How far would you go for happily ever after? For as long as she can remember, Evangeline Fox has believed in true love and happy endings... until she learns that the love of her life will marry another. Desperate to stop the wedding and to heal her wounded heart, Evangeline strikes a deal with the charismatic but wicked Prince of Hearts. In exchange for his help, he asks for three kisses, to be given at the time and place of his choosing. But after Evangeline’s first promised kiss, she learns that bargaining with an immortal is a dangerous game—and that the Prince of Hearts wants far more from her than she’d pledged. He has plans for Evangeline, plans that will either end in the greatest happily ever after or the most exquisite tragedy...

In this dark and seductive YA fantasy debut, a siren must choose between protecting her family and following her heart in a prejudiced kingdom where her existence is illegal.Saoirse Sorkova survives on lies. As a soldier-in-training at the most prestigious barracks in the kingdom, she lies about being a siren to avoid execution. At night, working as an assassin for a dangerous group of mercenaries, Saoirse lies about her true identity. And to her family, Saoirse tells the biggest lie of all: that she can control her siren powers and doesn't struggle constantly against an impulse to kill.As the top trainee in her class, Saoirse would be headed for a bright future if it weren't for the need to keep her secrets out of the spotlight. But when a mysterious blackmailer threatens her sister, Saoirse takes a dangerous job that will help her investigate: she becomes personal bodyguard to the crown prince.Saoirse should hate Prince Hayes. After all, his father is the one who enforces the kingdom's brutal creature segregation laws. But when Hayes turns out to be kind, thoughtful, and charming, Saoirse finds herself increasingly drawn to him-especially when they're forced to work together to stop a deadly killer who's plaguing the city. There's only one problem: Saoirse is that deadly killer.Featuring an all Black and Brown cast, a forbidden romance, and a compulsively dark plot full of twists, this thrilling YA fantasy is perfect for fans of A Song Below Water and To Kill a Kingdom.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

When your nemesis also happens to be your fiancé, happily ever after becomes a lot more complicated in this wickedly funny, lovers-to-enemies-to-lovers romantic comedy debut. Naomi Westfield has the perfect fiancé: Nicholas Rose holds doors open for her, remembers her restaurant orders, and comes from the kind of upstanding society family any bride would love to be a part of. They never fight. They're preparing for their lavish wedding that's three months away. And she is miserably and utterly sick of him. Naomi wants out, but there's a catch: whoever ends the engagement will have to foot the nonrefundable wedding bill. When Naomi discovers that Nicholas, too, has been feigning contentment, the two of them go head-to-head in a battle of pranks, sabotage, and all-out emotional warfare. But with the countdown looming to the wedding that may or may not come to pass, Naomi finds her resolve slipping. Because now that they have nothing to lose, they're finally being themselves--and having fun with the last person they expect: each other.

With the verve and bite of My Year of Rest and Relaxation and the whip-smart, wisecracking sensibility of a golden-age Hollywood heroine, Marlowe Granados’s stunning début brilliantly captures a summer of striving in New York City. Refreshing and wry in equal measure, Happy Hour is an intoxicating novel of youth well spent. Isa Epley is all of twenty-one years old, and already wise enough to understand that the purpose of life is the pursuit of pleasure. After a sojourn across the pond, she arrives in New York City for a summer of adventure with her best friend, one newly blond Gala Novak. They have little money, but that’s hardly going to stop them from having a good time. In her diary, Isa describes a sweltering summer in the glittering city. By day, the girls sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side to the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Money runs ever tighter and the strain tests their friendship as they try to convert their social capital into something more lasting than their precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour announces a dazzling new talent in Marlowe Granados, whose exquisite wit recalls Anita Loos’s 1925 classic, Gentlemen Prefer Blondes, updated to evoke a recent, golden period of hope and transformation—the summer of 2013. A cri de cœur for party girls and anyone who has ever felt entitled to an adventure of their own, Happy Hour is an effervescent tonic for the ails of contemporary life.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

Young, headstrong Psyche has captured the eye of every suitor with her beauty – but also, unfortunately, the jealous gaze of the goddess Aphrodite. As punishment, Psyche is tied to a rock to be sacrificed to a ‘monstrous husband’. And yet, no monster arrives: instead, she is spirited away by Aphrodite’s daughter Eros. Eros, goddess of desire, can change gender at will. And in her hidden palace, she visits her bride under the cloak of darkness: Psyche is forbidden to gaze upon the face of her lover. But as they explore each other’s bodies and discover new pleasures, Psyche is tempted to break her vow… even if it brings down the wrath of the gods. A gloriously anarchic and seductive retelling of the myth of Psyche and Eros, groundbreaking, gender-fluid and hugely enjoyable, this is a masterpiece from Caro De Robertis, a writer described by Madeline Miller as ‘brilliant and luminous’.