The history of art activism in the how art and artist have changed the worldO'Neill-Butler argues that the braiding of art and politics is an essential, yet overlooked, part of America's cultural history.  That artists have long fought hard against injustices; that art itself can in fact “do more.”Recent decades have seen an explosion of art activism, but little discussion of this deep history. The War of Art charts the post-war story of those who have used their artistic practise as a form of political protest. The book offers portraits of the key individuals, and groups of art activists who have campaigned for solidarity, housing, LGBTQ+, and indigenous injustice,  the exclusion of women in the art world, the call for AIDS awareness. This the Black Emergency Cultural Coalition (BECC), Women Artists in Revolution (WAR), David Wojnarowicz's work with ACTUP, Top Value Television (TVTV), Agnes Denes, Edgar Heap of Birds, Dyke Action Machine!, fierce pussy, the Project Row Houses, and Nan Goldin's Prescription Addiction Intervention Now (P.A.I.N.).The book will be valuable to anyone interested in the history of artistic activism in the US and the global political and aesthetic debates of the 1960s to present. In contrast to financialised art market and mega-star artists, the book explores the power of collective efforts, and the uses of art as a means of resistance.

Who works for the government and what do they do? A timely and absorbing civics lessons from an all-star team of writers and storytellers.The government is a vast, complex system that Americans pay for, rebel against, rely upon, dismiss, and celebrate. It’s also our shared resource for addressing the biggest problems of society. And it’s made up of people, mostly unrecognized and uncelebrated, doing work that can be deeply consequential and beneficial to everyone.    Michael Lewis invited his favorite writers to find someone doing an interesting job for the government and write about them. The stories they found are unexpected, riveting, and inspiring, including a former coal miner devoted to making mine roofs less likely to collapse, saving thousands of lives; an IRS agent straight out of a crime thriller; and the manager who made the National Cemetery Administration the best-run organization, public or private, in the entire country. Each essay shines a spotlight on the essential behind-the-scenes work of exemplary federal employees.    Whether they’re digitizing archives, chasing down cybercriminals, or discovering new planets, these workers are committed to their work and universally reluctant to take credit. The vivid profiles in On Duty blow up the stereotype of the irrelevant bureaucrat. They show how the essential business of government makes our lives possible, and how much it matters.

At first, Travis couldn't stand the sight of Old Yeller The stray dog was ugly, and a thieving rascal, too. But he sure was clever, and a smart dog could be a big help on the wild Texas frontier, especially with Papa away on a long cattle drive up to Abilene. Strong and courageous, Old Yeller proved that he could protect Travis's family from any sort of danger. But can Travis do the same for Old Yeller?

Alternate cover edition of ISBN 0553213695 / 9780553213690 "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form. In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one. "There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

Follows the adventures of Talia as she trains to become a Herald of Valdemar in the first book in the classic epic fantasy Arrows trilogy Chosen by the Companion Rolan, a mystical horse-like being with powers beyond imagining, Talia, once a runaway, has now become a trainee Herald, destined to become one of the Queen's own elite guard. For Talia has certain awakening talents of the mind that only a Companion like Rolan can truly sense. But as Talia struggles to master her unique abilities, time is running out. For conspiracy is brewing in Valdemar, a deadly treason that could destroy Queen and kingdom. Opposed by unknown enemies capable of both diabolical magic and treacherous assassination, the Queen must turn to Talia and the Heralds for aid in protecting the realm and insuring the future of the Queen's heir, a child already in danger of becoming bespelled by the Queen's own foes.

“Now reach back,” she said, “and tear off your wings.”Carrion Saints is a sapphic enemies-to-lovers romance between an immortal saint and a severed head.Crow can pass for human. She may come off as eccentric, but she’s good at hiding her wings. As a saint, she’s devoted her endless life to protecting humanity from other immortals: the ones they call monsters. She’s finally ready to take on the worst monster of all, a great evil sealed at the edge of civilization.Magnolia is the worst monster of all. A villain who amuses herself by preying on valiant heroes. At first glance, she looks powerless. She looks, in fact, like a decapitated head (a very chatty one). But her magic lets her issue absolute commands to humans and immortals alike. She’s been waiting centuries for a challenger powerful enough to break the seal binding her in the wilderness. In other words, she’s been waiting centuries to magically seize control over someone like Crow.Crow has always been patient and forgiving. Sadistic, remorseless Magnolia awakens new depths of loathing in her—a hatred of frightening intensity. And now, she's forced to use her full power to grant Magnolia’s one heartfelt wish: to see the rest of the world. To make up for all the years she spent trapped alone with only trees for company.What follows is an ultra slow-burn romance between true enemies. Between good and evil. Between a winged woman and a talkative severed head (who occasionally sprouts the rest of her body, just to keep things lively). They travel together across a post-apocalyptic landscape marked by strange magic and scattered human settlements. Yet the apocalypse happened a long time ago, and eons will pass before their gradually fading world dies for good.In the meantime, these immortals are stuck with each other. Even a saint and a monstrous villain might eventually fall in love—but the path there will be dark, crooked, and sometimes surprisingly cozy.This standalone fantasy novel can be read without prior knowledge of the author’s other work.