Gone Girl meets Big Swiss in this electric, binge-of-a-debut about a millennial antihero who seeks revenge on her ex-situationship with a hex, only for him to actually, literally die. Lillian and Henry have been enjoying each other’s company, especially in bed. Even though Lillian’s best friend calls it “situationship,” Lillian is determined to lock Henry down—and she has a plan. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup, Lillian exacts revenge by performing a drunken hex on him.Lillian expects Henry to come crawling back to her. What she doesn’t quite anticipate is becoming a prime suspect in his murder case when he’s found dead. As Lillian grapples with the loss of her sort-of-boyfriend, she’s hit with another That Henry had a long-term girlfriend he also left behind. Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin. A deliciously addictive novel that explores our darkest, most human impulses, A Good Person heralds Kirsten King as a striking new voice in the canon of celebrated fiction.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

An exquisitely moving story about grief, love, and family, from the global phenomenon Sally Rooney. Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties—successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined. For two grieving brothers and the people they love, this is a new interlude—a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.

A sapphic body-swap Regency romance in which two ex-best friends inadvertently switch lives, then must navigate the marriage mart and their increasingly confusing feelings for each other (and their own faces) while trying to swap back, from the USA Today bestselling author of Don’t Want You Like a Best Friend. It’s the London 1835 Season, and former best friends Lady Isabel Warls and Miss Lila Hall cannot stand the sight of one another. Unfortunately, they’re constantly thrust together by their friends, family, and the gossiping ton. And even worse, each must find a husband before summer’s end, or else. Their first explosive argument at the opening night ball sends Isabel and Lila out into the rain-soaked garden. Lightning strikes the nearby fountain, and the girls are blasted apart. When they stand up, what was complicated before becomes flat-out incomprehensible: they’ve swapped bodies. To keep up appearances—and not end up in an asylum—a panicked Lila goes home with Isabel’s family, and Isabel home with Lila’s. Trapped in each other’s lives, they slowly confront their separate realities, and why their friendship ended so abruptly. Frustration, hurt, and longing soon give way to an intimacy that neither could have predicted. But even as their relationship deepens, the season rushes on around them. So what do you do when you wind up in your childhood best friend’s body, courting a man you’re no longer sure you want, and falling steadily in love with the woman…wearing your own face? Isabel and Lila are about to find out, and London might never be the same.

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.