A vibrant and gritty debut from poet Arielle Hebert, Bottom Feeders is a queer coming-of-age collection set in late 2000s Florida, during the height of the opioid epidemic. Here, overdoses, red tide blooms, and hurricanes are as much a part of growing up as fleeting teenage desires, beach parties, and prom. This is a landscape of glitter and grime, where young queer love is tested by the tides of addiction and recovery. The collection thrums with a sense of spectacle and surreality, accented by Sarasota’s history as a circus town and Florida’s deadly wildlife—alligators, needlefish, invasive snakes. The heat, humidity, and salt air of the Gulf become characters in their own right, as haunting as the love, grief, and loss found here. Despite the long shadows cast over these poems, there is beauty, friendship, chosen family, and hope in Bottom Feeders.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church. Already an international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

Set in Northern Ireland during the Troubles, a shattering novel about a young woman caught between allegiance to community and a dangerous passion. Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family's pub. There she meets Michael Agnew, a barrister who's made a name for himself defending IRA members. Against her better judgment - Michael is not only Protestant but older, and married - Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites. Then the father of a student is savagely beaten, setting in motion a chain reaction that will threaten everything, and everyone, Cushla most wants to protect. As tender as it is unflinching, Trespasses is a heart-pounding, heart-rending drama of thwarted love and irreconcilable loyalties, in a place what you come from seems to count more than what you do, or whom you cherish.

A study of interiority and inferiority, written in the vein of Lars Iyer and Ben Marcus, that takes place over the course of a single, snowy night After resigning from an adjunct teaching position, our narrator Sebastian Castillo, who shares a name with our author, Sebastian Castillo, and also with a translated Spanish writer, Sebastián Castillo, resolves to spend an entire year without speaking, passing the time by exercising each day and watching self-improvement videos. But, come New Year’s Eve, Sebastian (the narrator)—whose rich interiority in precontemplation alone is curiously and addictively easy to read—will break his silence by accepting an invitation to the home of a former professor for a reunion amongst his cohort, one decade after graduating. This invitation surely would have been ignored if not for the promised attendance of Maria, Sebastian’s former classmate and love interest. What follows is an inexplicable series of fascinating events charting the erosion of young, male hope. Inside a world with a peripheral understanding of Rilke, Descartes, Kant, Deleuze, Derrida, Lacan, and more, Castillo has written a short epic that is curiously addictive and unexpectedly delightful. FRESH, GREEN LIFE is a meditation on literature, academia, and philosophy; a trek through the past that forecasts a mediocre future; and a compact miracle of the fake-real.

“As sharp and lucent and alarming as a piece of broken crystal.”― Deborah Eisenberg, author of Your Duck Is My Duck The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves― and losses― of her past in this mesmerizing and formally daring psychological portrait.

The classic plays of the quintessential Dublin playwright Three early plays by Sean O'Casey--arguably his three greatest--demonstrate vividly O'Casey's ability to convey the reality of life and the depth of human emotion, specifically in Dublin before and during the Irish civil war of 1922-23, but, truly, throughout the known universe. In mirroring the lives of the Dublin poor, from the tenement dwellers in The Shadow of a Gunman and Juno and the Paycock to the bricklayer, street vendor, and charwoman in The Plough and the Stars , Sean O'Casey conveys with urgency and eloquence the tiny details that create a total character as well as the terrors, large and small, that the constant threat of political violence inevitably brings. As Seamus Heaney has written, "O'Casey's characters are both down to earth and larger than life . . . His democratic genius was at one with his tragic understanding, and his recoil from tyranny and his compassion for the oppressed were an essential--as opposed to a moral and thematic--part of his art." A new production of Juno and the Paycock will transfer from the Donmar Theatre in London to New York in September 2000.

The portrayal of Stephen Dedalus's Dublin childhood and youth, his quest for identity through art and his gradual emancipation from the claims of family, religion and Ireland itself, is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'. Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to blossom fully into themselves.

With the verve and bite of My Year of Rest and Relaxation and the whip-smart, wisecracking sensibility of a golden-age Hollywood heroine, Marlowe Granados’s stunning début brilliantly captures a summer of striving in New York City. Refreshing and wry in equal measure, Happy Hour is an intoxicating novel of youth well spent. Isa Epley is all of twenty-one years old, and already wise enough to understand that the purpose of life is the pursuit of pleasure. After a sojourn across the pond, she arrives in New York City for a summer of adventure with her best friend, one newly blond Gala Novak. They have little money, but that’s hardly going to stop them from having a good time. In her diary, Isa describes a sweltering summer in the glittering city. By day, the girls sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side to the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Money runs ever tighter and the strain tests their friendship as they try to convert their social capital into something more lasting than their precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour announces a dazzling new talent in Marlowe Granados, whose exquisite wit recalls Anita Loos’s 1925 classic, Gentlemen Prefer Blondes, updated to evoke a recent, golden period of hope and transformation—the summer of 2013. A cri de cœur for party girls and anyone who has ever felt entitled to an adventure of their own, Happy Hour is an effervescent tonic for the ails of contemporary life.

Laura and Tyler are two young women who have been tearing up the city streets for ten years, leaving a trail of angry drug dealers and spent men in their wake. Now Laura is engaged to be married and her teetotal classical pianist fiancé, Jim, is away overseas. Tyler wants to keep the party going but Laura is torn between the constant temptations provided by her best friend and a calmer life with Jim on the horizon. As the wedding draws closer, the duo’s limits are tested, along with their friendship. Animals is hilarious, honest, raw and thoroughly moving. It is about deciding when it's time to grow up, and recognising what you have to leave behind if you do.

A genre-bending story about breaking―both of the heart and form itself―from the author of Biography of X.Adrift in the winter of 2021 after a sudden breakup and the ensuing depression, the novelist Catherine Lacey began cataloguing the wreckage of her life and the beauty of her friendships, a practice that eventually propagated fiction both entirely imagined and strangely true. She soon realized that she was writing about her relationship with faith. Betrayed by the mercurial partner she had trusted with a shared mortgage and suddenly catapulted into the unknown, Lacey’s appetite vanished completely, a visceral reminder of the teenage emaciation that came when she stopped believing in God. Through relationships, travel, reading, and memories of her religious fanaticism, Lacey charts the contours of faith’s absence and reemergence. Bending form, she and her characters recall gnostic experiences with animals, close encounters with male anger, griefdriven lust, and the redemptive power of platonic love and narrative itself.A hybrid work across fiction and nonfiction with no beginning or ending, The Möbius Book troubles the line between memory and fiction with an openhearted defense of faith’s inherent danger.

"Com uma linguagem leve, lúcida e atraente, neste texto Sêneca ensina como examinar os temas práticos da vida, sobretudo um dos mais cruciais da atualidade: o tempo. Sua atenção concentra-se na velocidade com que a vida humana passa, enfatizando o fato de que o problema não é a falta, mas sim como nosso tempo é empregado. Devemos não só reservar tempo para nós mesmos, mas sobretudo evitar toda dispersão fútil e enganosa da vida, cuidando do tempo presente e vivendo o agora. Ao mesmo tempo, o filósofo destaca a importância da prática do bem e das virtudes, bem como o papel da filosofia, que nos ensina a viver de modo correto e nos fornece os elementos para uma análise crítica do mundo."

The Rings of Saturn — with its curious archive of photographs — records a walking tour along the east coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager empress Tzu Hsi, and the silk industry in Norwich.