A haunting coming-of-age tale following the daughter of Vietnamese immigrants, Ronny Nyugen, as she grapples with the weight of generational trauma while navigating the violent power of teenage girlhood, for fans of Jennifer’s Body and Little Fires Everywhere. It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba. Their parents rarely speak of their past in Vietnam, except through the lens of food. The family’s meals are a tapestry of cultural thick spring rolls with slim and salty nem nuong, and steaming bowls of pho tai with thin, delicate slices of blood-red beef. In the aftermath of the war, Me and Ba taught Ronny and Tommy that meat was a dangerous luxury, a symbol of survival that should never be taken for granted. But when tragedy strikes, Ronny’s world is upended. Her sense of self and her understanding of her family are shattered. A few nights later, at her first high school party, a boy crosses the line, and Ronny is overtaken by a force larger than herself. This newfound power comes with an insatiable hunger for raw meat, a craving that is both a saving grace and a potential destroyer. What Hunger is a visceral, emotional journey through the bursts and pitfalls of female rage. Ronny’s Vietnamese lineage and her mother’s emotional memory play a crucial role in this tender ode to generational trauma and mother-daughter bonding.

From award-winning poet Vanessa Angélica Villarreal comes a brilliant, singular collection of essays that looks to music, fantasy, and pop culture to excavate and reimagine what has been disappeared by the forces of migration and colonialism.   In Magical/Realism, Vanessa Angélica Villarreal offers us an intimate mosaic of migration, violence, and colonial erasure through the lens of her marriage and her experiences navigating American monoculture. As she attempts to recover the truth from the absences and silences within her life, her relationships, and those of her ancestors, Vanessa pieces together her story from the fragments of music, memory, and fantasy that have helped her make sense of it all.    The trauma of remembering gives the collection its unique Each chapter is an attempt to reimagine and re-world what has been lost. In one essay, Vanessa examines the gender performativity of Nirvana and Selena; in another, she offers a radical but crucial racial reading of Jon Snow in Game of Thrones; and throughout the collection, she explores how fantasy can provide healing when grief feels insurmountable. She reflects on the moments of her life that are too painful to remember—her difficult adolescence, her role as the eldest daughter of Mexican immigrants, her divorce—and finds a new way to archive her history and map her future(s), one infused with the hope and joy of fantasy and magical thinking.   By engaging readers in her project of rebuilding narrative, Vanessa broadens our understanding of what memoir and cultural criticism can be. Magical/Realism is a wise, tender, and essential collection that carves a path toward a new way of remembering and telling our stories.

Meditations on time, motherhood, and the ordinary beauty of everyday life Like a newborn’s patterns of sleeping and waking, the revelations of motherhood don’t follow a reasonable schedule, and there’s no clocking out. Organized around the hours of the day, Foxes for Everybody gives voice to the marvels, fears, absurdities, and astonishments of parenthood. These essays offer twenty-four glimpses into how we experience time, our families, our planet, and all of those small moments that aren’t small at all. In memories and reflections that weave through tornadoes and jellyfish, cemeteries and carousels, mortality, mental health, and the exquisite gift of a perfect sentence, acclaimed writer Catherine Pierce reminds us that fear and joy can and do live side by side, and urges us to stay awake—even when, especially when, we’re at the brink of exhaustion—to the possibility of wonder.

An addictive, absurd, and darkly hilarious debut novel about a young woman who embarks on a ten-day getaway with her partner and two other queer couplesSasha and Jesse are professionally creative, erotically adventurous, and passionately dysfunctional twentysomethings making a life together in Brooklyn. When a pair of older, richer lesbians—prominent news host Jules Todd and her psychotherapist partner, Miranda—invites Sasha and Jesse to their country home for the holidays, they’re quick to accept. Even if the trip includes a third couple—Jesse’s best friend, Lou, and their cool-girl flame, Darcy—whose It-queer clout Sasha ridicules yet desperately wants.As the late December afternoons blur together in a haze of debaucherous homecooked feasts and sweaty sauna confessions, so too do the guests’ secret and shifting motivations. When Jesse and Darcy collaborate an ill-fated livestream performance, a complex web of infatuation and jealousy emerges, sending Sasha down a spiral of destructive rage that threatens each couple’s future.Unfolding over ten heady days, Dykette is an unforgettable love story at the crossroads of queer nonconformity and seductive normativity. With propulsive plotting and sexy, wickedly entertaining prose, Jenny Fran Davis captures the vagaries of desire and the many devastating places in which we seek recognition.

Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it. Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is. Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

An exuberant novel about a young woman’s quest to carve her own path—even if she needs to step over a few dead bodies along the way It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be married to Drew, a man who says he loves her. But Celia’s contentment with her little life is shattered when a woman she knows is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die—or kill—for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her final breath? Before Celia knows it her musings about love-and-death happenings are bleeding into daily life. She’s practicing her marksmanship at a local gun range. She's searching for a love tryst of her very own. She's thinking about how good it would feel to bury something sharp inside her domineering husband’s ear. It’s all pretend, though, until the night comes when Celia finally goes too far, and she and Drew are set on a deadly collision course. Exhilarating, surreal, and bitingly clever, Evil Genius is a comic noir about obsession and desire—and what happens when a sweetly seditious young woman dares to imagine a better life for herself. Claire Oshetsky is also the author of the novels Poor Deer and Chouette, which was longlisted for the PEN/Faulkner Award.