Fungi are not like us – they are entirely, magically something else… Erupting, spreading, decaying, changing.Aliya Whiteley has always been in love with fungi – from a childhood taking blurry photographs of strange fungal eruptions on Exmoor to a career as a writer inspired by their surreal and alien beauty. This love for fungi is a love for life, from single-cell spores to the largest living organism on the planet; a story stretching from Aliya's lawn into Space and back again via every continent. Despite their familiar presence, there's still much for us to learn about the eruption, growth and decay of fungi’s connected world – one that Aliya lays out before us, linking fungal geography and history with myth; fiction and culture with science.From fields, feasts and fairy rings to death caps, puffballs and ambrosia beetles, this is an intoxicating personal journey into the life of extraordinary organism, one that we have barely begun to understand.

Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Alternate cover edition of ISBN 9780141439662 'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

In this incisive, irreverent, and whimsical dark academia novel for fans of Heather Fawcett’s Emily Wilde series and R.F. Kuang’s Babel, a struggling mage student with intense anxiety must prove that classic literature contained magic—and learn to wield her own stories to change her institution for the better. First-generation graduate student Dorothe Bartleby has one last chance to pass the Magic program’s qualifying exam after freezing with anxiety during her first attempt. If she fails to demonstrate that magic in classic literature changed the world, she’ll be kicked out of the university. And now her advisor insists she reframe her entire dissertation using Digimancy. While mages have found a way to combine computers and magic, Bartleby’s fated to never make it work. This time is no exception. Her revised working goes horribly wrong, creating a talking skull named Anne that narrates Bartleby’s inner thoughts—even the most embarrassing ones—like she's a heroine in a Jane Austen novel. Out of her depth, she recruits James, an unfairly attractive mage candidate, to help her stop Anne’s glitches in time for her exam. Instead, Anne leads them to a shocking and dangerous discovery: Magic students who seek disability accommodations are disappearing—quite literally. When the administration fails to act, Bartleby must learn to trust her own knowledge and skills. Otherwise, she risks losing both the missing students and her future as a mage, permanently.

“It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.” So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem. As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

With no money of her own and little hope of selling any of her unfinished manuscripts, Jane Austen accepts a marriage proposal from the heir to an estate in her beloved Hampshire, only to break her engagement the following day because she does not love him. She chooses to devote herself to writing fiction, even though she may always have to depend on her parents or brothers for money. When Fanny Palmer falls in love with Jane’s brother Charles Austen, a handsome captain in the Royal Navy, she sees herself as the heroine of a romantic story and chooses to accept his proposal of marriage even though he has very little money. She shares her husband’s desire for children and his confidence that he will soon increase his income by capturing naval prize ships, and she insists on travelling with him when the squadron sails to Nova Scotia, instead of staying at home in Bermuda. Exchanging letters across the Atlantic during the tumultuous years of the Napoleonic Wars, Jane and Fanny become close friends. They share in each other’s sorrows as Jane struggles to publish her novels and Fanny confronts her fears about pregnancy, childbirth and the dangers Charles faces at sea. But the friendship begins to fracture after Charles brings his family to England, as Jane and Fanny discover disagreements over issues they haven’t talked about in their letters, including how best to care for children. When Jane starts to find success as a writer, Fanny admires her novels about romance and courtship, yet her anger at her sister-in-law’s refusal to write about the challenges of marriage and motherhood and the risks of childbirth threatens their friendship. Like Maggie O’Farrell’s Hamnet and Colm Tóibín’s The Master, The Austens explores tensions and rivalries between a great writer and the people closest to them. From the lush gardens of Bermuda to the rocky shores of Nova Scotia, the peaceful Hampshire countryside, and the hellish conditions of a prison ship anchored off Sheerness, the novel follows Jane and Fanny through the twists and turns of the choices they make about writing and family in a world that is hostile to art and love, and even the idea of a woman making a choice.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.