Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias, in time, money, and often with their lives. Celebrated feminist advocate Caroline Criado Perez investigates the shocking root cause of gender inequality and research in Invisible Women​, diving into women’s lives at home, the workplace, the public square, the doctor’s office, and more. Built on hundreds of studies in the US, the UK, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, unforgettable exposé that will change the way you look at the world.

An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esme Weijun Wang writes not just to her fellow members of the "collected schizophrenias" but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community's own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalisation to the complexity of compounding factors such as PTSD and Lyme disease, Wang's analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.

From the author of The Communion Ingest Me & Ingest Me, too, and The Apex Prey trilogy comes Distorted Metamorphosis.Dr. Eleanor Rudence, addressed as just Nora by her male peers, is accepted into a penitentiaryinstitution to begin her research on the psychology of criminals who have assaulted minors. The facility is renowned for its wonderful work in rehabilitating inmates, or so they claim, and due to her ownhistory, Nora needs to get a deeper understanding of such individuals.Nora is paired with Arthur, a witty and charming man, and she falls... hard, despite the reasons he is in there. She tumbles down a rabbit hole, one she won’t be able to claw her way out of...This Extreme Horror. Consider this a warning for everything. 18+

SCUM Manifesto was considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published this work just before her rampage against the king of Pop Art made her a household name and resulted in her confinement to a mental institution. But the Manifesto, for all its vitriol, is impossible to dismiss as just the rantings of a lesbian lunatic. In fact, the work has indisputable prescience, not only as a radical feminist analysis light-years ahead of its timepredicting artificial insemination, ATMs, a feminist uprising against under-representation in the artsbut also as a stunning testament to the rage of an abused and destitute woman. The focus of this edition is not on the nostalgic appeal of the work, but on Avital Ronell’s incisive introduction, “Deviant The Aims of Valerie Solanas.” Here is a reconsideration of Solanas’s infamous text in light of her social milieu, Derrida’s “The Ends of Man” (written in the same year), Judith Butler’s Excitable Speech , Nietzsche’s Ubermensch and notorious feminist icons from Medusa, Medea and Antigone, to Lizzie Borden, Lorenna Bobbit and Aileen Wournos, illuminating the evocative exuberance of Solanas’s dark tract.

Kit Davenport is in trouble—not that this would surprise anyone who knows him. Headstrong, reckless, and utterly unsuited for the stodgy House of Lords, Kit has spent years dodging his father’s stern disapproval and delighting in clandestine rendezvous. But time is running out. With an arranged marriage looming and the confines of white wigs and stiff decorum closing in, Kit is desperate to escape a life that feels completely wrong for him. His solution? A wildly impulsive decision that lands him aboard the Deliverance, a galleon captained by the infuriatingly charismatic Reggie Sharpe. With a devil-may-care attitude and a delicious grin, Captain Sharpe commands the waves with his crew of misfits . . . who all turn out to be pirates. Before Kit can say “wrong ship,” he’s trading ballroom etiquette for rum-soaked camaraderie, explosive gunfights, and, perhaps most excitingly, heart-stopping kisses under the stars. But life at sea holds just as many secrets as treasures. And when Kit’s past catches up with him, he’ll have to decide who he truly wants to be: a gentleman, or a pirate?

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

SCUM Manifesto was considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published this work just before her rampage against the king of Pop Art made her a household name and resulted in her confinement to a mental institution. But the Manifesto, for all its vitriol, is impossible to dismiss as just the rantings of a lesbian lunatic. In fact, the work has indisputable prescience, not only as a radical feminist analysis light-years ahead of its timepredicting artificial insemination, ATMs, a feminist uprising against under-representation in the artsbut also as a stunning testament to the rage of an abused and destitute woman. The focus of this edition is not on the nostalgic appeal of the work, but on Avital Ronell’s incisive introduction, “Deviant The Aims of Valerie Solanas.” Here is a reconsideration of Solanas’s infamous text in light of her social milieu, Derrida’s “The Ends of Man” (written in the same year), Judith Butler’s Excitable Speech , Nietzsche’s Ubermensch and notorious feminist icons from Medusa, Medea and Antigone, to Lizzie Borden, Lorenna Bobbit and Aileen Wournos, illuminating the evocative exuberance of Solanas’s dark tract.

Welcome to Stanhope - a safe neighbourhood. A place for families.William Wooler is a family man, on the surface. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter Avery unexpectedly home from school, William loses his temper.Hours later, Avery's family declare her missing.Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, Avery's neighbours become increasingly unhinged.Who took Avery Wooler?Nothing will prepare you for the truth.

Alien meets Midsommar in this chilling debut adult novel from award-winning author Andrew Joseph White about identity, survival, and transformation amidst an alien invasion in rural West Virginia. Festering masses of worms and flies have taken root in dark corners across Appalachia. In exchange for unwavering loyalty and fresh corpses, these hives offer a few struggling humans salvation. A fresh start. It’s an offer that none refuse. Crane is grateful. Among his hive’s followers, Crane has found a chance to transition, to never speak again, to live a life that won’t destroy him. He even met Levi: a handsome ex-Marine and brutal killer who treats him like a real man, mostly. But when Levi gets Crane pregnant—and the hive demands the child’s birth, no matter the cost—Crane’s desperation to make it stop will drive the community that saved him into a devastating spiral that can only end in blood. You Weren’t Meant to Be Human is a deeply personal horror; a visceral statement about the lives of marginalized people in a hostile world, echoing the works of Stephen Graham Jones and Eric LaRocca.

Love and hunger are not the same. Six years ago, on a remote Scottish island, a mysterious woman saved Sister Madeleine Laurent from drowning. Now, after leaving her convent, Madeleine crosses the ocean again to find the rescuer who changed her life. Instead, her search is disrupted by Hæra North, a brazen, provocative local who stirs Madeleine’s repressed desires—and keeps a secret out of legend. Hæra has one dream: to become the first female Stormhorse, a powerful leader in her clan of fearsome ocean horse spirits. To do so, she must capture, drown, and eat a worthy human. When she first saw Madeleine, she knew she’d found the one. So why did Hæra save her instead?   Now Madeleine’s back. All Hæra has to do is remain in human form, earn her woman’s trust, then devour her. But Madeleine is awakening another kind of appetite… The Woman from the Waves is an epic sapphic romantasy about the power of unleashed desire, the courage it takes to change, and a love so vast it spans the sea, earth, and sky.

Bluebeard gets a gothic horror and sapphic romance twist in this fairy-tale retelling from the author of Serial Killer Support Group and Trad Wife. Artist Poppy Reed doesn’t care if others think her marriage to Celia Marie Fox, a wealthy art dealer, is impulsive. Sure, they’ve only known each other for six months, and Celia has an infamous romantic reputation, but Poppy is brimming with excitement when she moves across the country to Celia’s home: a formidable, isolated, and art-filled manor called Busirane. As Poppy tries to celebrate her first weeks of marriage and enjoy her new home, Busirane seems intent on rebuffing her every attempt to settle in. Strange noises and confounding occurrences lead Poppy to believe the house is haunted, a suspicion worsened by Celia’s insistence that Poppy avoid the locked basement. When Celia leaves for a work trip, Poppy is left alone in the house, then finds herself snowed in. Surrounded by secrets, stalked by faceless statues, and beset by bodiless whispers, she struggles to trust her wife—and her own mind. When Poppy is eventually drawn to the forbidden basement, dark truths shatter everything she thought she knew, throwing her into a desperate bid for survival.

On Her Majesty’s Secret Sapphic Service Detective Rose Martin has spent years trying to bring down Sterling Montague, a corrupt British billionaire with plans of destroying democracy. But her pursuit of justice throws her into a shadowy world of spies and assassins—a clandestine organisation called the Circle. Tasked with guarding the monarchy, the Circle operates outside the law, led by a mercurial and dangerous woman known only as the Nightingale. When Rose realises it is the Nightingale who stalks her through London’s midnight streets, the click of her heels haunting Rose’s dreams, it ignites a passionate obsession neither can deny. Rose’s investigation pulls her deep into a high-stakes game, where every answer only leads to more questions, where every touch blurs the line between duty and desire. Where trust becomes a powerful weapon and love becomes the ultimate risk. For fans of Killing Eve and Atomic Blonde and for those who wished James Bond and The Kingsman were sapphic, The Nightingale and the Rose is the perfect read for anyone who loves their women oh-so-deliciously dangerous.