out of time, Alba is haunted by secrets she must keep from those she loves most, including Zach, her safe, supportive anchor in the chaos. Her journey takes her from the riot-torn Chicago streets, to the eerie, timeless “Yellow House” – where she meets Oliver, a handsome fellow time traveler – to the digital corridors of the Museum of Lost Souls, a virtual sanctuary of forgotten memories and lost artifacts. Curating the museum is Isadora, Alba’s mysterious stepsister and an increasingly unsettling presence in their family – whose fate may be intertwined with Alba’s in more dangerous ways than she knows. At once intimate and sweeping, Life Out of Order is a kaleidoscopic tale of love, resilience, and hope amid our fractured world where time itself is the greatest adversary. With every leap through the years, Alba is forced to reckon with the choices that define her, the people she cannot bear to lose, and the question that haunts every time traveler: can you ever truly belong to the present?

Alles muss man selber machen« ist ein Buch über Menschen, die sagen: So kann es nicht weitergehen – wir nehmen unser Schicksal selbst in die Hand. Ob in den Straßen von Paris 1871, den Fabriken Petrograds 1917, den Städten und Dörfern Nordsyriens oder im Urwald von Chiapas – überall entstanden im Zuge von sozialen Konflikten und Aufständen Räte: Selbstorganisierte Zusammenschlüsse in allen gesellschaftlichen Bereichen, die nicht nur protestieren, sondern beginnen, das gesamte Leben neu zu gestalten. Christopher Wimmer erzählt in lebendigen Szenen, wie solche Bewegungen entstehen, wie sie funktionieren – und woran sie oft auch scheitern. Er zeigt an unterschiedlichen historischen Beispielen, wie Menschen Schulen und Krankenhäuser selbst verwalten, wie sie Entscheidungen im Kollektiv treffen, Güter verteilen, Streit schlichten, sich verteidigen – ohne zentrale Regierung oder Staat. Dieses Buch bringt Geschichte zum Sprechen: mit Geschichten von Mut, Hoffnung, aber auch Niederlagen. Es fragt, was wir von den Rätebewegungen vergangener und heutiger Tage lernen können – für eine selbstverwaltete und demokratische Gesellschaft, die nicht nur auf dem Papier steht, sondern im Alltag gelebt wird. Christoper Wimmer, geb. 1989, ist Soziologe und Autor. Er forscht zu sozialer Ungleichheit, Armut, Marginalisierung und zur Theorie und Praxis linker Bewegungen. Zuletzt erschien von ihm »Land der Utopie? Alltag in Rojava« im Verlag Edition Nautilus und »Leben ganz unten. Perspektiven vom Rand der Gesellschaft« bei PapyRossa.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality—and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity. Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex—and that we all have to have it—is false. It's intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that's not queer enough, seen through a lens of perceived lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the "A" in LGBTQIA+, affirming that to be asexual is to be queer—despite the gatekeeping and denial that often says otherwise. With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience—and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

In her first book, sociologist Strings (sociology, Univ. of California, Irvine) explores the historical development of prothin, antifat ideologies deployed in support of Western, patriarchal white supremacy. Beginning in the aesthetic ideals circulated by Renaissance thinkers and artists and bringing her narrative up into the 1990s, Strings charts how white Europeans and Anglo-Americans developed ideals of race and beauty that both explicitly and figuratively juxtaposed slim, desirable white women against corpulent, seemingly monstrous black women. The work is divided into three sections. The two chapters in the first part consider how Renaissance white women and women of color were depicted as plump and feminine, separated by class, yet belonging to the same gender. The second part of the work charts the rise of modern racial ideologies that yoked feminine beauty to Protestant, Anglo-Saxon whiteness. Later chapters and the epilogue consider how Americans normalized the "scientific management" of white women's bodies for the purpose of racial uplift, a project that continued to situate black women as the embodied Other. The author does not address fat from the angle of health or previous attitudes white Europeans held towards corpulence.

Josephine Haven’s outbursts are infamous at the House of Industry, the secretive school for children who can wield Radiance, an electricity-like magic. She’s tried to follow the rules, but her fiery nature is at odds with the core tenant of the House: never form attachments to others. How is she meant to feel nothing when her classmates are maddening? No one is surprised when upon graduation, Josephine is banished to the Mission farthest from Sterling City. In Frostbrook, she must work under the authority of standoffish Julian, the former golden boy of the House of Industry. Rather than being helpful, he seems determined to watch her fail. And then there’s Ezra, the flirtatious stranger who’s a little too curious about how the Mission operates. But there are bigger problems than two frustrating, secretive boys. A deadly disease is spreading across the countryside. When Josephine pulls on threads she shouldn’t, she discovers that the Wasting is a consequence of the powerful magic she’s been spreading across the land. Horrified, Josephine resolves to expose the corruption at the heart of everything she’s ever known. With no remaining allegiance to the House, she gives in to intoxicating feelings and discovers that relationships are even messier than she imagined. Alongside unexpected allies Julian and Ezra, Josephine must return to Sterling City and take down the House of Industry before the damage caused by Radiance becomes irreversible.

Jamie Wendon-Dale may design haunted houses, but they don't actually believe in ghosts—until they meet Edgar Lovejoy, who is tall, clever, beautiful…and 100% haunted. A COZY, GHOSTLY LGBTQIA+ ROMANCE Jamie Wendon-Dale creates haunted houses for a living. Haunting is their life—but nobody working New Orleans' spooky circuit actually believes in ghosts. Edgar Lovejoy is 100% haunted. No, really. Ghosts have tormented him since childhood and he's organized his life around attempts to avoid them. Opposites? Get ready to attract. But while Jamie's biggest concern is that Edgar sometimes seems a bit distracted, Edgar's fears are much greater. Not only is he scared of encountering the dearly departed whenever he leaves the house, but he's terrified of making himself vulnerable to Jamie. After all, how do you tell someone who believes ghosts only exist as smoke and mirrors that you see them everywhere you go? And how can you trust in a happy future when you can't even believe in yourself? A little spooky, a little magical, and a whole lot The (Most Unusual) Haunting of Edgar Lovejoy will leave you feeling like you've found a brand new bookish family of your own.

Als bei der Zwangsräumung der Wohnung seiner Mutter durch eine Verwechslung alles von Wert in die Müllverbrennungsanlage wandert, bleibt dem Erzähler wortwörtlich nur der Abfall der eigenen Familiengeschichte. Wie hat es so weit kommen können? Der Erzähler blickt auf die Biografie seiner Familie: ein Stammbaum des Wahnsinns. Die Großmutter bipolar, zwölf Suizidversuche, der Großvater Stammkunde in Steinhof, die Mutter Alkoholikerin, der Vater depressiv. Und er blickt auf seinen eigenen Weg: Eine Kindheit im Münchner Arbeiterviertel. Die frühe Angst, verrückt zu werden. Die Flucht vor der Familie ins entfernte New York. Jahre in Wien mit Freud im Kaffeehaus. Und wie er schließlich doch in der Anstalt landet – als Psychologe. Bei der Arbeit mit den Patienten lernt er, dass ein Mensch immer mehr ist als seine Krankheit, dass Zuhören wichtiger ist als Diagnostizieren. Vor allem aber muss er sich bald die Frage stellen, was das sein soll: ein normaler Mensch.

When Richard Reynolds began planting flowers secretly at night outside his tower block in South London he had no idea he was part of a growing global movement committed to combating the forces of neglect, land shortage and apathy towards public spaces. But his blog GuerrillaGardening.org attracted other guerrillas from around the world to share their experiences of the horticultural front line with him and become a focal point for guerrilla gardeners everywhere. On Guerrilla Gardening is a lively colourful treatise about why people illicitly cultivate land and how to do it. From discretely beautifying corners of Montreal to striving for green communal space in Berlin and sustainable food production in San Francisco, from small gestures of fun in Zurich to bold political statements in Brazil, cultivating land beyond your boundary is a battle many different people are fighting. Unearthed along the way are the movement's notable historic advances by seventeenth century English radicals, a nineteenth century American entrepreneur and artists in 1970s New York. Reynolds has researched the subject with guerrilla gardeners from thirty different countries and compiles their advice on what to grow, how to cope with adverse environmental conditions, how to seed bomb effectively and to use propaganda to win support. On Guerrilla Gardening gives entertaining inspiration, practical reference and no excuses for not getting out there and gardening.