The #1 international and Amazon Charts bestselling novel The first letter arrived the day my husband was buried. It was postmarked from the state penitentiary, and contained a single sentence: I’ll wait forever if I have to. It was signed by Dante, a man I didn’t know. Out of simple curiosity, I wrote back to ask him what exactly he was waiting for. His reply? You. I told the mystery man he had the wrong girl. He said he didn’t. I said we’d never met, but he said I was wrong. We went back and forth, exchanging letters every week that grew increasingly more intimate. Then one day, the letters stopped. When I found out why, it was already too late. Dante was at my doorstep. And nothing on earth could have prepared me for what happened next. ~~~~~~~~~~~~~~~~~~~~~~~~~~~ WARNING: This novel contains content intended for a mature audience only. Due to explicit language, graphic sex, detailed depictions of death and grief, intense power play dynamics, and other possible triggers, it is not suitable for sensitive readers. (Full list of TWs on author's website.)

The Manipulator I can manipulate the emotions of anyone who lets me. I will make you hurt, make you cry, make you laugh and sigh. But my words don't affect him. Especially not when I plead for him to leave. He's always there, watching and waiting. And I can never look away. Not when I want him to come closer. The Shadow I didn't mean to fall in love. But now that I have, I can't stay away. I'm mesmerized by her smile, by her eyes, and the way she moves. The way she undresses... I'll keep watching and waiting. Until I can make her mine. And once she is, I'll never let her go. Not even when she begs me to. While not required, it is highly suggested to read the novella, Satan's Affair, first. This book was previously banned on Amazon due to the trigger warning. Please read reviews or go to the author's website.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish.Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of what really happened the day her daughter died.Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate the already grieving father. But as Lowen's feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife's words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue to love her.

The #1 international and Amazon Charts bestselling novel The first letter arrived the day my husband was buried. It was postmarked from the state penitentiary, and contained a single sentence: I’ll wait forever if I have to. It was signed by Dante, a man I didn’t know. Out of simple curiosity, I wrote back to ask him what exactly he was waiting for. His reply? You. I told the mystery man he had the wrong girl. He said he didn’t. I said we’d never met, but he said I was wrong. We went back and forth, exchanging letters every week that grew increasingly more intimate. Then one day, the letters stopped. When I found out why, it was already too late. Dante was at my doorstep. And nothing on earth could have prepared me for what happened next. ~~~~~~~~~~~~~~~~~~~~~~~~~~~ WARNING: This novel contains content intended for a mature audience only. Due to explicit language, graphic sex, detailed depictions of death and grief, intense power play dynamics, and other possible triggers, it is not suitable for sensitive readers. (Full list of TWs on author's website.)

“When I was asked to choose a myth to write about, I realized I had chosen already. The story of Atlas holding up the world was in my mind before the telephone call had ended. If the call had not come, perhaps I would never have written the story, but when the call did come, that story was waiting to be written. Rewritten. The recurring language motif of Weight is ‘I want to tell the story again.’ My work is full of cover versions. I like to take stories we think we know and record them differently. In the retelling comes a new emphasis or bias, and the new arrangement of the key elements demands that fresh material be injected into the existing text. Weight moves far away from the simple story of Atlas’s punishment and his temporary relief when Heracles takes the world off his shoulders. I wanted to explore loneliness, isolation, responsibility, burden, and freedom, too, because my version has a very particular end not found elsewhere.” -- from Jeanette Winterson’s Foreword to Weight